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Elisabeth Schellekens [20]E. Schellekens [2]
  1. Elisabeth Schellekens (2014). Goldie, Peter. The Mess Inside: Narrative, Emotion, & the Mind. Oxford University Press, 2012, Xi + 186 Pp., $55.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 72 (1):95-97.
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  2. Elisabeth Schellekens (2013). A Bridge Too Far: From Basic Exposure to Understanding in Artistic Experience. Behavioral and Brain Sciences 36 (2):156-157.
    In the context of a broad welcome to Bullot & Reber's (B&R's) proposals concerning the incorporation of contextual awareness into the study of the psychology of art appreciation, I raise two concerns. First, the proposal makes no allowance for degrees of relevance of contextual awareness to appreciation. Second, the authors assume that and can be maintained as separate phases or modes, but this may be more problematic than anticipated.
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  3. Elisabeth Schellekens (2012). Explanatory Dualism in Empirical Aesthetics A New Reading. Journal of Consciousness Studies 19 (9-10):9-10.
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  4. Elisabeth Schellekens (2011). Autonomy or Evolutionary Biology? In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. 223.
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  5. Elisabeth Schellekens & Peter Goldie (eds.) (2011). The Aesthetic Mind: Philosophy and Psychology. Oxford University Press.
    The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
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  6. Elisabeth Schellekens, Conceptual Art. Stanford Encyclopedia of Philosophy.
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  7. Peter Goldie & Elisabeth Schellekens (2009). Who's Afraid of Conceptual Art? Routledge.
    What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the (...)
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  8. E. Schellekens (2009). Review: Jerrold Levinson: Contemplating Art: Essays in Aesthetics. [REVIEW] Mind 118 (470):489-492.
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  9. Elisabeth Schellekens (2009). Art, Emotion, Ethics: Conceptual Boundaries and Kinds of Value. Philosophical Books 50 (3):158-171.
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  10. Elisabeth Schellekens (2009). Taste and Objectivity: The Emergence of the Concept of the Aesthetic. Philosophy Compass 4 (5):734-743.
    Can there be a philosophy of taste? This paper opens by raising some metaphilosophical questions about the study of taste – what it consists of and what method we should adopt in pursuing it. It is suggested that the best starting point for philosophising about taste is against the background of 18th-century epistemology and philosophy of mind, and the conceptual tools this new philosophical paradigm entails. The notion of aesthetic taste in particular, which emerges from a growing sense of dissatisfaction (...)
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  11. Elisabeth Schellekens (2008). A Reasonable Objectivism for Aesthetic Judgments: Towards An Aesthetic Psychology. Dissertation, University of London
    This doctoral thesis is an examination of the possibility of ascribing objectivity to aesthetic judgements. The aesthetic is viewed in terms of its being a certain kind of relation between the mind and the world; a clear understanding of aesthetic judgements will therefore be capable of telling us something important about both subjects and objects, and the ties between them. In view of this, one of the over-riding aims of this thesis is the promotion of an ‘aesthetic psychology’, a philosophical (...)
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  12. Peter Goldie & Elisabeth Schellekens (2007). Introduction. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
     
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  13. Peter Goldie & Elisabeth Schellekens (eds.) (2007). Philosophy and Conceptual Art. Oxford University Press.
    This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on.
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  14. Elisabeth Schellekens (2007). The Aesthetic Value of Ideas. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press.
     
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  15. Elisabeth Schellekens (2006). Review: An Introduction to Kant's Aesthetics: Core Concepts and Problems Edited by Wenzel, Christian Helmut. [REVIEW] Journal of Aesthetics and Art Criticism 64 (4):483–485.
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  16. Elisabeth Schellekens (2006). Towards a Reasonable Objectivism for Aesthetic Judgements. British Journal of Aesthetics 46 (2):163-177.
    This paper is concerned with the possibility of an objectivism for aesthetic judgements capable of incorporating certain ‘subjectivist’ elements of aesthetic experience. The discussion focuses primarily on a desired cognitivism for aesthetic judgements, rather than on any putative realism of aesthetic properties. Two cognitivist theories of aesthetic judgements are discussed, one subjectivist, the other objectivist. It is argued that whilst the subjectivist theory relies too heavily upon analogies with secondary qualities, the objectivist account, which allows for some such analogies at (...)
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  17. Elisabeth Schellekens (2005). Seeing is Believing' and 'Believing is Seeing. Acta Analytica 20 (4):10-23.
    The principal concern of my paper is a distinction between two ways of appreciating works of art, characterised here in terms of the phrases ‘seeing is believing’ and ‘believing is seeing’. I examine this distinction in the light of an epistemological requirement at times at least grounded in what David Davies, in his Art as Performance , refers to as the ‘common sense theory of art appreciation’ in order to assess exactly what aspect of the philosophical approach generally known as (...)
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  18. Stephen Davies, Robert Hopkins, Jenefer Robinson & Elisabeth Schellekens (2004). Aesthetics and Subjectivity: From Kant to Nietzsche. British Journal of Aesthetics 44 (3):304-307.
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  19. Elisabeth Schellekens (2004). Review: Aesthetics and Subjectivity: From Kant to Nietzsche, 2nd Edn. [REVIEW] British Journal of Aesthetics 44 (3):304-307.
  20. Elisabeth Schellekens (2004). The Emotions: A Philosophical Exploration, by Peter Goldie. Disputatio.
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  21. E. Schellekens (2002). Aesthetic Concepts--Essays After Sibley. Australasian Journal of Philosophy 80 (4):536-538.
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