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  1. Deborah Barnbaum, Kyle Hunter, Sophie Bourgault, Emily Brady, Andrea Bramberger, Howard Cannatella, Carla Carmona Escalera, Arne De Boever & J. Grube (2012). Index to Volume 46. Journal of Aesthetic Education 46 (4).
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  2. Emily Brady (2012). Reassessing Aesthetic Appreciation of Nature in the Kantian Sublime. Journal of Aesthetic Education 46 (1):91-109.
    The sublime has been a relatively neglected topic in recent work in philosophical aesthetics, with existing discussions confined mainly to problems in Kant's theory.1 Given the revival of interest in his aesthetic theory and the influence of the Kantian sublime compared to other eighteenth-century accounts, this focus is not surprising. Kant's emphasis on nature also sets his theory apart from other eighteenth-century theories that, although making nature central, also give explicit attention to moral character and mathematical ideas and generally devote (...)
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  3. Andrea Kantrowitz, David Wong, Tyson E. Lewis, K. E. Gover, Sophie Bourgault, Azlan Iqbal, Emily Brady, Mordechai Gordon & Todd Parker (2012). 1. Front Matter Front Matter (Pp. I-Iii). Journal of Aesthetic Education 46 (1).
     
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  4. Emily Brady (2011). Adam Smith's ''Sympathetic Imagination'' and the Aesthetic Appreciation of Environment. Journal of Scottish Philosophy 9 (1):95-109.
    This paper explores the significance of Adam Smith's ideas for defending non-cognitivist theories of aesthetic appreciation of nature. Objections to non-cognitivism argue that the exercise of emotion and imagination in aesthetic judgement potentially sentimentalizes and trivializes nature. I argue that although directed at moral judgement, Smith's views also find a place in addressing this problem. First, sympathetic imagination may afford a deeper and more sensitive type of aesthetic engagement. Second, in taking up the position of the impartial spectator, aesthetic judgements (...)
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  5. Emily Brady (2011). The Ugly Truth: Negative Aesthetics and Environment. Royal Institute of Philosophy Supplement 69:83-99.
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  6. Emily Brady & Eugene C. Hargrove (2011). Announcing the Winner of the Holmes Rolston, III Early Career Essay Prize. Environmental Ethics 33 (3):228-228.
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  7. Sven Arntzen & Emily Brady (2010). Humans in the Land. The Ethics and Aesthetics of the Cultural Landscape Oslo: Oslo Academic Press. Enrahonar 45:173-193.
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  8. Emily Brady (2010). Aesthetics and Nature. British Journal of Aesthetics 50 (1):114-117.
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  9. Emily Brady (2010). Ugliness and Nature. Enrahonar: Quaderns de Filosofía 45:27-40.
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  10. Emily Brady (2009). Animal Relations. Environmental Values 18 (1):1 - 4.
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  11. Emily Brady (2009). Editorial: Animal Relations. Environmental Values 18 (1):1-4.
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  12. Emily Brady (2009). Ronald W. Hepburn: In Memoriam. British Journal of Aesthetics 49 (3):199-202.
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  13. Emily Brady, Isis Brook, Jouni Paavola, Clive L. Spash, Marko Ahteensuu, Helena Siipi, Mohammad Reza Balali, Jozef Keulartz, Michiel Korthals & Ted Benton (2009). Index to Environmental Values Volume 18, 2009. Environmental Values 18:541-544.
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  14. Sven Arntzen & Emily Brady (eds.) (2008). Humans in the Land: The Ethics and Aesthetics of the Cultural Landscape. Unipub.
     
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  15. Emily Brady (2007). Aesthetic Regard for Nature in Environmental and Land Art. Ethics, Place and Environment 10 (3):287 – 300.
    Recent work in environmental ethics has seen a pragmatic turn that emphasises the importance of developing positive relationships with nature through practices involved in, for example, ecological restoration and community gardens. This article explores whether environmental and land art-making encourages positive aesthetic-moral relationships between nature and humans. It critically examines a particular type of aesthetic objection to these kinds of artworks and defends the work of Robert Smithson and Andy Goldsworthy, among others, against this charge. It is argued that rather (...)
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  16. Emily Brady (2007). Introduction to 'Environmental and Land Art': A Special Issue of Ethics, Place and Environment. Ethics, Place and Environment 10 (3):257 – 261.
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  17. Emily Brady (2007). Sense and Sensibility. Environmental Values 16 (3):283 - 285.
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  18. Emily Brady (2007). Sublimity: The Non-Rational and the Irrational in the History of Aesthetics by Kirwan, James. Journal of Aesthetics and Art Criticism 65 (2):242–244.
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  19. Emily Brady (2006). Aesthetics in Practice: Valuing the Natural World. Environmental Values 15 (3):277 - 291.
