Search results for 'Environment (Aesthetics' (try it on Scholar)

180 found
Order:
  1. Allen Carlson (1999). Aesthetics and the Environment: The Appreciation of Nature, Art, and Architecture. Routledge.
    Aesthetics and the Environment presents fresh and fascinating insights into our interpretation of the environment. Traditional aesthetics is often associated with the appreciation of art, but Allen Carlson shows how much of our aesthetic experience does not encompass art but nature--in our response to sunsets, mountains or horizons or more mundane surroundings, like gardens or the view from our window. Carlson argues that knowledge of what it is we are appreciating is essential to having an appropriate aesthetic experience (...)
    Direct download  
     
    Export citation  
     
    My bibliography   21 citations  
  2.  89
    Arnold Berleant (2005). Aesthetics and Environment: Variations on a Theme. Ashgate Pub. Ltd..
    I: Environmental aesthetics -- A phenomenological aesthetics of environment -- Aesthetic dimensions of environmental design -- Down the garden path -- The wilderness city : a study of metaphorical experience -- Aesthetics of the coastal environment -- The world from the water -- Is there life in virtual space? -- Is greasy lake a place? -- Embodied music -- II: Social aesthetics -- The idea of a cultural aesthetic -- The social evaluation of art -- Subsidization of art (...)
    Direct download  
     
    Export citation  
     
    My bibliography   2 citations  
  3.  59
    Emily Brady (2003). Aesthetics of the Natural Environment. University of Alabama Press.
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   17 citations  
  4.  99
    Ian Ground (2004). Review of Environment and the Arts: Perspectives on Environmental Aesthetics By Arnold Berleant (Ed.). [REVIEW] British Journal of Aesthetics 44:311--313.
    Environment and the Arts: Perspectives on Environ- mental Aesthetics. Edited by ARNOLD BERLEANT . Ashgate. 2002. pp. 192. C ONSISTING of twelve chapters, and an extended introduction, this volume provides a leading-edge anthology of reflections on environmental aesthetics.
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  5.  50
    Arnold Berleant (2007). Aesthetics and Environment Reconsidered: Reply to Carlson. British Journal of Aesthetics 47 (3):315-318.
    Allen Carlson finds three central problems in my book, Aesthetics and Environment: that it lacks a criterion of the aesthetic itself, that my proposal, aesthetic engagement, is excessively subjective, and that we cannot therefore distinguish between ‘easy’ and ‘serious’ beauty. I respond by uncovering the metaphysical assumptions on which his critique rests and offer more plausible alternatives. I argue, further, that their implications are not only acceptable but fully satisfactory.
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  6.  7
    John Haldane (1994). Admiring the High Mountains: The Aesthetics of Environment. Environmental Values 3 (2):97 - 106.
    In recent years there has been a dramatic expansion of the range of studies, policy directives and initiatives concerned with the environment. For the most part these are unphilosophical, pragmatic responses to perceived threats of pollution and other forms of environmental degradation. However, they invariably presuppose certain conceptual and normative commitments, and the examination and evaluation of these has been a major concern of environmental philosophy. To date the primary focus of interest has been on ethical and political values, (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  7.  19
    Arnold Berleant (1998). Living in the Landscape: Towards an Aesthetics of Environment. Journal of Aesthetics and Art Criticism 56 (3):302-303.
    Direct download  
     
    Export citation  
     
    My bibliography   5 citations  
  8. S. P. James (2005). Review: Aesthetics of the Natural Environment. [REVIEW] British Journal of Aesthetics 45 (3):315-317.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  9.  2
    Arnold Berleant (1995). The Aesthetics of Environment. Temple University Press.
    Direct download  
     
    Export citation  
     
    My bibliography   7 citations  
  10.  58
    Ian Ground (2004). Environment and the Arts: Perspectives on Environmental Aesthetics. British Journal of Aesthetics 44 (3):311-313.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  11.  40
    Allen Carlson (2006). Critical Notice: Aesthetics and Environment. British Journal of Aesthetics 46 (4):416-427.
  12.  22
    Ned Hettinger (2005). Allen Carlson's Environmental Aesthetics and the Protection of the Environment. Environmental Ethics 27 (1):57-76.
    Evaluation of the contribution that Allen Carlson’s environmental aesthetics can make to environmental protection shows that Carlson’s positive aesthetics, his focus on the functionality of human environments for their proper aesthetic appreciation, and his integration of ethical concern with aesthetic appreciation all provide fruitful, though not unproblematic, avenues for an aesthetic defense of theenvironment.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  13.  25
    Ned Hettinger (2005). Allen Carlson's Environmental Aesthetics and the Protection of the Environment. Environmental Ethics 27 (1):57-76.
    Evaluation of the contribution that Allen Carlson’s environmental aesthetics can make to environmental protection shows that Carlson’s positive aesthetics, his focus on the functionality of human environments for their proper aesthetic appreciation, and his integration of ethical concern with aesthetic appreciation all provide fruitful, though not unproblematic, avenues for an aesthetic defense of theenvironment.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  14.  2
    S. Davies, R. Hopkins, J. Robinson & Ian Ground (2004). Environment and the Arts: Perspectives on Environmental Aesthetics. British Journal of Aesthetics 44 (3):311-313.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  15.  17
    Renee Conroy (2007). Engaging Berleant: A Critical Look at Aesthetics and Environment: Variations on a Theme. Ethics, Place and Environment 10 (2):217 – 244.
  16. Allen Carlson (2002). Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. Routledge.
    Traditional aesthetics is often associated with the appreciation of art, Allen Carlson shows how much of our aesthetic experience does not encompass art but nature, in our response to sunsets, mountains or horizons or more mundane surroundings, like gardens or the view from our window. He argues that knowledge of what it is we are appreciating is essential to having an appropriate aesthetic experience and that scientific understanding of nature can enhance our appreciation of it, rather than denigrate it.
    No categories
     
    Export citation  
     
    My bibliography  
  17. Allen Carlson (2002). Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. Routledge.
    Traditional aesthetics is often associated with the appreciation of art, Allen Carlson shows how much of our aesthetic experience does not encompass art but nature. He argues that knowledge of what it is we are appreciating is essential to having an appropriate aesthetic experience and that scientific understanding of nature can enhance our appreciation of it, rather than denigrate it.
    No categories
     
    Export citation  
     
    My bibliography  
  18. Donald W. Crawford (2004). The Aesthetics of Nature and the Environment. In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell Pub.
     
    Export citation  
     
    My bibliography  
  19. G. McFee (2000). Aesthetics in the Human Environment: Edited by Pauline von Bonsdorff and Arto Haapala. British Journal of Aesthetics 40 (3):391-392.
     
    Export citation  
     
    My bibliography  
  20. Peter Newby (1987). "The Beauty of Environment: A General Model for Environmental Aesthetics": Yrjö Sepänmaa. [REVIEW] British Journal of Aesthetics 27 (4):376.
     
    Export citation  
     
    My bibliography  
  21.  47
    Emily Brady (2011). The Ugly Truth: Negative Aesthetics and Environment. Royal Institute of Philosophy Supplement 69:83-99.
    In autumn 2009, BBC television ran a natural history series, ‘Last Chance to See’, with Stephen Fry and wildlife writer and photographer, Mark Carwardine, searching out endangered species. In one episode they retraced the steps Carwardine had taken in the 1980s with Douglas Adams, when they visited Madagascar in search of the aye-aye, a nocturnal lemur. Fry and Carwardine visited an aye-aye in captivity, and upon first setting eyes on the creature they found it rather ugly. After spending an hour (...)
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  22.  54
    Malcolm Budd (2001). Book Review. Aesthetics and the Environment Allen Carlson. [REVIEW] Mind 110 (438):448-452.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  23.  10
    Bob Zellman (1997). The Aesthetics of Environment. Newsletter of the Society for the Advancement of American Philosophy 25 (77):22-24.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  24.  13
    Yrjö Sepänmaa (1994). The Aesthetics of Environment. Environmental Ethics 16 (4):437-439.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  25.  14
    Amy Knisley (2003). Aesthetics and the Environment. Environmental Ethics 25 (2):203-206.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  26. Thomas Heyd (2000). Allen Carlson, Aesthetics and the Environment Reviewed By. Philosophy in Review 20 (5):324-326.
     
    Export citation  
     
    My bibliography  
  27. Allen Carlson (2001). Aesthetics and the Environment. Mind 110 (438):448-452.
     
    Export citation  
     
    My bibliography   1 citation  
  28.  1
    Eugene Hargrove (2002). Allen Carlson's Aesthetics and the Environment (Routledge, 2000) Carlson and the Aesthetic Appreciation of Nature. Philosophy and Geography 5 (2).
    Direct download  
     
    Export citation  
     
    My bibliography  
  29. James Kirwan (2000). Pauline Von Bonsdorff and Arto Haapala, Eds., Aesthetics in the Human Environment Reviewed By. Philosophy in Review 20 (1):74-76.
    No categories
     
    Export citation  
     
    My bibliography  
  30. Yuriko Saito (1993). Arnold Berleant, The Aesthetics of Environment Reviewed By. Philosophy in Review 13 (5):215-217.
     
