9 found
Order:
Disambiguations:
Edward Branigan [9]Edward R. Branigan [1]
  1. Edward Branigan (2002). Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures". Substance 31 (1):105-114.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  2.  92
    Edward Branigan (1989). Sound and Epistemology in Film. Journal of Aesthetics and Art Criticism 47 (4):311-324.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  3.  1
    Edward Branigan & George M. Wilson (1988). Narration in Light: Studies in Cinematic Point of View. Substance 17 (2):118.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  4. Edward Branigan (1986). Diegesis and Authorship in Film. Iris 7:37-54.
     
    Export citation  
     
    My bibliography  
  5. Edward Branigan (2002). Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures". Substance 31 (1):105.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  6. Edward Branigan (forthcoming). O Plano-Ponto-de-Vista. Teoria.
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  7.  86
    Edward Branigan (2006). Projecting a Camera : Language-Games in Film Theory. Routledge.
    In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  8. Edward Branigan (1999). Sound, Epistemology, Film. In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. OUP Oxford
     
    Export citation  
     
    My bibliography  
  9. Charles O'Brien, David Bordwell & Edward Branigan (1986). Narration in the Fiction FilmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. Substance 15 (3):96.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography