Search results for 'Elspeth Attwooll' (try it on Scholar)

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  1. Elspeth Attwooll (ed.) (1977). Perspectives in Jurisprudence. University of Glasgow Press.score: 240.0
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  2. Vincent Luizzi (1997). Elspeth Attwooll and David Goldberg, Eds., Criminal Justice Reviewed By. Philosophy in Review 17 (4):229-231.score: 150.0
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  3. Keith Culver (1998). Elspeth Attwooll, The Tapestry of the Law: Scotand, Legal Culture and Legal Theory. Philosophy in Review 18 (2):81-82.score: 150.0
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  4. Lisa Heldke (2003). Book Review: Elspeth Probyn. Carnal Appetites: Foodsexidentities. London and New York: Routledge, 2000. [REVIEW] Hypatia 18 (3):240-242.score: 15.0
  5. M. C. F. (1922). Happy Days and Other Essays. By Marcus Southwell Dimsdale. Edited by Elspeth Dimsdale, with a Memoir by N. Wedd. Pp. Xvi + 94. Cambridge: Heffer and Son, 1921. [REVIEW] The Classical Review 36 (3-4):91-.score: 15.0
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  6. Man-Chih Huang (2011). Internationalisation and the Student Voice. Edited by Elspeth Jones: Pp. 210+ Xiv. Maidenhead: Routledge. 2010.£ 85.00 (Hbk),£ 24.99 (Pbk). ISBN 0415871271 (Hbk), 041587128X (Pbk), 0203865308 (Ebk). [REVIEW] British Journal of Educational Studies 59 (4):495-496.score: 15.0
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  7. Thelma Fenster (1999). Geoffroi de Charny, The “Book of Chivalry” of Geoffroi de Charny: Text, Context, and Translation, Ed. And Trans. Richard W. Kaeuper and Elspeth Kennedy. (Middle Ages Series.) Philadelphia: University of Pennsylvania Press, 1996. Pp. Ix, 236. $34.95 (Cloth); $17.95 (Paper). [REVIEW] Speculum 74 (1):140-142.score: 15.0
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  8. Man-Chih Huang (2011). Internationalisation and the Student Voice. Edited by Elspeth Jones. British Journal of Educational Studies 59 (4):495-496.score: 15.0
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  9. Marq Smith (1997). Sexy Bodies: The Strange Carnalities of Feminism Edited by Elizabeth Grosz and Elspeth Probyn. Body and Society 3 (4):119-122.score: 15.0
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  10. Michelle Meagher (2003). Jenny Saville and a Feminist Aesthetics of Disgust. Hypatia 18 (4):23-41.score: 3.0
    : This essay examines an aesthetics of disgust through an analysis of the work of Scottish painter Jenny Saville. Saville's paintings suggest that there is something valuable in retaining and interrogating our immediate and seemingly unambivalent reactions of disgust. I contrast Saville's representations of disgust to the repudiation of disgust that characterizes contemporary corporeal politics. Drawing on the theoretical work of Elspeth Probyn and Julia Kristeva, I suggest that an aesthetics of disgust reveals the fundamental ambiguity of embodiment, allowing (...)
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  11. Elspeth Tilley (2005). The Ethics Pyramid: Making Ethics Unavoidable in the Public Relations Process. Journal of Mass Media Ethics 20 (4):305 – 320.score: 3.0
    To move from the realm of good intent to verifiable practice, ethics needs to be approached in the same way as any other desired outcome of the public relations process: that is, operationalized and evaluated at each stage of a public relations campaign. A pyramid model - the "ethics pyramid" - is useful for incorporating ethical reflection and evaluation processes into the standard structure of a typical public relations plan. Practitioners can use it to integrate and manage ethical intent, means, (...)
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  12. Elspeth Whitney (1993). Lynn White, Ecotheology, and History. Environmental Ethics 15 (2):151-169.score: 3.0
    Controversy about Lynn White’s thesis that medieval Christianity is to blame for our current environmental crisis has done little to challenge the basic structure of White’s argument and has taken little account of recent work done by medieval scholars. White’s ecotheological critics, in particular, have often failed to come to grips with White’s position. In this paper, I question White’s reading of history on both interpretative and factual grounds and argue that religious values cannot be treated independently of the political, (...)
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  13. Elspeth Probyn (1991). This Body Which Is Not One: Speaking an Embodied Self. Hypatia 6 (3):111 - 124.score: 3.0
    This article argues against a conception of the body as providing a basis for truth claims within feminist discourse. Taking from Michèle Le Doeuff's theory of the work of the image within discourse, and Michel Foucault's "technologies of the self," it is argued that the doubledness of the body ("who am I? and who is she?") can be put to work to construct embodied enunicative positions within feminist theory.
