Online research in philosophy

Recent scandals allegedly linked to CEO compensation have brought executive compensation and perquisites to the forefront of debate about constraining executive compensation and reforming the associated corporate governance structure. We briefly describe the structure of executive compensation, and the agency theory framework that has commonly been used to conceptualize executives acting on behalf of shareholders. We detail some criticisms of executive compensation and associated ethical issues, and then discuss what previous research suggests are likely intended and unintended consequences of some (...) widely proposed executive compensation reforms. We explicitly discuss the following recommendations for reform: require greater independence of compensation committees, require executives to hold equity in the corporation, require greater disclosure of executive compensation, increase institutional investor involvement in corporate governance (including executive compensation), and require firms to expense stock options on their income statements. We provide a brief summary discussion of ethical issues related to executive compensation, and describe possible future research. (shrink)

This paper recovers and investigates the work of two forgotten figures in the history of American philosophy: Ella Lyman Cabot and Mary Parker Follett. It focuses on Cabot's work, developed between 1889 and 1906. During this period, Cabot took several classes given by Josiah Royce at Radcliffe College. Cabot's work creatively extends Royce's early thinking on the issues of growth, unity, and loyalty. This paper claims that Cabot's writing serves as a valuable type of Roycean interpretation—an interpretation that sheds (...) light on Royce's philosophy while redeploying his thinking in ways that explore its ethical and social implications. Cabot is an important figure in the community of classical American thinkers, a figure who deserves greater attention. This analysis concludes with a brief discussion of Cabot's legacy as it is carried on by Mary Parker Follett's progressive and feminist writings published in the early decades of the 1900s. Follett's contribution to the field of organizational management reveals her affinity with Cabot and variety of other American thinkers. (shrink)

Equality in Difference: Hierarchical Multiculturalism and Membership Illusions Content Type Journal Article Category Book Review Pages 489-494 DOI 10.1007/s10746-011-9193-x Authors Ella Schmidt, Department of Anthropology, Criminology, and Interdisciplinary Social Sciences, University of South Florida-St. Petersburg, St. Petersburg, FL, USA Journal Human Studies Online ISSN 1572-851X Print ISSN 0163-8548 Journal Volume Volume 34 Journal Issue Volume 34, Number 4.

In a recent article, Hans Maes argues that examples drawn from contemporary visual art shed new light on the long-standing and seemingly intractable debate between Hypothetical Intentionalism (HI) and Moderate Actual Intentionalism (AI). He presents two test cases that, he argues, tilt the scale in favour of AI. In this paper I re-examine Maes's two test cases, and argue that neither succeeds as a test case. The first case fails because it confuses a relevant fact about the artwork with the (...) artist's intentions for the work. The second case fails because the work in question does not count as an utterance. The failure of Maes's examples suggests that the interpretive norms surrounding contemporary visual art cannot settle the debate between AI and HI. (shrink)

Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter-relations between the appreciative and ethical character of works as art. Consideration of these issues has a (...) distinguished philosophical history but as the Compass survey article suggests ('Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value.' Philosophy Compass 1.2 (2006): 129–43), it is only very recently that figures in the field have returned to it to develop more precisely what they take the relationships to be and why. Consensus is, unsurprisingly, lacking. The reinvigoration of the issues has led sophisticated formalists or autonomists to mount a more considered defence of the idea that aesthetic and literary values are indeed conceptually distinct from the justification or otherwise of the moral perspective or views endorsed in a work (Topic I). The challenges presented by such a defence are many but amongst them are appeals to critical practice (Lamarque and Olsen), scepticism about whether or not art really can give us bona fide knowledge (Stolnitz) and the recognition that truth often seems to be far removed from what it is we value in our appreciation of works (Lamarque). One way to motivate consideration of the relevance of a work's moral character to its artistic value concerns the phenomena of imaginative resistance. At least sometimes it would seem that, as Hume originally suggested, we either cannot or will not enter imaginatively into the perspective solicited by a work due to its morally problematic character (Topic II). In some cases, it would seem that as a matter of psychological fact, we cannot do so since it is impossible for us to imagine how it could be that a certain attitude or action is morally permissible or good (Walton). The question then is whether or not this is a function of morality in particular or constraints on imaginative possibility more generally and what else is involved. At other times, the phenomena seem to be driven by a moral reluctance to allow ourselves to enter into the dramatic perspective involved (Moran) or evaluation of the attitude expressed (Stokes). Nonetheless, it is far from obvious that this is so of all the attitudes or responses we judge to be morally problematic. After all, it looks like we can and indeed often do suspend or background particular cognitive and moral commitments in engaging with all sorts of works (Nichols and Weinberg). If the moral character of a work interacts with how we appreciate and evaluate them, then the pressing question is this: is there any systematic account of the relationship available to us? One way is to consider the relationship between our emotional responses to works and their moral character (Topic III). After all, art works often solicit various emotional responses from us to follow the work and make use of moral concepts in so doing (Carroll). Indeed, whether or not a work merits the sought for emotional responses often seems to be internally related to ethical considerations (Gaut). Yet, it is not obvious that we should apply our moral concepts or respond emotionally in our imaginative engagement with works as art as we should in real life (Kieran, Jacobson). A different route is via the thought that art can convey knowledge (Topic IV). There might be particular kinds of moral knowledge art distinctively suited to conveying (Nussbaum) or it may just be that art does so particularly effectively (Carroll, Gaut, Kieran). Either way where this can be tied to the artistic means and appreciation of a work it would seem that to cultivate moral understanding contributes to the value of a work and to betray misunderstanding is a defect. Without denying the relevance of the moral character of a work some authors have wanted to claim that sometimes the immoral aspect of a work can contribute to rather than lessen its artistic value (Topic V). One route is to claim that there is no systematic theoretical account of the relationship available and what the right thing to say is depends on the particular case involved (Jacobson). Another involves the claim that this is so when the defect connects up in an appropriate way to one of the values of art. Thus, it has been claimed, only where a work reveals something which adds to intelligibility, knowledge or understanding in virtue of its morally problematic aspect can this be so (Kieran). The latter position looks like it could in principle be held whilst nonetheless maintaining that the typical or standard relationship is as the moralists would have it. Yet perhaps allowing valence change for such reasons is less a mark of principled explanation and more a function of downright inconsistency or incoherence (Harold). The topics themselves and suggested readings given below follow the structure articulated above as further amplified in the Compass survey article. The design and structure given below can be easily compressed or expanded further. Author Recommends 1. Carroll, Noël. 'Art, Narrative and Moral Understanding.' Aesthetics and Ethics: Essay at the Intersection . Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 126–60. This article develops the idea that engaging with narrative art calls on moral concepts and emotions and can thereby clarify our moral understanding. 2. Carroll, Noël. Beyond Aesthetics: Philosophical Essays . Cambridge: Cambridge UP, 2009. Part IV consists of six distinct essays on questions concerning the inter-relations between art and morality including the essay cited above and the author's articulation and defence of moderate moralism. 3. Gaut, Berys. 'The Ethical Criticism of Art.' Aesthetics and Ethics: Essay at the Intersection . Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. 4. Gaut, Berys. Art, Emotion and Ethics . Oxford: Oxford UP, 2007. This monograph provides the most exhaustive treatment of the issues and defends the claim that, where relevant, whenever a work is morally flawed it is of lesser value as art and wherever it is morally virtuous the work's value as art is enhanced. Chapters 7 and 8 defend concern ethical knowledge and chapter 10 is a development of the article cited above concerning emotional responses. Chapter 3 also gives a useful conceptual map of the issues and options in the debate. 5. Jacobson, Daniel. 'In Praise of Immoral Art.' Philosophical Topics 25 (1997): 155–99. A wide ranging and extended treatment of relevant issues which objects to generalising moral treatments of our responses to art works and defends the idea that particular works can be better because of rather than despite their moral defects. 6. Kieran, Matthew. 'Forbidden Knowledge: The Challenge of Cognitive Immoralism.' Art and Morality . Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. A general argument for immoralism is elaborated by outlining when, where and why a work's morally problematic character can contribute to its artistic value for principled reasons (through enhancing moral understanding). 7. Kieran, Matthew. Revealing Art . London: Routledge, 2005. Chapter 4. This chapter argues against both aestheticism and straightforward moralism about art, elaborating a defence of immoralism in relation to visual art whilst ranging over issues from pornographic art to the nature and demands of different genres in art. 8. Lamarque, Peter. 'Cognitive Values in the Arts: Marking the Boundaries.' Contemporary Debates in Aesthetics and the Philosophy of Art. Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. This article concisely outlines and defends a sophisticated aestheticism that denies the importance of truth to artistic value. 9. Stolnitz, Jerome. 'On the Cognitive Triviality of Art.' British Journal of Aesthetics 32.3 (1992): 191–200. This article articulates and defends the claim that no knowledge of any interesting or significant kind can be afforded by works appreciated and evaluated as art. 10. Walton, Kendall. 'Morals in Fiction and Fictional Morality, I.' Proceedings of the Aristotelian Society, Suppl. 68 (1994): 27–51. This article builds on some comments from Hume to develop the idea that when engaging with fictions it seems impossible imaginatively to enter into radically deviant moral attitudes. Online Materials 'Aesthetics and Ethics: The State of the Art.' American Society of Aesthetics online (Jeffrey Dean): http://www.aesthetics-online.org/articles/index.php?articles_id=15 >. 'Art, Censorship and Morality' downloadable podcast of Nigel Warburton interviewing Matthew Kieran at Tate Britain (BBC/OU Open2.net as part of the Ethics Bites series): http://www.open2.net/ethicsbites/art-censorship-morality.html >. 'Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value.' Philosophy Compass 1.2 (2006): 129–43 (Matthew Kieran): http://www3.interscience.wiley.com/journal/118557779/abstract >. 'Ethical Criticism of Art.' Internet Encyclopedia of Philosophy (Ella Peek): http://www.iep.utm.edu/a/art-eth.htm >. 'Fascinating Fascism.' New York Review of Books Piece Discussing Leni Riefenstahl (Susan Sontag): http://www.nybooks.com/articles/9280 >. 'The Beheading of St. John the Baptist (1450s), Giovanni de Paolo' (Tom Lubbock): http://www.independent.co.uk/arts-entertainment/art/great-works/great-works-the-beheading-of-st-john-the-baptist-1450s-giovanni-di-paolo-1684900.html >. Vladimir Nabokov and Lionel Trilling discuss Lolita (CBS): http://www.listal.com/video/3848698 >. Sample Syllabus Topic I Autonomism/Aestheticism • Anderson, James C. and Jeffrey T. Dean. 'Moderate Autonomism.' British Journal of Aesthetics 38.2 (1998): 150–66. • Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism . New York: Harcourt, Brace and World, 1958. Chapter 12. • Kant, Immanuel. The Critique of Judgement.Trans. James Creed Meredith . Oxford: Oxford UP, 1952 [1790]. • Lamarque, Peter. 'Cognitive Values in the Arts: Marking the Boundaries.' Contemporary Debates in Aesthetics and the Philosophy of Art . Ed. Matthew Kieran. Oxford: Blackwell, 2006, 127–39. • ——. 'Tragedy and Moral Value.' Australasian Journal of Philosophy 73.2 (1995): 239–49. • Lamarque, Peter and Stein Olsen. Truth, Fiction and Literature . Oxford: Clarendon Press, 1994. Chapter 10. • Stolnitz, Jerome. 'On the Cognitive Triviality of Art.' British Journal of Aesthetics 32.3 (1992): 191–200. Topic II Imaginative Capacities, Intelligibility and Resistance • Moran, Richard. 'The Expression of Feeling in Imagination.' Philosophical Review 103.1 (1994): 75–106. • Nichols, Shaun. 'Just the Imagination: Why Imagining Doesn't Behave Like Believing'. Mind & Language 21.4 (2006): 459–74. • Stokes, Dustin. 'The Evaluative Character of Imaginative Resistance'. British Journal of Aesthetics 46.4 (2006): 387–405. • Tanner, Michael. 'Morals in Fiction and Fictional Morality, II'. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 51–66. • Walton, Kendall (1994). 'Morals in Fiction and Fictional Morality, I'. Proceedings of the Aristotelian Society, Suppl. Vol. 68 (1994): 27–51. • Weinberg, Jonathan. 'Configuring the Cognitive Imagination.' New Waves in Aesthetics . Eds. K. Stock and K. Thomson-Jones. London: Palgrave Macmillan, 2008. 203–23. Topic III Moralism and Emotions • Carroll, Noël. 'Moderate Moralism.' British Journal of Aesthetics 36.3 (1996): 223–37. • Carroll, Noël. 'Art, Narrative and Moral Understanding.' Aesthetics and Ethics: Essay at the Intersection . Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998.126–60. • Gaut, Berys. Art, Emotion and Ethics . Oxford: Oxford UP, 2007. Chapter 10. • ——. 'The Ethical Criticism of Art.' Aesthetics and Ethics: Essay at the Intersection . Ed. Jerrold Levinson. Cambridge: Cambridge UP, 1998. 182–203. • Hume, David. 'Of the Standard of Taste.' Selected Essays . Oxford: Oxford UP, 1993 [1757]. 133–53. • Kieran, Matthew. 'Emotions, Art and Immorality.' Oxford Handbook to the Philosophy of Emotions . Ed. Peter Goldie. Oxford: Oxford UP, 2009. 681–703. • Tolstoy, Leo. What is Art? . London: Penguin, 2004. Chapters 5 and 15. Topic IV Moralism and Knowledge • Aristotle. Poetics . Trans. M. Heath. London: Penguin, 1996 [367–322 BC]. • Carroll, Noël. 'The Wheel of Virtue: Art, Literature and Moral Knowledge.' Journal of Aesthetics and Art Criticism 60.1 (2002): 3–26. • Gaut, Berys. Art, Emotion and Ethics . Oxford: Oxford UP, 2007. Chapters 7 and 8. • Gaut, Berys. 'Art and Cognition.' Contemporary Debates in Aesthetics and the Philosophy of Art . Ed. Matthew Kieran. Oxford: Blackwell, 2006. 115–26. • Kieran, Matthew. 'Art, Imagination and the Cultivation of Morals.' Journal of Aesthetics and Art Criticism 54.4 (1996): 337–51. • Nussbaum, Martha. 'Finely Aware and Richly Responsible: Literature and the Moral Imagination.' Love's Knowledge . New York: Oxford UP, 1990. 148–68. • Plato. The Republic . Trans. D. Lee. Harmondsworth: Penguin, 1974. Book 10. Topic V Immoralist Contextualism • Harold, James. 'Immoralism and the Valence Constraint.' British Journal of Aesthetics 48.1 (2008): 45–64. • Jacobson, Daniel. 'In Praise of Immoral Art.' Philosophical Topics 25 (1997): 155–99. • ——. 'Ethical Criticism and the Vices of Moderation.' Contemporary Debates in Aesthetics and the Philosophy of Art . Ed. Matthew Kieran. Oxford: Blackwell, 2006. 342–55. • John, Eileen. 'Artistic Value and Moral Opportunism.' Contemporary Debates in Aesthetics and the Philosophy of Art . Ed. Matthew Kieran. Oxford: Blackwell, 2006. 331–41. • Kieran, Matthew. 'Forbidden Knowledge:The Challenge of Cognitive Immoralism.' Art and Morality . Ed. Sebastian Gardner and José Luis Bermúdez. London: Routledge, 2003. 56–73. • Kieran, Matthew. Revealing Art . London: Routledge, 2005. Chapter 4. • Patridge, Stephanie. 'Moral Vices as Artistic Virtues: Eugene Onegin and Alice.' Philosophia 36.2 (2008): 181–93. Focus Questions 1. What is the strongest argument for the claim that the moral character of a work is not relevant to its artistic value? Does artistic or literary criticism tend to concern itself with the truth or morality of works? If so, in what ways? If not, why do you think this is? 2. What different explanations might there be for difficulty with or resistance to imaginatively entering into attitudes you take to be immoral? How might this relate to the way our imaginings work as contrasted with belief? How might different literary or artistic treatments of the same subject matter make a difference? 3. How do narrative works draw on our moral concepts and responses? Can we suspend our normal moral commitments or application of moral concepts in responding emotionally to art works? Should we respond emotionally to art works as we ought to respond to real world events we witness? Why? Why not? 4. How, if at all, do art works convey moral understanding? How, if at all, is this related to the kinds of moral knowledge art works can teach or reveal to us? When, where and why might this be tied to the artistic value of a work? How can we tell where a work enhances our moral understanding as opposed to misleading or distorting it? 5. What art works do you value overall as art which commend or endorse moral values and attitudes that you do not? Is appreciation of them always marred or lessened by the morally dubious aspect? If not, what explains the differences in evaluation? What, if anything, might you learn by engaging with works which endorse moral attitudes or apply moral concepts different from those you take to be justified? How, if at all, might this connect up with what makes them valuable as art? (shrink)

On Sept 15, 2008, ‘‘Dark Monday,’’ the world witnessed a radical reshaping of Wall Street. Lehman Brothers fell toward bankruptcy; Merrill Lynch was sold to its rival, Bank of America; and AIG pleaded for $40 billion in government relief. Those calamities marched in step with a dismal parade including the US government takeover of Fannie Mae and Freddie Mac, the bailout of Bear Stearns, and the entire subprime debacle. We rightly blame Wall Street leaders for bungling business decisions, for misestimating (...) risk and overloading banks with single-strategy investments. We now are living with the aftermath of these business mistakes. But how about ethical mistakes? Were they, too, part of the crisis? (shrink)

: This essay examines the stereotype that transgender people are "deceivers" and the stereotype's role in promoting and excusing transphobic violence. The stereotype derives from a contrast between gender presentation (appearance) and sexed body (concealed reality). Because gender presentation represents genital status, Bettcher argues, people who "misalign" the two are viewed as deceivers. The author shows how this system of gender presentation as genital representation is part of larger sexist and racist systems of violence and oppression.

This paper examines Harold Garfinkel's notion of the natural attitude about sex and his claim that it is fundamentally moral in nature. The author looks beneath the natural attitude in order to explain its peculiar resilience and oppressive force. There she reveals a moral order grounded in the dichotomously sexed bodies so constituted through boundaries governing privacy and decency. In particular, naked bodies are sex-differentiated within a system of genital representation through gender presentation—a system that helps constitute the very boundaries (...) between the public and private. (shrink)

This paper engages the extended cognition controversy by advancing a theory which fits nicely into an attractive and surprisingly unoccupied conceptual niche situated comfortably between traditional individualism and the radical externalism espoused by the majority of supporters of the extended mind hypothesis. I call this theory moderate active externalism, or MAE. In alliance with other externalist theories of cognition, MAE is committed to the view that certain cognitive processes extend across brain, body, and world—a conclusion which follows from a theory (...) I develop in “Synergic Coordination: an argument for cognitive process externalism.” Yet, in contradistinction with radical externalism, and in agreement with the internalist orthodoxy, MAE defends the view that mental states are situated invariably inside our heads. This is done, inter alia, by developing a novel hypothesis regarding the vehicles of content (in “Extended cognition without externalized mental states”, and by criticizing arguments in support of mental states externalism (in “Reflections and objections”). The result, I believe, is a coherent theoretical alternative worthy of serious consideration. (shrink)

Global changes in capital, power, technology and the media have caused massive shifts in how we define home and community, leaving redrawn territories and globalized contexts. This interdisciplinary study of the media brings together essays by accomplished critics to discuss the way film, television, music, and computer and electronic media are shaping identities and cultures in an increasingly globalized world. Ranging from intensely personal to highly theoretical, the contributors explore our complex negotiation of "home" and homeland" in a postmodern world. (...) Contributors: Homi Bhabha, Thomas Elsaesser, Rosa Linda Fregoso, Teshome H. Gabriel, George Lipsitz, Margaret Morse, David Morley, John Peters, Patricia Seed, Ella Shohat, and Vivian Sobchack. (shrink)

This paper briefly examines the relationship between chance, creativity and ethics in Peirce's development of tychism. In the early 1900s Peirce began to suggest that chance ought to be understood as a type of agency or as "psychical action" upon matter. I discuss the ethical implicaof this suggestion. Peirce remained reticent to translate the speculations concerning chance and purpose into the language of applied ethics. It is for this reason that I look to Ella Lyman Cabot to extend Peirce's (...) metaphysical speculations. Cabot was an active interlocutor with Josiah Royce between 1888 and 1916. In comparison to Peirce, Cabot's interest in chance is overtly ethical; she believed that a specific orientation to chance events can dramatically alter the course of human conduct. This point is made clear in her unpublished papers from 1902 and in her Everyday Ethics (1906). Cabot's work stands as an original contribution to the canon that deserves serious attention. (shrink)

En este articulo se pretende mostrar la idea de Kierkegaard del individuo singular, desde las estructuras de libertad y temporalidad. La libertad entendida no como liberaciön o libre arbitrio, sino como el devenir de la historicidad humana en relaciön a las cosas y la comunidad, de tal forma que el individuo singular en Kierkegaard no es ningün individualista o solipsista, sino que desde ella se puede recuperar la dimension de unidad personal tan anulada por los sucesos actuales de violaciön (...) a los derechos humanos. La temporalidad, se trata como la dimension humana, ontolögica y hermeneutica, donde la sintesis que es el individuo singular se desarrolla, de tal manera que temporalidad y libertad en Kierkegaard son la dimension misma del devenir humano. La libertad se trata en relaciön con la angustia, la desesperaciön y la pasiön de vivir. La temporalidad se diferencia del tiempo, del tiempo abstracto y del instante. El articulo hace una lectura horizontal de las obras pseudönimas de Kierkegaard como: El Concepto de la Angustia, La Enfermedad Mortal, La Alternativa, Temor y Temblor. (shrink)

Government-sponsored enterprises (GSEs) and quasi-autonomous non-governmental organizations (quangos) comprise a powerful organizational sector that has been criticized for its lack of accountability to governments and their citizens. These organizations are established to serve the public as a whole by targeting the needs of particular groups or fulfilling specific functions. Often they use practices adopted from the business sector, and sometimes they enter the marketplace as profit-making enterprises. In light of the contribution of GSE Fannie Mae to the 2008 world economic (...) crisis, the impact of this sector on effective democratic government bears further examination. In this article, I present a systems model that suggests how researchers might comprehensively assess the accountability of organizations in this sector, here termed the “gray sector,” with respect to their government missions. I focus on four systems dimensions: mission, organizational design, organizational outcomes, and the information feedback process. Organizational design and the nature of the sector population are cited as emerging issues of particular importance. (shrink)

La mayoría de los modelos científicos no son objetos físicos y esto origina cuestiones importantes. ¿Qué clase de entidad son los modelos?, ¿qué es la verdad en un modelo? Y ¿cómo aprendemos sobre los modelos? En este escrito, argumento que los modelos tienen importantes aspectos en común con la ficción literaria y que, por tanto, las teorías de la ficción pueden aplicarse a estas cuestiones. En particular, argumento que la teoría de la simulación como la desarrolla Walton (1990) tiene (...) los recursos para responder a estas cuestiones. Introduzco esta explicación, perfilo las respuestas que ofrece y desarrollo una imagen general del modelado científico basado en ella. (shrink)

Since Darwin's theory of evolution by natural selection, the idea of descent with modification came to dominate systematics, and so the study of morphology became subgugated to the reconstruction of phylogenies. Reinstating the organism in the theory of evolution (Ho & Saunders, 1979; Webster & Goodwin, 1982) leads to a project inrational taxonomy (Ho, 1986, 1988a), which attempts to classify biological forms on the basis of transformations on a given dynamical structure.Does rational taxonomy correspond to thenatural system that Linnaeus and (...) his contemporaries as well as all pre-Darwinian morphologists had in mind? Here, we examine how rational taxonomy and the natural system can coincide in the dynamics of processes generating forms during development, which conferexclusivity, genericity androbustness to the forms that do exist. We use the example of segmentation, especially inDrosophila, as an illustration to explore the implications of rational taxonomy for evolution and systematics, and the relationship between ontogeny and phylogeny. (shrink)

La aparición de un medio de transporte como el Ferrocarril Trasandino influyó en la percepción estética que los transeúntes formaron sobre la geografía local. La montaña surge como un elemento fundamental dentro de la poética de diversos autores, entre ellos la poeta chilena Gabriela Mistral. La cordillera y el acceso a ella, desde el Elqui hasta Los Andes, es un elemento troncal de su poesía, adquiriendo características particulares en cada etapa de su creación poética y visión política, las cuales (...) se analizarán en el presente artículo. The arrival of the Transandean Railway influenced the aesthetic perception that passers-by formed of the local geography. The mountain appears as a fundamental element of poetry in various authors, including Chilean poet Gabriela Mistral. The mountains and its access, from the Elqui to the Andes, are a core element of her poetry, acquiring particular characteristics at each stage of her poetic creation and political vision, which will be analyzed in this article. (shrink)

Although ethicists are increasingly interested in virtue ethics, very little has been written about the nature of virtue. Yet understanding it is crucial for understanding virtue ethics. Some philosophers of science claim that virtue is a property reducible to the mere disposition to behave in certain specified ways given a particular situation. A virtue is correctly ascribed after the observation of the relevant behavior. This view reverses the classical virtue ethics of Aristotle. For him, behavior is identified as virtuous in (...) the proper sense after determining that the agent has the relevant virtue. The focus on virtue rather than action differentiates virtue ethics from the action-centered theories that have been dominant untiI recently.In this paper, I argue that virtue is an actual qualily. In the first part, I review Aristotle’s claim that virtue is not a mere potentiality. In the second part, I propose that this claim is supported hy the fact that we are aware of some virtues as actual qualities. If and only if virtues are actual qualities can they be the fundamental values virtue ethicists claim they are. (shrink)

Cywydd Ffarwelio Rhys MERERID HOPWOOD Mae awr i fwynhau miri, y mae awr mi wn am hwyl cwmni, ond nawr, yn ein dathliad ni, mae un na fynnaf mo'ni. ...

Written between 1985 and 2005, the twelve essays in this collection include some of Shohat's best known pieces as well as one new essay.

