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  1. Edgar Wind (1947). Penny, West, and the 'Death of Wolfe'. Journal of the Warburg and Courtauld Institutes 10:159-162.
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  2. Edgar Wind (1943). Harlequin Between Tragedy and Comedy. Journal of the Warburg and Courtauld Institutes 6:224-225.
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  3. Edgar Wind (1943). Milking the Bull and the He-Goat. Journal of the Warburg and Courtauld Institutes 6:225.
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  4. Edgar Wind (1943). Reynolds and Pope on Composite Beauty. Journal of the Warburg and Courtauld Institutes 6:223.
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  5. Edgar Wind (1943). The Lion Filled with Lilies. A Reminiscence of Leonardo in Hogarth. Journal of the Warburg and Courtauld Institutes 6:222-223.
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  6. Edgar Wind (1942). The Sources of David 's Horaces. Journal of the Warburg and Courtauld Institutes 4 (3/4):124-138.
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  7. Edgar Wind (1941). The Subject of Botticelli's "Derelitta". Journal of the Warburg and Courtauld Institutes 4 (1/2):114-117.
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  8. Edgar Wind (1940). A Self-Portrait of Greco. Journal of the Warburg and Courtauld Institutes 3 (1/2):141-142.
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  9. Edgar Wind (1940). Heine on Louis Philippe. Journal of the Warburg and Courtauld Institutes 3 (1/2):160-161.
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  10. Edgar Wind (1940). Julian the Apostate at Hampton Court. Journal of the Warburg and Courtauld Institutes 3 (1/2):127-137.
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  11. Edgar Wind (1939). 'Hercules' and 'Orpheus': Two Mock-Heroic Designs by Dürer. Journal of the Warburg Institute 2 (3):206-218.
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  12. Edgar Wind (1938). A Mediæval Formula in Kant. Journal of the Warburg Institute 2 (1):64.
  13. Edgar Wind (1938). "Borrowed Attitudes" in Reynolds and Hogarth. Journal of the Warburg Institute 2 (2):182-185.
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  14. Edgar Wind (1938). Charity: The Case History of a Pattern. Journal of the Warburg Institute 1 (4):322-330.
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  15. Edgar Wind (1938). Homo Platonis. Journal of the Warburg Institute 1 (3):261.
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  16. Edgar Wind (1938). Ruins and Echoes. Journal of the Warburg Institute 1 (3):259.
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  17. Edgar Wind (1938). Shaftesbury as a Patron of Art. Journal of the Warburg Institute 2 (2):185-188.
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  18. Edgar Wind (1938). The Criminal-God. Journal of the Warburg Institute 1 (3):243-245.
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  19. Edgar Wind (1938). The Crucifixion of HAMAN. Journal of the Warburg Institute 1 (3):245-248.
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  20. Edgar Wind (1938). The Four Elements in Raphael's 'Stanza Della Segnatura'. Journal of the Warburg Institute 2 (1):75-79.
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  21. Edgar Wind (1938). The Revolution of History Painting. Journal of the Warburg Institute 2 (2):116-127.
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  22. Edgar Wind (1938). Utopian Ruins. Journal of the Warburg Institute 1 (3):259-260.
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  23. Edgar Wind (1937). An Emendation of Pope by Lessing. Journal of the Warburg Institute 1 (1):78-79.
  24. Edgar Wind (1937). Albrecht Von Brandenburg as St. Erasmus. Journal of the Warburg Institute 1 (2):142-162.
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  25. Edgar Wind (1937). Comments on an Observation by Reynolds. Journal of the Warburg Institute 1 (1):70-71.
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  26. Edgar Wind (1937). Donatello's Judith: A Symbol of 'Sanctimonia'. Journal of the Warburg Institute 1 (1):62-63.
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  27. Edgar Wind (1937). In Defence of Composite Portraits. Journal of the Warburg Institute 1 (2):138-142.
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  28. Edgar Wind (1937). Ænigma Termini. Journal of the Warburg Institute 1 (1):66-69.
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  29. Edgar Wind (1937). Platonic Justice, Designed by Raphael. Journal of the Warburg Institute 1 (1):69-70.
  30. Edgar Wind (1937). The Christian Democritus. Journal of the Warburg Institute 1 (2):180-182.
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  31. Edgar Wind (1937). The Saint as Monster. Journal of the Warburg Institute 1 (2):183.
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  32. Edgar Wind (1937). Verrio's 'Terribilità'. Journal of the Warburg Institute 1 (2):184-185.
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  33. Edgar Wind (1932). Θεῖος Φόβος. Untersuchungen über die Platonische Kunstphilosophie. Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 26:349-373.
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  34. Edgar Wind (1927). Alfred C. Elsbach's Kant Und Einstein. Journal of Philosophy 24 (3):64-71.
  35. Edgar Wind (1925). I. Contemporary German Philosophy. Journal of Philosophy 22 (18):477-493.
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  36. Edgar Wind (1925). II. Contemporary German Philosophy. Journal of Philosophy 22 (19):516 - 530.
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  37. Edgar Wind (1925). Theory of Art Versus Aesthetics. Philosophical Review 34 (4):350-359.
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