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  1. Edward Branigan (forthcoming). O Plano-Ponto-de-Vista. Teoria.
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  2. Edward Branigan (2006). Projecting a Camera : Language-Games in Film Theory. Routledge.
    In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in (...)
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  3. Edward Branigan (2002). Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures". Substance 31 (1):105-114.
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  4. Edward Branigan (1999). Sound, Epistemology, Film. In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oup Oxford.
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  5. Edward Branigan (1989). Sound and Epistemology in Film. Journal of Aesthetics and Art Criticism 47 (4):311-324.
  6. Edward Branigan (1986). Diegesis and Authorship in Film. Iris 7:37-54.
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