En 1931, Rudolf Carnap publicó un artículo titulado "Die Überwindung der Metaphysik durch logische Analyse der Sprache" donde calificaba algunas expresiones de la conferencia de Martin Heidegger, "Was ist Metaphysik?", como 'sinsentidos'. Distinguía así entre expresiones (enunciados) 'con' y 'sin' sentido. Denunció que las que violaran el criterio empirista de significado serían del segundo tipo: 'pseudo-expresiones'. Sin embargo, Carnap reconocía desconocer la fuente exacta de los sinsentidos al comentar que expresaban algo, pero 'como lo hace un artista'. En 1936, Heidegger (...) reaccionaba explorando el 'como lo hace un artista' de Carnap en una conferencia en Zürich, "Der Ursprung des Kunstwerkes", donde distinguía, basado en la 'diferencia ontológica' de Sein und Zeit (1927), entre expresiones (lenguaje) 'de comunicación' y 'del ser'. En 1955, Heidegger fundaría esa distinción en términos de áreas de investigación, 'filosofía' y 'poesía', en la conferencia de Normandia, "Was ist das-die Philosophie?". En ella, Heidegger, no obstante, concluía, al igual que Carnap, no saber cómo distinguirlas, dado que el lenguaje acoge a ambas. Esta disputa por la prioridad entre tipos de expresión continúa en nuestros días (Stove 1991; Smith 1992; Lacoue-Labarthe 2002; Gadenne 2008; y Nef 2009). En este escrito, quisiera contribuir a la controversia ensayando una reconciliación entre lo que llamaré 'la concepción formal del mundo', representada por el realismo lógico, el empirismo lógico y las fenomenologías realista y trascendental, y 'la concepción informal del mundo', representada por la filosofía del lenguaje ordinario, la hermenéutica, la deconstrucción, el contextualismo y la poesía. La conclusión será una eliminación de las prioridades mediante una defensa biológica de la libertad de expresión. Em 1931, Rudolf Carnap publicou um artigo intitulado "Die Überwindung der Metaphysik durch logische Analyse der Sprache" onde qualificava algumas expressões da conferência de Martin Heidegger, "Was ist Metaphysik?", como 'sem sentido'. Distinguia assim entre expressões (enunciados) 'com' e 'sem' sentido. Denunciou que aquelas expressões que violassem o critério empirista de significado seriam do segundo tipo: 'pseudo-expressões'. Todavia, Carnap reconhecia desconhecer a fonte exata dos sem-sentidos ao comentar que expressavam algo, mas 'como o faz um artista'. Em 1936, Heidegger reagia explorando o 'como o faz um artista' de Carnap em uma conferência em Zürich, "Der Ursprung des Kunstwerkes", onde distinguia, baseado na 'diferença ontológica' de Sein und Zeit (1927), entre expressões (linguagem) 'de comunicação' e 'de ser'. Em 1955, Heidegger estabeleceria essa distinção em termos de áreas de investigação, 'filosofia' e 'poesia', na conferência de Normandia, "Was ist das-die Philosophie?". Nela, Heidegger concluia, contudo, do mesmo modo que Carnap, não saber como distingui-las, dado que a linguagem acolhe a ambas. Esta disputa pela prioridade entre tipos de expressão continua en nossos dias (Stove 1991; Smith 1992; Lacoue-Labarthe 2002; Gadenne 2008; y Nef 2009). Neste artigo, gostaria de contribuir à controvérsia procurando uma reconciliação entre o que chamarei 'a concepção formal do mundo', representada pelo realismo lógico, o empirismo lógico e as fenomenologias realista e trascendental, e 'a concepção informal do mundo', representada pela filosofia da linguagem ordinária, a hermenéutica, a desconstrução, o contextualismo e a poesia. A conclusão será uma eliminação das prioridades mediante uma defesa biológica da liberdade de expressão. (shrink)

ABSTRACT: In Giving Reasons, Bermejo-Luque rightly claims that a normative model of the speech act of argumentation is more defensible if it rests on an internal aim that is constitutive of the act of arguing than if it rests, as she claims existing normative models do, on an aim that one need not pursue when one argues. She rightly identifies arguing with trying to justify something. But it is not so clear that she has correctly identified the internal aim of (...) arguing as showing that a target-claim is correct on the basis that a reason offered in its support is correct. First, if arguing is as she claims an attempt to justify, it is best construed as an attempt to justify the action or emotion expressed in its conclusion. Second, it is doubtful that qualified reasons and conclusions can always be reasonably reconstructed as unqualified claims, and even more doubtful that non-constative reasons and conclusions can always be reasonably reconstructed as indirect claims. Third, she needs to explain and justify her introduction of the concepts of showing and correctness in her analysis of the act of arguing.RESUMEN: En Giving Reasons, Bermejo-Luque sostiene correctamente que un modelo normativo del acto de habla de la argumentación es más defendible si se basa en un objetivo interno constitutivo del acto de argumentar, que si se apoya en objetivos que que uno no necesita perseguir cuando argumenta, tal como, en su opinión, sucede con otros modelos normativos. Ella identifica correctamente argumentar con intentar justificar. Pero no está claro que haya acertado al identificar como objetivo interno de la argumentación el mostrar que una afirmación de referencia es correcta sobre la base de que las razones ofrecidas en su apoyo son correctas. En primer lugar, si argumentar, tal como ella defiende, es un intento de justificar, la mejor manera de interpretarlo es como intento de justificar la acción o emoción expresada en la conclusión. En segundo lugar, es dudoso que razones y conclusiones cualificadas puedan siempre ser reconstruidas razonablemente como afirmaciones no cualificadas, y más dudoso aún que razones y conclusiones no-constatativas puedan siempre ser reconstruidas razonablemente como afirmaciones indirectas. Más dudos aún es que podamos reconstruir razones y conclusiones no-constatativas como tesis indirectas. En tercer lugar, necesita explicar y justificar su introducción de los conceptos de mostrar y corrección en su análisis del acto de argumentar. (shrink)

Prior research has examined several ethical questions related to executive compensation. The issues that have received most attention are whether executives' pay is fair and justified by performance. Since more recent studies show that stock options grants constitute the single largest component in executive compensation, we examine the relations of these grants to economic determinants and corporate governance for firms in the stagnant stage of their lifecycle. We find that, on average, stock options grants comprise a significant portion of annual (...) CEO compensation (26.4%) for stagnant firms. We also find that economic (corporate governance) factors explain less (or more) of the cross-sectional variation in stock options grants for stagnant firms than for growth firms. Furthermore, we document lower pay-performance sensitivity (i.e., weaker incentive alignment) and no improvement in future firm performance from past stock options grants to CEOs of stagnant firms. In particular, our study provides empirical evidence on some inefficiencies associated with stock options grants to CEOs of low potential (stagnant) firms, a long-standing concern of business ethics researchers (Moriarty, 2005; Nichols and Subramaniam, 2001; Perel, 2003). Our results also provide support for the corporate governance reforms discussed in Matsumura and Shin (2005), especially those proposed provisions that curtail the power of CEOs in the governance of firms. (shrink)

We present a theoretical discussion of the sociological contribution concerning decisions in organizations. Two theories stand. The first, based on the decision process from a critical theory of the traditional linear multi rational by Lucien Sfez, argues that the decision is a process of interactions and treats it as an institutional process based on the freedom of the subject. The second theory based on self-referential systems by Niklas Luhmann, interprets organizations as systems-making, and understands the concept of decision as purely (...) epistemological specificity, abstracted from the decision of all the elements and organizational variables associated with it. Se expone un debate teórico sobre la aportación sociológica referente a las decisiones en las organizaciones. Sobresalen dos teorías de las decisiones. La primera, basada en el proceso de decisión a partir una teoría crítica de la multirracionalidad lineal elaborado por Lucien Sfez, al plantear que con la decisión se trata de un proceso de interacciones, al ser considerada como un proceso institucional fundamentado en la libertad del sujeto. La segunda fundamentada en la teoría de sistemas autorreferenciales, interpreta las organizaciones como sistemas de decisiones y entiende el concepto de decisión en su especificidad puramente epistemológica, al abstraer de la decisión de todos los elementos y variables organizacionales relacionados con ella (Niklas Luhmann). (shrink)

En 1931, Rudolf Carnap publicó un artículo titulado "Die Überwindung der Metaphysik durch logische Analyse der Sprache" donde calificaba algunas expresiones de la conferencia de Martin Heidegger, "Was ist Metaphysik?", como 'sinsentidos'. Distinguía así entre expresiones (enunciados) 'con' y 'sin' sentido. Denunció que las que violaran el criterio empirista de significado serían del segundo tipo: 'pseudo-expresiones'. Sin embargo, Carnap reconocía desconocer la fuente exacta de los sinsentidos al comentar que expresaban algo, pero 'como lo hace un artista'. En 1936, Heidegger (...) reaccionaba explorando el 'como lo hace un artista' de Carnap en una conferencia en Zürich, "Der Ursprung des Kunstwerkes", donde distinguía, basado en la 'diferencia ontológica' de Sein und Zeit (1927), entre expresiones (lenguaje) 'de comunicación' y 'del ser'. En 1955, Heidegger fundaría esa distinción en términos de áreas de investigación, 'filosofía' y 'poesía', en la conferencia de Normandia, "Was ist das-die Philosophie?". En ella, Heidegger, no obstante, concluía, al igual que Carnap, no saber cómo distinguirlas, dado que el lenguaje acoge a ambas. Esta disputa por la prioridad entre tipos de expresión continúa en nuestros días (Stove 1991; Smith 1992; Lacoue-Labarthe 2002; Gadenne 2008; y Nef 2009). En este escrito, quisiera contribuir a la controversia ensayando una reconciliación entre lo que llamaré 'la concepción formal del mundo', representada por el realismo lógico, el empirismo lógico y las fenomenologías realista y trascendental, y 'la concepción informal del mundo', representada por la filosofía del lenguaje ordinario, la hermenéutica, la deconstrucción, el contextualismo y la poesía. La conclusión será una eliminación de las prioridades mediante una defensa biológica de la libertad de expresión. Em 1931, Rudolf Carnap publicou um artigo intitulado "Die Überwindung der Metaphysik durch logische Analyse der Sprache" onde qualificava algumas expressões da conferência de Martin Heidegger, "Was ist Metaphysik?", como 'sem sentido'. Distinguia assim entre expressões (enunciados) 'com' e 'sem' sentido. Denunciou que aquelas expressões que violassem o critério empirista de significado seriam do segundo tipo: 'pseudo-expressões'. Todavia, Carnap reconhecia desconhecer a fonte exata dos sem-sentidos ao comentar que expressavam algo, mas 'como o faz um artista'. Em 1936, Heidegger reagia explorando o 'como o faz um artista' de Carnap em uma conferência em Zürich, "Der Ursprung des Kunstwerkes", onde distinguia, baseado na 'diferença ontológica' de Sein und Zeit (1927), entre expressões (linguagem) 'de comunicação' e 'de ser'. Em 1955, Heidegger estabeleceria essa distinção em termos de áreas de investigação, 'filosofia' e 'poesia', na conferência de Normandia, "Was ist das-die Philosophie?". Nela, Heidegger concluia, contudo, do mesmo modo que Carnap, não saber como distingui-las, dado que a linguagem acolhe a ambas. Esta disputa pela prioridade entre tipos de expressão continua en nossos dias (Stove 1991; Smith 1992; Lacoue-Labarthe 2002; Gadenne 2008; y Nef 2009). Neste artigo, gostaria de contribuir à controvérsia procurando uma reconciliação entre o que chamarei 'a concepção formal do mundo', representada pelo realismo lógico, o empirismo lógico e as fenomenologias realista e trascendental, e 'a concepção informal do mundo', representada pela filosofia da linguagem ordinária, a hermenéutica, a desconstrução, o contextualismo e a poesia. A conclusão será uma eliminação das prioridades mediante uma defesa biológica da liberdade de expressão. (shrink)

