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  1.  19
    Elizabeth Burns Coleman (2004). Aboriginal Art and Identity: Crossing the Border of Law's Imagination. Journal of Political Philosophy 12 (1):20–40.
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  2.  17
    Elizabeth Burns Coleman (2001). Aboriginal Painting: Identity and Authenticity. Journal of Aesthetics and Art Criticism 59 (4):385–402.
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  3.  18
    Elizabeth Burns Coleman, Rosemary J. Coombe & Fiona MacArailt (2009). A Broken Record: Subjecting 'Music'to Cultural Rights. In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley
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  4.  14
    Elizabeth Burns Coleman (2011). The Offenses of Blasphemy: Messages in and Through Art. [REVIEW] Journal of Value Inquiry 45 (1):67-84.
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  5.  1
    Elizabeth Burns Coleman & Caron Eastgate Dann (2016). Privacy and the Public Interest. Empedocles: European Journal for the Philosophy of Communication 7 (1):57-70.
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  6.  17
    Elizabeth Burns Coleman (2004). Appreciating "Traditional" Aboriginal Painting Aesthetically. Journal of Aesthetics and Art Criticism 62 (3):235-247.
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  7.  1
    Elizabeth Burns Coleman (2010). Art and Ethical Criticism. Australasian Journal of Philosophy 88 (2):375-376.
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