    Aesthetic value, often viewed as subjective and even trivial compared to other environmental values, is commonly given low priority in policy debates. In this paper I argue that the seriousness and importance of aesthetic value cannot be denied when we recognise the ways that aesthetic experience is already embedded in a range of human practices. The first area of human practice considered involves the complex relationship between aesthetic experience and the development of an ethical attitude towards the environment. I then (...)
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  20. Emily Brady (2006). The Aesthetics of Agricultural Landscapes and the Relationship Between Humans and Nature. Ethics, Place and Environment 9 (1):1 – 19.
    The continuum between nature and artefact is occupied by objects and environments that embody a relationship between natural processes and human activity. In this paper, I explore the relationship that emerges through human interaction with the land in the generation and aesthetic appreciation of industrial farming in contrast to more traditional agricultural practices. I consider the concept of a dialectical relationship and develop it in order to characterise the distinctive synthesising activity of humans and nature which underlies cultivated environments. I (...)
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  21. Emily Brady (2006). WHP Logo Environmental Values. Environmental Values 15:277-291.
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  22. Elisa Aaltola, Gary Backhaus, John Murungi, Jennifer Bates, Emily Brady, Emily Brady Haapala, J. Baird Callicott & Robert L. Chapman (2003). Report on Books and Articles. Environmental Ethics 24:75-91.
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  23. Emily Brady (2003). Aesthetics of the Natural Environment. University of Alabama Press.
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
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  24. Emily Brady (2003). [Book Review] the Reach of the Aesthetic. [REVIEW] Environmental Values 12 (1):129-131.
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  25. Emily Brady & Isis Brook (2003). Topiary: Ethics and Aesthetics. Ethics and the Environment 8 (1):126 - 142.
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  26. Emily Brady & Arto Haapala (2003). Melancholy as an Aesthetic Emotion. Contemporary Aesthetics 1.
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  27. Isis Brook & Emily Brady (2003). Topiary: Ethics and Aesthetics. Ethics and the Environment 8 (1):127-142.
    : In this paper we discuss ethical and aesthetic questions in relation to the gardening practice of topiary. We begin by considering the ethical concerns arising from the uneasiness some appreciators might feel when experiencing topiary as a manipulation or contortion of natural processes. We then turn to ways in which topiary might cause an 'aesthetic affront' through the humanizing effects of sentimentality and falsification of nature (most often found in representational rather than abstract topiary). Our contention is that successful (...)
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  28. Isis Brook & Emily Brady (2003). The Ethics and Aesthetics of Topiary. Ethics and the Environment 8 (1):127-42.
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  29. Emily Brady (2002). Aesthetic Character and Aesthetic Integrity in Environmental Conservation. Environmental Ethics 24 (1):75-91.
    Aesthetics plays an important role in environmental conservation. In this paper, I pin down two key concepts for understanding this role, aesthetic character and aesthetic integrity. Aesthetic character describes the particularity of an environment based on its aesthetic and nonaesthetic qualities. In the first part, I give an account of aesthetic character through a discussion of its subjective and objective bases, and I argue for an awareness of the dynamic nature of this character. In the second part, I consider aesthetic (...)
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  30. Emily Brady (2002). Interpreting Environments. Essays in Philosophy 3 (1):16.
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  31. Emily Brady, Introduction : Sibley's Vision.
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  32. Emily Brady & Jerrold Levinson (eds.) (2001). Aesthetic Concepts: Essays After Sibley. Oxford University Press.
    Exploring key topics in contemporary aesthetics, this work analyzes the issues that arise from the unique works of Frank Sibley (1923-1996), who developed a distinctive aesthetic theory through a number of papers published between 1955 and 1995. Here, thirteen philosophical aestheticians bring Sibley's insight into a contemporary framework, exploring the ways his ideas foster important new discussion about issues in aesthetics. This collection will interest anyone interested in philosophy, art theory, and art criticism.
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  33. Emily Brady, Book Review: Hopkins, R. Picture, Image and Experience. [REVIEW]
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  34. Emily Brady, Sublime Attachment : Imagination, Feeling and Respect for Nature.
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  35. Emily Brady, The Expressive Face.
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  36. Emily Brady (1998). Don't Eat the Daisies: Disinterestedness and the Situated Aesthetic. Environmental Values 7 (1):97 - 114.
    In debates about nature conservation, aesthetic appreciation is typically understood in terms of valuing nature as an amenity, something that we value for the pleasure it provides. In this paper I argue that this position, what I call the hedonistic model, rests on a misunderstanding of aesthetic appreciation. To support this claim I put forward an alternative model based on disinterestedness, and I defend disinterestedness against mistaken interpretations of it. Properly understood, disinterestedness defines a standpoint which precludes self-interest and utility, (...)
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  37. Emily Brady (1998). Imagination and the Aesthetic Appreciation of Nature. Journal of Aesthetics and Art Criticism 56 (2):139-147.