La autoevaluación institucional actualmente responde a las demandas de lograr una Universidad que esté a tono con los avances de la sociedad y a su vez se convierta en un reflejo de ella. En el artículo se realiza una valoración conceptual de las concepciones existentes sobre este proceso. Asimismo se ofrece una panorámica de las tendencias referidas a las diversas maneras de visualizar este fenómeno de innegable importancia para la vida y permanencia de las instituciones de educación superior. Nowadays, (...) institutional self-appraisal meets the demands of creating a university that keeps up with the new advances of society, and at the same time a university that becomes the reflection of its society. A conceptual assessment of the existing conceptions of this process is carried out in this article. Likewise, it is given a panoramic view of the tendencies referring to the different ways of visualizing this phenomenon of undeniable importance for the life and permanence of the higher education institutions. (shrink)

Davidson claims that a creature that has spent its entire life in isolation cannot have thoughts. His two reasons for this claim are that (i) interaction with another creature (what he calls "triangulation") is required to locate the cause of the creature's responses, and that (ii) linguistic communication is necessary to acquire the concept of objective truth, which is itself required in order to have thoughts. I argue that, at best, these two reasons imply that in order to have thoughts (...) a creature must be capable of participating in triangulation, not that it must have already participated in triangulation. I then argue that triangulation doesn't solve the ambiguity problem; that is, it doesn't entail that a being's thoughts and utterances are about distal objects rather than proximal patterns of stimulation. Fortunately, ambiguity, like other forms of indeterminacy, doesn't entail that we cannot have thoughts. /// Davidson afirma que una criatura que ha pasado su vida entera aislada no puede tener pensamientos. Aduce dos razones para esto: (i) que se requiere la interacción con otra criatura (lo que él llama "triangulación") para localizar la causa de las respuestas de la criatura, y (ii) que la comunicación lingüística es necesaria para adquirir el concepto de verdad objetiva, que a su vez es necesario para tener pensamientos. Argumento que, en el mejor de los casos, estas dos razones implican que para tener pensamientos una criatura debe ser capaz de participar en una triangulacion, no que ya debe haber participado en ella. Arguyo, además, que la triangulación no resuelve el problema de la ambigüedad, esto es, no implica que lo que un ser piensa y dice sea acerca de objetos distantes, más que de patrones de estimulacion próximos. Por fortuna, la ambigiiedad, como otras formas de indeterminación, no implica que no podamos tener pensamientos. (shrink)

How should politicians act? When should they try to lead public opinion and when should they follow it? Should politicians see themselves as experts, whose opinions have greater authority than other people's, or as participants in a common dialogue with ordinary citizens? When do virtues like toleration and willingness to compromise deteriorate into moral weakness? In this innovative work, Andrew Sabl answers these questions by exploring what a democratic polity needs from its leaders. He concludes that there are systematic, principled (...) reasons for the holders of divergent political offices or roles to act differently. Sabl argues that the morally committed civil rights activist, the elected representative pursuing legislative results, and the grassroots organizer determined to empower ordinary citizens all have crucial democratic functions. But they are different functions, calling for different practices and different qualities of political character. To make this case, he draws on political theory, moral philosophy, leadership studies, and biographical examples ranging from Everett Dirksen to Ella Baker, Frances Willard to Stokely Carmichael, Martin Luther King Jr. to Joe McCarthy. Ruling Passions asks democratic theorists to pay more attention to the "governing pluralism" that characterizes a diverse, complex democracy. It challenges moral philosophy to adapt its prescriptions to the real requirements of democratic life, to pay more attention to the virtues of political compromise and the varieties of human character. And it calls on all democratic citizens to appreciate "democratic constancy": the limited yet serious standard of ethical character to which imperfect democratic citizens may rightly hold their leaders--and themselves. (shrink)

Juan Caramuel es un tratadista importante de lógica que, aunque enclavado en la escolástica tardía, ofrece muestras innovadoras de indudable interés, entre las que cabe destacer la lógica oblicua. En ella se ofrecen, por ejemplo, un timido ensayo de representacón simbólica de las proposiciones oblicuas, una regulación deI silogismo oblicuo mixto y un listado de los modos silogísticos oblicuos, tanto puros como mixtos. En este trabajo se analizan, fundamentalmente, las Reglas silogísticas establecidas para el silogismo oblicuo mixto. Juan Caramuel (...) is a great essayist of Logic, who, though belonging to the late scholasticism, he shows signs of very important innovations, just like his oblique logic. In that logic he presents, for exampIe, a timid essay to get a symbolic representation of the oblique propositions; he presents too the rules of the oblique and mixed syllogism, and a quasifull catalogue of the oblique syllogism modes (pure as vell as mixed).In this work you can see analised, essentially, the Rules establisheh for the oblique and mixed syllogism. (shrink)

En el artículo se realizó una revisión de los modelos de planificación estratégica en sentido general, pero que son aplicados en los momentos actuales en el ámbito de las instituciones de educación superior. El modelo globalizador, el cual es el básico en la mayor parte de los ejercicios de planificación; el modelo sectorial, que tiene un importante arraigo en el sector educativo latinoamericano, y el modelo situacional, cuya noción básica consiste en que planificar es una acción de todos los actores. (...) Igualmente se describen otros como el denominado complejo, el cual va cobrando interés en los estudiosos del tema; pues aunque esta línea de pensamiento posee sus ángulos de interés en el campo específico de la planificación estratégica, en el ámbito universitario aún le queda camino por recorrer para el logro de una mayor profundización en la temática, de manera que ella pueda ser aplicada al proceso formativo universitario. In the article, a general revision of the strategic planning models that are applied to the present times in the field of high education institutions was made. The models are: the globalizing model, which is the basic in the most part of the planning exercises; the sectorial model, which is very well established in the Latin-American educational sector; and the situational model, the basic notion of which consists on the fact that planning is an action that correspond to all the actors. The model known as complex was described as well. This model has become important among the specialists in the subject because, although this line of thinking has established its angles of interest in the specific field of strategic planning, it still has a long way to run, in the university field, for getting a greatest deepening in the theme, in a way that it could be applied to the university formative process. (shrink)

"Estos dos modos de ver la explicación no son incompatibles entre sí; cada uno ofrece un modo razonable de analizar la explicación. De hecho, pueden ser tomados como representando dos aspectos diferentes pero compatibles de la explicación científica" (1989, p. 183). "[estos dos enfoques] se han desarrollado hasta el punto en que pueden coexistir pacíficamente como dos aspectos distintos de la explicación científica" (1992, p. 39). "No rechazo la posibilidad de una teoría [unificacionista] de este tipo; creo que ella (...) no entraría en conflicto con la explicación causal sino que la complementaría " (2001a, p. 10). (shrink)

la historia del escepticismo es oscura. Si bien se reconoce la existencia, misteriosa y discutida, de un escepticismo académico platónico, hay algunas dudas de la realidad inequívoca de una escuela pirrónica radical. En este artículo vamos a discutir, primero, hasta qué punto puede hablarse de escuela, secta o grupo filosófico pirrónico, y, segundo, si, como veremos, hay dudas del reconocimiento de este homogéneo grupo ¿por qué se habla de ella de ‘escuela’, ‘secta’ o ‘sistema’ pirrónico?