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  14. Theresia Citraningtyas, Elspeth MacDonald & Helen Herrman (2010). A Second Tsunami?: The Ethics of Coming Into Communities Following Disaster. Asian Bioethics Review 2 (2):108-123.score: 3.0
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  15. Elspeth Crawford (1993). Michael Faraday's Thought: Discovery or Revelation? In S. French & H. Kamminga (eds.), Correspondence, Invariance and Heuristics. Kluwer. 105--124.score: 3.0
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  16. Robin Attfield (2009). Social History, Religion, and Technology. Environmental Ethics 31 (1):31-50.score: 3.0
    An interdisciplinary reappraisal of Lynn White, Jr.’s “The Historical Roots of Our Ecologic Crisis” reopens several issues, including the suggestion by Peter Harrison that White’s thesis was historical and that it is a mistake to regard it as theological. It also facilitates a comparison between “Roots” and White’s earlier book Medieval Technology and Social Change. In “Roots,” White discarded or de-emphasized numerous qualifications and nuances present in his earlier work so as to heighten the effect of certain rhetorical aphorisms and (...)
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  17. Elspeth Bodley, Louise Donohoe, Councillor Bill Coombes, Vice-President Rod Barnett, Michael Phelps, Walter Hawkins, Tal Williams, Gavin Lee & Jo Clay (forthcoming). Annual General Meeting Members Lunch. Ethos.score: 3.0
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  18. Elspeth Crawford (1998). Michael Faraday on the Learning of Science and Attitudes of Mind. Science and Education 7 (2):203-211.score: 3.0
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  19. Elspeth Kydd (2011). The Critical Practice of Film: An Introduction. Palgrave Macmillan.score: 3.0
    Machine generated contents note: -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scène -- Sound -- Editing -- Music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Interpretation and Analysis of Film -- Critical Practice in Action.
     
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  20. Elspeth Probyn (2000). Carnal Appetites: Foodsexidentities. Routledge.score: 3.0
    Why is there a new explosion of interest in authentic ethnic foods and exotic cooking shows, where macho chefs promote sensual adventures in the kitchen? Why do we watch TV ads that promise more sex if we serve the right breakfast cereal? Why is the hunger strike such a potent political tool? Food inevitably engages questions of sensuality and power, of our connections to our bodies and to our world. Carnal Appetites brilliantly uses the lens of food and eating (...)
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  21. Elspeth Whitney (2013). The Lynn White Thesis. Environmental Ethics 35 (3):313-331.score: 3.0
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  22. Elspeth Kennedy (2004). Francis Gingras, Erotisme et merveilles dans le récit français des XIIe et XIIIe siècles. (Nouvelle Bibliothéque du Moyen Age, 63.) Paris: Honoré Champion, 2002. Pp. 524. €73.Christine Ferlampin-Acher, Fées, “bestes” et “luitons”: Croyances et merveilles dans les romans français en prose (XIIIe–XIVe siècles). Paris: Presses de l'Université de Paris, Sorbonne, 2002. Paper. Pp. 513; 1 table. €27. [REVIEW] Speculum 79 (3):760-761.score: 3.0
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  23. Elspeth Probyn (2004). Affects in/of Teaching. Body and Society 10 (4):21-43.score: 3.0
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  24. Elspeth Probyn (1999). Dog Days.. In Morag Shiach (ed.), Feminism and Cultural Studies. Oxford University Press. 431.score: 3.0
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  25. Elspeth Probyn (2011). Glass Selves: Emotions, Subjectivity, and the Research Process. In Shaun Gallagher (ed.), The Oxford Handbook of the Self. Oup Oxford.score: 3.0
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  26. Elspeth Probyn (1996). Outside Belongings. Routledge.score: 3.0
    Outside Belongings argues against a psychological depth model of identity--one in which individuals possess an intrinsic quality that guarantees authentic belonging. Instead, Probyn proposes a model of identity that takes into account the desires of individuals, and groups of individuals, to belong. The main ideas she considers--"the outside", "the surface", and "belonging"--allow her to articulate, in concrete terms, her precise concerns about sexuality and nationality.
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  27. Elspeth Probyn (2000). Sporting Bodies: Dynamics of Shame and Pride. Body and Society 6 (1):13-28.score: 3.0
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  28. Elspeth Probyn (2004). Teaching Bodies: Affects in the Classroom. Body and Society 10 (4):21-43.score: 3.0
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