Se analiza el papel del pathos como condición de emergencia del logos y de la episteme, lo cual nos lleva a reconocer que a la par de una concepción "intelectualista" de la teoría platónica del conocimiento, en la que es necesaria la supresión de todos los elementos irracionales que nublan el juicio, existe otra perspectiva, sobre todo sustentada en el Fedro, en la cual el pathos, expresado sea como asombro, como sufrimiento o como manía amorosa, no es solamente una etapa (...) que se debe superar para acceder a la intuición de las Formas, sino que ella misma se convierte en una experiencia cognitiva que devuelve al conocimiento su carácter humano. We analyze the role of pathos as emergency condition for both, logos and episteme, which leads us to recognize that along with an intellectual conception of the Platonic theory of knowledge, that demands to abolish all irrational elements which cloud the judgment, there is another perspective, especially supported by the Phaedrus, in which pathos, understood as astonishment, suffering or love madness, is not just a stage to overcome in order to arrive to the intuition of Forms, but it becomes itself a cognitive experience that gives back to knowledge its human nature. (shrink)

At present, when we live under the duress of the speed/quantity/fleeting impressions dictatorship, no possibility avails to formulate one’s total identity in horizontal and vertical dimensions, and therefore a serious danger confronts us to loose our historical consciousness and the taste of the wholeness of life. Intrying to reach ever-new modes of acceleration, we tend to forget what is really worthwhile. Loosing of memories as to the events, emotions, places, people and things, culminates in the total loss of memory concerning (...) Memory itself – not only as a psychological quality of remembering, but Memory as a phenomenon of life-consciousness. This leads us to the question of memory and its connections with consciousness, with being (also with the forgetting of being) with time, with the past and with the future; also with death and the wholeness of life. In the paper different understanding of memory have been considered: memory as being inphilosophy of St. Augustin, memory as Bildbewustsein in Husserl’s phenomenology and memory and narrative in W. Benjamin’s philosophy. (shrink)

Este libro nos presenta un «Ortega desde dentro», es decir, no como él había observado a Goethe, con catalejo, sino reconstruido a base de sus testimonios personales esparcidos en artículos, libros, cartas, clases y conferencias, a los que habría que sumar los que sobre él dejaron familiares, colaboradores, discípulos, amigos y enemigos. Estamos pues ante una biografía con ropaje autobiográfico, no sólo de su persona, sino también de su obra, íntimamente unidas a la España de la primera mitad del siglo (...) xx, a la que quiso guiar bajo los más diversos regímenes antes de ser arrastrado por su tragedia como nación. En cierto modo, es la historia de un amor imposible, porque la España que soñó no existía y puede que ni siquiera llegue a existir. Sin embargo y paradójicamente, también es la historia de cómo Ortega, al iluminar sus carencias, logró dejar su impronta en ella. (shrink)

La presente exposición es una reflexión sobre los conceptos de “sociedad de control” y “revolución” con el fin de responder una pregunta básica: ¿Cómo resistir al control? Es ante todo una reflexión ética sobre la sociedad y las posibilidades prácticas, micropolíticas, de nuestra acción en ella. Se describe, en un primer momento, qué es una sociedad de control y sus dispositivos de seguridad a nivel político y económico; luego se reflexiona en torno a los procesos sociales revolucionarios, dando un (...) concepto de revolución; y se finaliza mostrando, en líneas generales, lo que constituiría una ética de la resistencia. Los autores que servirán de base teórica de la misma serán Foucault, Deleuze y Guattari. (shrink)

The blind bandit -- Zuko alone -- The chase -- Bitter work -- The library.

El pensamiento politico medieval concibe a la ley como esencialmente ligada a un concepto de justicia superior y objetivo. El trabajo procura zanjar las divergencias en tomo del concepto ley en Marsilio de Padua. Para ella, se efectua un analisis de la ecuacion entre las facultades cognoscitivas y volitivas que aparecen en el tratamiento del fin de la ley, de las cualidades personales requeridas para el juez, y de la idoneidad dellegislador humano. La ley debe poseer un contenido de (...) justicia que es objeto de una captacion racional y de un recto querer. Sin embargo, ese concepto de justicia adquiere en Marsilio una definicion estrictamente politica: se trata del "equilibria" o la "medida" que deben alcanzar los actos transitivos de los hombres, can el fin de preservar la comunidad politica. (shrink)

El objetivo de este escrito es presentar, a partir de la doctrina del término medio expuesta por Aristóteles en su Ética Nicomáquea, una réplica al artículo de Fabio Morales. Así, se revisará la idea de Morales, según la cual parece haber un círculo vicioso en la explicación de las acciones voluntarias, con lo cual la libertad de dichas acciones quedaría comprometida. A esto se contrapondrá la exposición de la doctrina mencionada, así como el papel que la deliberación y la elección (...) juegan en ella; a partir de lo cual se concluye que, a pesar de que es posible compartir ciertas ideas de Morales, el círculo que él postula en realidad no es tal y, aunque sea posible decir que Aristóteles no se ocupó a profundidad del tema de la libertad, ésta parece estar salvaguardada en su teoría. (shrink)

En el presente artículo se ensaya la determinación del momento realmente innovador de la metafísica de Descartes, esto es, de la conceptualización sobre la que van a girar las polémicas filosóficas más significativas en la posterioridad inmediata a la construcción de su sistema. Dicho momento estará, más que en el descubrimiento del cogito y sus implicaciones para la reforma del saber, en la manera como el francés reconceptualiza la noción de potencia divina, pues a partir de ella forjará los (...) conceptos de trascendencia y racionalidad, tan pregnantes en su obra y a lo largo del siglo XVII. (shrink)

Los estudios especializados sobre la obra de Hans Blumenberg [1920-1996] han prestado poca atención a su historia de la ciencia, en particular a su historia de la astronomía. A partir de 1955 Blumenberg empezó a ocuparse de la astronomía copernicana, y publicó diversos artículos relacionados con esta temática a finales de la década de los 50 y comienzos de los 60, luego recopilados en su Die kopernikanische Wende [1965]. Blumenberg preparó también estudios preliminares al Sidereus Nuncius de Galileo Galilei y (...) al De coniecturis, de Cusa. Todo este trabajo fue culminado en su monumental Die genesis der kopernikanischen Welt [1975], así como en el libro póstumo Die Vollzähligkeit der Sterne [1997]. El propósito de este artículo es tomar en consideración este ámbito específico de la obra de Blumenberg. Nos centraremos en la presencia de algunos motivos heideggerianos en la historia blumenberguiana de la astronomía. Defenderemos que en ella cabe identificar una metafísica de la existencia en sentido heideggeriano, en tanto paradigmas existenciales astronómicos. (shrink)

Uno de los fundamentos más reconocidos para una lectura metafísica de Hegel es el carácter totalitario de un sistema que intenta abarcar todo lo que es, determinando el lugar y papel de cada parte en el todo. Si la verdad es el todo, sólo tendremos acceso a ella al acceder a éste. Este artículo pretende mostrar que el todo en Hegel nunca es accesible por completo al pensamiento; que su característica principal es estar determinado de manera negativa, es decir, (...) por lo que no es. Para ello ofreceré un análisis de los conceptos de infinito y necesidad en la Ciencia de la lógica, proporcionando así algunas herramientas conceptuales para una lectura no-metafísica de Hegel; es decir, una lectura que enfatiza elementos hermenéuticos y críticos que comúnmente no se asocian con la filosofía de Hegel. One of the strongest pillars for a metaphysical reading of Hegel is the totalitarian aspect of a system that attempts to cover all of reality, determining the place and function of each being in the whole. If the truth is the whole, we will only gain access to it through access to the whole. This paper attempts to show that the whole in Hegel is never totally accessible to thinking; that its main characteristic is to be determined negatively, that is, by what it is not. To do so, an analysis of the concepts of the infinite and necessity will be offered as they appear in the Science of Logic, in order to provide certain conceptual tools for a non-metaphysical reading of Hegel, that is, a reading that emphasizes hermeneutic and critical elements not commonly associated with Hegel's philosophy. (shrink)

De Orbitis Planetarum, tesis presentada por Hegel en 1801 para acceder a la Universidad de Jena, es el texto menos conocido del filósofo alemán. Considerado un inmaduro ejercicio de juventud, este libro muestra no sólo el pensamiento del joven Hegel, sino que también refleja el ambiente que enmarcaba el idealismo alemán en torno a la filosofía de la naturaleza. Sin embargo Hegel mantuvo un concepto referido al funcionamiento y legitimidad de los procesos científicos que aparece esbozado en este texto. Esta (...) obra es de gran interés para amantes de la filosofía, astrónomos e historiadores de la ciencia, pues en ella aparece la difícil relación que actualmente mantienen filosofía y ciencia. Uno de los motivos que impulsó a Hegel a escribirla fue el deseo de mantener en relación estos dominios del saber, hasta entonces un único cuerpo de conocimiento. (shrink)

The Poetics of Psychoanalysis: In the Wake of Klein explores the literary aspects of the twentieth-century psychoanalytic tradition that has come to be known as British Object Relations psychoanalysis. Focusing on Melanie Klein's legacy to psychoanalysis between the 1930s and 1970s, it deals with major figures such as Riviere, Isaacs, Winnicott, Milner, and Bion, as well as Klein's contemporary, Ella Sharpe. Mary Jacobus breaks new ground by giving a central place to the literary and aesthetic concerns of the British (...) Object Relations tradition. Paying close attention to writing that is often side-lined by literary critics and theorists, she makes fruitful connections with particular works of literature and art, along with pressing contemporary issues. -/- The three sections focus on the transitions, mediations, and transformations that took place in British Object Relations psychoanalysis as Klein's ideas were developed and transformed. Situating Kleinian thought in relation to later developments and differences, while making it accessible to non-psychoanalytic readers, The Poetics of Psychoanalysis argues against the separation of British and continental traditions and for the continuing links between psychoanalysis and aesthetics. Rather than applying psychoanalytic ideas to literature and aesthetics, the book traces the British Object Relations tradition as a form of proto-modernist discourse in its own right. Linked by a common thread of ideas and structured to reflect a roughly chronological trajectory, individual chapters can also be read as free-standing critical essays. Aimed at literary readers, this book will also be of interest to psychoanalytic practitioners and cultural theorists. (shrink)

Entendemos el concepto de “negación mínima” en el sentido clásico definido por Johansson. El propósito de este artículo es definir la lógica positiva mínima Bp+, y probar que la negación mínima puede introducirse en ella. Además, comentaremos algunas de las múltiples extensiones negativas de Bp+.“Minimal negation” is classically understood in a Johansson sense. The aim of this paper is to define the minimal positive logic Bp+ and prove that a minimal negation can be inroduced in it. In addition, some (...) of the many possible negation extensions of Bp+ are commented. (shrink)

Introduction : tracing the ethical turn -- Crafting a democratic subject? The Foucauldian ethics of self-care -- Levinasian ethics, charity, and democracy -- The democratic ethics of care for worldly things -- Partisanship for the world : tending to the world as home and in-between -- Self/other/world : forging connections and fostering democratic care.

En 1868, impulsado por el krausismo, se introdujo en el Bachillerato español una nueva asignatura, la Antropología. Nicolás Salmerón que no fue ajeno a la novedad, comenzó a escribir un texto para ella sobre la base de las explicaciones de clase que él mismo impartía en su Colegio Internacional. Ese texto dio lugar al libro que nos ocupa que, aunque inédito e incompleto, permite ofrecer una visión filosófica más completa de su etapa juvenil. Su mérito estriba en haber articulado (...) en disciplina una de las materias clave de la filosofía krausista y ofrecer una idea global e integradora de lo que con el tiempo se llamaría Antropología filosófica. (shrink)

The role of the artist's intention in the interpretation of art has been the topic of a lively and ongoing discussion in analytic aesthetics. First, I sketch the current state of this debate, focusing especially on two competing views: actual and hypothetical intentionalism. Secondly, I discuss the search for a suitable test case, that is, a work of art that is interpreted differently by actual and hypothetical intentionalists, with only one of these interpretations being plausible. Many examples from many different (...) art forms have been considered in this respect, but none of these test cases has proved convincing. Thirdly, I introduce two new test cases taken from contemporary visual art. I explain why these examples are better suited as test cases and how they lend support to the actual intentionalist position. (shrink)

Jerrold Levinson conveniently summarizes the main argument of his essay "Erotic Art and Pornographic Pictures" in the following way:Erotic art consists of images centrally aimed at a certain sort of reception R1.Pornography consists of images centrally aimed at a certain sort of reception R2.R1 essentially involves attention to form/vehicle/medium/manner, and so entails treating images as in part opaque.R2 essentially excludes attention to form/vehicle/medium/manner, and so entails treating images as wholly transparent.R1 and R2 are incompatible.Hence, nothing can be both erotic art (...) and pornography; or at the least, nothing can be coherently projected as both erotic art and pornography.1I have argued elsewhere .. (shrink)

According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter-examples which have not been dealt with by Davies (...) and which put considerable pressure on his account. (shrink)

This paper is an extended exploration of Mead's phrase the emergence of the novel. I describe and characterize emergent systems-complex dynamical systems that display behavior that cannot be predicted from a full and complete description of the component units of the system. Emergence has become an influential concept in contemporary cognitive science [A. Clark (1997) Being there, Cambridge: MIT Press], complexity theory [W. Bechtel & R.C. Richardson (1993) Discovering complexity, Princeton, NJ: Princeton University Press], artificial life [R.A. Brooks & (...) P. Maes (Eds) (1994) Artificial life IV, Cambridge: MIT Press; C.G. Langton (Ed.) (1994) Artificial life III, Reading, MA: Addison-Wesley; C.G. Langton et al. (Eds) (1991) Artificial life II, Reading, MA: Addison-Wesley), and robotics [S. Forrest (1991) Emergent computation, Cambridge: MIT Press]. I propose that novelty is a necessary property of emergent systems, and I'll explore a specific kind of emergent system: an improvisational theater ensemble. This is an example of emergence in a small social group, which I call collaborative emergence to emphasize several important contrasts with other complex systems that manifest emergence, such as connectionist networks and Alife simulations. (shrink)

This paper provides a concise description and discussion of bottom–up and top–down approaches to misattribution of agency in schizophrenia. It explores if first-person accounts of passivity phenomena can provide support for one of these approaches. The focus is on excerpts in which the writers specifically examine their experiences of external influence. None of the accounts provides arguments that fit easily with only one of the possible approaches, which is in line with current attempts to theoretical integration.

El propósito de este artículo es mostrar que las llamadas "teorías de la identidad psiconeural" no tienen la estructura lógica de una teoría genuina de la identidad. Un operador de identidad genuino es un operador de segundo orden, o de órdenes superiores, que convierte predicados n-ádicos en predicados n-1-ádicos. Si las teorias de la identidad psiconeural no son, en realidad, teorías de la identidad, entonces la críticas habituales que usan la Ley de Leibniz y otros rasgos que se relacionan con (...) la identidad no tienen ningún efecto. Así, dos serán las conclusiones: (i) que las llamadas "teorías de la identidad psiconeural" deben de reformularse, de manera que expresen claramente su contenido, y (ii) que las críticas utizadas hasta ahora contra ellas no consiguen su objetivo.The aim of this paper is to show that the so-called "theories of psichoneural identity" do not possess the logical structure of a genuine theory of identity. The identity operator is a second- or higher-order operator that converts n-adic predicates into n-1-ádic ones. If the so-called "theories of psichoneural identity" are not theories of identity at all, then two conclusions follow: (i) these theories of the mind-body relation should state their contents in a more appropiate way, and (ii) the usual criticisms against them, which bear on some features that all idetity theories must hold, as for instance Leibniz Law, leave them untouched. (shrink)

The epistemological ideal would aim to respect the different scientific traditions from which the scientist can be fed, which may not follow the hegemonic lines. Interpersonality in science would mean a scientific multiculturality that respects the different paradigms developed in epistemology. We will see which epistemological conception has a closer relation with the dimensions that trialism proposes, according to which law is composed with sociologic, normologic and dikelogic elements. In the end, it will be possible to have a clearer idea (...) of the complexity in a more diverse sense, which develops trialism not only as the vision of the lawyer’s profession, but also as a research perspective. The complex thought, as an epistemological attitude which is open to the different methodological tools provided by the different epistemological perspectives in the philosophy of science, allows a better coexistence of contradictory positions within a single epistemological posture. Thus, a scientist can profit from the different tools in each of them. Having proved the close relation between the trialistic theory and the complex thought, a scientist of law will be able to develop deeper research lines, having more respect for his tendencies in the trialism. El ideal epistemológico apuntaría a que se respeten las distintas tradiciones científicas en las que pueda abrevar el científico, que pueden no seguir las líneas hegemónicas. La interpersonalidad en la ciencia significaría una multiculturalidad científica respetuosa de los distintos paradigmas que se desarrollan en la Epistemología. Veremos qué concepción epistemológica se relaciona más con las dimensiones que plantea el trialismo según el cual el Derecho está compuesto de elementos sociológicos, normológicos y valorativos (dikelógicos). Al final de lo cual se hará más clara la complejidad, en el sentido de diversidad, que desarrolla la teoría trialista como perspectiva de investigación, y no sólo como herramienta para la profesión abogadil. El pensamiento complejo, como actitud epistemológica abierta a las distintas herramientas metodológicas que provienen de las diversas perspectivas en filosofía de la ciencia, permite una mayor convivencia de posiciones contrarias al interior de una misma postura epistemológica. Y así, un científico podrá aprovechar las distintas herramientas de cada una de ellas. Habiéndose probado la estrecha relación entre la teoría trialista y el pensamiento complejo, un científico del Derecho podrá desarrollar más líneas de investigación y con mayor profundidad, respetándose más sus tendencias, en el trialismo. (shrink)

Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? (...) Can there be aesthetic experience of pornography? What are some of the psychological, social, and political consequences of the creation and appreciation of erotic art or artistic pornography? Leading scholars from around the world address these questions, and more, and bring together different aesthetic perspectives and approaches to this widely consumed, increasingly visible, yet aesthetically underexplored cultural domain. The book, the first of its kind in philosophical aesthetics, will contribute to a more accurate and subtle understanding of the many representations that incorporate explicit sexual imagery and themes, in both high art and demotic culture, in Western and non-Western contexts. It is sure to stir debate, and healthy controversy. (shrink)

Steels & Belpaeme (S&B) are clearly interested in the possible test their models may provide for human language theories. However, they only superficially address the assumptions underlying their own agent architecture, while these are of crucial relevance to the topic of human language. These assumptions fit an Augustinian picture of language, which Wittgenstein challenges in his Philosophical Investigations. It is too early to draw conclusions regarding human language evolution from such models.

Las criticas a la filosofia moderna, vertidas desde el pensamiento actual, son sobradamente conocidas. Algunas de ellas han querido hacer realidad un proyecto de destrucciön radical. Ahora bien, tal destrucciön solo resultarä verdaderamente eficaz si, como de hecho estä sucediendo, va seguida de propuestas alternativas que se atengan de manera mäs adecuada a la realidad humana y a la estricta tarea de la filosofia. En esta Hnea de contribucion positiva se encuentra, a mi juicio, la particular aportaciön de la hermeneutica (...) filosöfica contemporänea, encaminada a la rehabilitaciön de la razön practica. En esta ponencia se harä menciön especial a la comprensiön de Hans-Georg Gadamer, el pensador alemän fallecido en 2002, que tan decididamente ha marcado el curso de la filosofia actual.Tal rehabilitaciön parece un paso necesario en el camino conducente a una comprensiön mäs acertada de la tarea filosöfica y de su objeto. El reconocimiento de algunos aspectos de la razön, tales como la flnitud o su caräcter situacional, puede contribuir a una vision mäs ajustada de su esencia y posibilidades. Elimina, ademäs, el peligroso riesgo que supone la pretension de lo absolute* e incondicionado. Admitir lo que podriamos denominar los Umites de la razön no significa ineurrir en posiciones relativistas ni eseepticas; constituye, tan solo, un necesario ejercicio de atenimiento a lo real. (shrink)

Kuhn’s Structure of Scientific Revolutions is notable for the readiness with which it drew on the results of cognitive psychology. These naturalistic elements were not well received and Kuhn did not subsequently develop them in his published work. Nonetheless, in a philosophical climate more receptive to naturalism, we are able to give a more positive evaluation of Kuhn’s proposals. Recently, philosophers such as Nersessian, Nickles, Andersen, Barker, and Chen have used the results of work on case-based reasoning, analogical thinking, dynamic (...) frames, and the like to illuminate and develop various aspects of Kuhn’s thought in Structure. In particular this work aims to give depth to the Kuhnian concepts of a paradigm and incommensurability. I review this work and identify two broad strands of research. One emphasizes work on concepts; the other focusses on cognitive habits. Contrasting these, I argue that the conceptual strand fails to be a complete account of scientific revolutions. We need a broad approach that draws on a variety of resources in psychology and cognitive science.La estructura de las revoluciones científicas de Kuhn es destacable por la facilidad con que aprovecha los resultados de la psicología cognitiva. Estos elementos naturalistas no tuvieron una buena acogida y Kuhn no los desarrolló posteriormente en su trabajo publicado. No obstante, desde un ambiente filosófico más receptivo hacia el naturalismo podemos ofrecer una evaluación más positiva de las propuestas de Kuhn. Recientemente, algunos filósofos como Nersessian, Nickles, Andersen, Barker y Chen han utilizado los resultados del trabajo sobre el razonamiento basado en casos, el pensamiento analógico, los marcos dinámicos, etc., para iluminar y desarrollar varios aspectos del pensamiento de Kuhn en La estructura. En particular, este trabajo intenta dar profundidad a los conceptos kuhnianos de paradigma e inconmensurabilidad. En este artículo examino dicho trabajo e identifico dos principales corrientes de investigación. Una de ellas subraya el trabajo sobre conceptos y la otra se centra en los hábitos cognitivos. Después de contrastar ambas, sostengo que la corriente conceptual no logra ser una explicación completa de las revoluciones científicas. Necesitamos una perspectiva amplia que aproveche una variedad de recursos de la psicología y la ciencia cognitiva. (shrink)

En este trabajo se suscribe la tesis de que la filosofía de la ciencia—al igual que las demás ramas de la filosofía—consiste en discusiones interminables sobre problemas que no se pueden resolver, pero se sostiene también que, a pesar (o a causa) de eso, tiene derecho a existir debido a que cumple funciones importantes, entre ellas precisamente la de dar lugar a discusiones interminables sobre problemas que no se pueden resolver, actividad que a las personas con genuina vocación filosófica les (...) produce una satisfacción intelectual difícil de entender para quienes no comparten esa vocación. (shrink)

En 1931 Gödel publica su Teorema de incompletud. Resultado clave en Lógica matemática, se interpretó como una limitación de los formalismos, un fracaso del Programa de Hilbert. Sin embargo, el método de aritmetización, la recursividad han propiciado una visión positiva y la creación de nuevas teorias - Teorías de la Complejidad, de Información algorítmica ... -. Con ellas, nuevas demostraciones del teorema y, consecuentes, nuevas discusiones en Filosofía de la Matemática. En especial, desde la Teoría de la Complejidad. Además de (...) incompleta, la Matemática se ve por algunos como aleatoria y experimental. En este ensayo se pretende explicitar los supuestos de estas interpretaciones. Discusión que conduce, en principio, a su rechazo, dejando abierta la problemática sobre el aspecto epistemológico dei razonamiento matemático. (shrink)

Las leyes educativas que rigen el sistema educativo de cualquier pais son de indudable interes, no solo porque regulan el curriculum, la organizaciön de los centros educativos, la igualdad de oportunldades, etc., sino tambien porque aportan las claves para interpretar como cada pais entiende la educaciön, que tipo de ciudadano quiere formar. En definitiva, que tipo de hombre y mujer y de sociedad quiere desarrollar. En las ultimas dos decadas se han aprobado en Espaha cuatro leyes educativas. Los valores en (...) las que se basan, lo que cada una de ellas han querido fomentar, nos dan las claves de que tipo de sociedad se quiere construir, y, sobre todo, que tipo de ciudadanos se quiere formar. Los valores que se potencian en nuestro actual sistema educativo poseen una clara dimension social y democrätica: son valores fundamentalmente de convivencia, que buscan formar un ciudadano demöcrata. Aunque para ese logro se llevan a cabo cons tan tes referencias a los valores morales, como fundamento de los valores sociales, a parte de la necesaria aportaciön de valores culturales, tecnicos, esteticos, ecolögicos, etc. (shrink)

En la actividad científica se pueden distinguir tres tipos principales de representación científica: proyectiva, subsuntiva y reductiva. Tras unas breves considcraciones introductorias, se presentan las características más destacadas de cada uno de estos tres tipos principales de representación científica y se abstrae a partir de ellas el esquema al que toda Teoría General de la Representación Científica (TGRC) se debe adecuar. A continuación se exponen las lineas generales de la principal propuesta presente en la literatura para desarrollar TGRC y se (...) hacen algunas consideraciones criticas. La conclusión provisional es que esta propuesta tiene, al menos por el momento, el problema de ser, o bien demasiado liberal, o bien demasiado conservadora. Por último, se propone un enfoque alternativo a explorar que pretende estar libre de los problemas deI anterior.We can distinguish three main types of representation in scientific practice: projective, subsuntive and reductive. After some brief introductory remarks, we present the more salient characteristics of these three main types of scientific representation and we abstract from them a scheme that any General Theory for Scientific Representation (GTSR) must fit. Then we offer the general traits of the main existing proposal for a GTSR and we make some criticisms. The provisional conclusion is that this proposal is, as it stands, either too liberal or too conservative. Finally, we propose to explore an alternative approach which intends to solve these difficulties. (shrink)

Uno de los desafíos más apremiantes para Latinoamérica y el Caribe, considerada la región más diversa del mundo biológica y culturalmente, es detener la pérdida de especies provocada por la destrucción del hábitat y degradación del territorio. En la actualidad, todavía se considera el establecimiento de áreas naturales protegidas que excluyen toda actividad humana como la alternativa más eficaz para conservar la biodiversidad. Sin embargo, las áreas naturales protegidas (ANP) están siendo sometidas a fuertes presiones ejercidas por la expansión de (...) las actividades agropecuarias, silvícolas e industriales, cuyos terrenos rodean y aíslan las ANP’s, reduciendo su calidad como hábitat natural a la escala de paisaje. Entre los diferentes tipos de ANP que se han propuesto, destacan las reservas de biosfera debido a su explícito propósito por conciliar el desarrollo social y la conservación biológica. El manejo de este tipo de reservas es el más propenso a integrar las perturbaciones naturales y humanas, las prácticas tradicionales de manejo de ecosistemas, así como la participación de los sectores económico y social en su administración. Las reservas de biosfera han proliferado por todo el mundo, sumando actualmente 531 distribuidas en 105 países. A pesar que el diseño de reserva de biosfera se fundamenta en el concepto de paisaje, aún requiere tomar en cuenta la escala del ecosistema y los potenciales efectos a largo plazo de las perturbaciones. Además, requiere mejorar la integración de los grupos étnicos que viven en ellas, otorgando mayor consideración a su experiencia y conocimiento tradicional. Esto demanda una transformación de las funciones de las zonas núcleo, de amortiguamiento y de transición de dichas reservas. El actual diseño de las reservas de biosfera es centrípeto, puesto que la función principal de la zona de amortiguamiento es proteger la biodiversidad contenida en el núcleo de la reserva. Nosotros proponemos un modelo centrífugo, en el que la biodiversidad de la zona núcleo se expande sin restricciones hacia las áreas con mayor influencia humana. En este modelo, la zona de amortiguamiento funciona como un conector. El mantenimiento e incremento de dicha conectividad puede promover prácticas de uso del suelo acordes con el funcionamiento de los ecosistemas, así como con la conservación de la biodiversidad en los paisajes naturales, semi-naturales, urbanos e industriales. (shrink)

In a national survey, members of 4As agencies were contrasted with non-member agencies to determine awareness and influence of the 4As Standards of Practice, the Professional Code of Ethics for 4As members. The 4As Code was selected because the 4As represents the principle professional association of the support service industry, advertising.