    Export citation  
     
    My bibliography  
  31.  2
    John R. Williams (2012). Ecological Hermeneutics: Biblical, Historical and Theological Perspectives. Edited by David G. Horrell , Cherryl Hunt , Christopher Southgate and Francesca Stavrakopoulou. Pp. Xii, 333, London, T & T Clark, 2010, £24.99. Ecological Awareness: Exploring Religion, Ethics and Aesthetics. Edited by Sigurd Bergmann and Heather Eaton [Studies in Religion and the Environment, Vol. 3]. Pp. Ii, 263, Berlin, Germany, LIT Verlag, 2011, €29.90. [REVIEW] Heythrop Journal 53 (5):898-900.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  32. Arnold Berleant (2002). Environment and the Arts Perspectives on Environmental Aesthetics. Monograph Collection (Matt - Pseudo).
     
    Export citation  
     
    My bibliography  
  33. E. Brady, Aesthetics of the Natural Environment.
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  34. I. Brook (2006). Arnold Berleant, Aesthetics and Environment. Environmental Values 15 (4):534.
     
    Export citation  
     
    My bibliography  
  35. Thomas Heyd (2000). Allen Carlson, Aesthetics and the Environment. [REVIEW] Philosophy in Review 20:324-326.
     
    Export citation  
     
    My bibliography  
  36. Mara Miller (2010). Negative Aesthetics in Art, Environment, and Everyday Life: Arnold Berleant's Theory and the Novels of Kirino Natsuo. Sztuka I Filozofia (10):90--117.
     
    Export citation  
     
    My bibliography  
  37. Yuriko Saito (1993). Arnold Berleant, The Aesthetics of Environment. [REVIEW] Philosophy in Review 13:215-217.
     
    Export citation  
     
    My bibliography  
  38.  73
    Allen Carlson (2009). Nature and Landscape: An Introduction to Environmental Aesthetics. Columbia University Press.
    The development and nature of environmental aesthetics -- Aesthetic appreciation and the natural environment -- The requirements for an adequate aesthetics of nature -- Aesthetic appreciation and the human environment -- Appreciation of the human environment under different conceptions -- Aesthetic appreciation and the agricultural landscape -- What is the correct way to aesthetically appreciate landscapes?
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  39.  26
    J. Douglas Porteous (1996). Environmental Aesthetics: Ideas, Politics and Planning. Routledge.
    As overdevelopment, noise pollution, and land use become considerations in modern life, we become more thoughtful of the quality of our environments, whether the space is for recreation, education, or residential living. Demonstrating how such tenets as "to each his own" have contributed to the demise of our public spaces, Environmental Aesthetics is the first integrated study of this emerging field. Beginning with a brief history of aesthetics, the author explores the concept of landscape, the psychology of human-environment relations, (...)
    Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  40. Fang Ji (2011). Cong Sheng Tai Shi Jian Dao Sheng Tai Shen Mei: Shi Jian Mei Xue de Sheng Tai Wei du Yan Jiu = a Study on the Ecological Dimension of Practical Aesthetics. Ren Min Chu Ban She.
    Translate
     
     
    Export citation  
     
    My bibliography  
  41. Barbara Sandrisser (2009). Exploring Environmental Aesthetics in Japan. Peter Lang.
     
    Export citation  
     
    My bibliography  
  42.  19
    J. Robert Loftis (2005). Review of Carlson and Berleant (Eds.) The Aesthetics of Natural Environments. Environmental Ethics 27 (4):429-432.
    This is a very positive review of Carlson, Allen, and Arnold Berleant, ed. 2004. The Aesthetics of Natural Environments. Broadview Press. -/- .
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  43.  81
    Paul Crowther (1993). Art and Embodiment: From Aesthetics to Self-Consciousness. Oxford University Press.
    In his Critical Aesthetics and Postmodernism, Paul Crowther argued that art and aesthetic experiences have the capacity to humanize. In Art and Embodiment he develops this theme in much greater depth, arguing that art can bridge the gap between philosophy's traditional striving for generality and completeness, and the concreteness and contingency of humanity's basic relation to the world. As the key element in his theory, he proposes an ecological definition of art. His strategy involves first mapping out and analyzing the (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  44.  30
    Y. Saito (2010). Everyday Aesthetics. Oxford University Press.
    Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   3 citations  
  45.  13
    M. Drenthen & J. Keulartz (eds.) (2014). Environmental Aesthetics. Crossing Divides and Breaking Ground. Fordham University Press.
    Environmental aesthetics crosses several commonly recognized divides: between analytic and continental philosophy, Eastern and Western traditions, universalizing and historicizing approaches, and theoretical and practical concerns. This volume sets out to show how these,perspectives can be brought into conversation with one another. The first part surveys the development of the field and discusses some important future directions. The second part explains how widening the scope of environmental aesthetics demands a continual rethinking of the relationship between aesthetics and other fields. How does (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  46. Roger Paden (2010). The Technological Production of a Space for Art and Environmental Aesthetics. Environment, Space, Place 2 (2):45-62.
    This paper argues against evolutionary accounts of aesthetics by defending the idea that our fundamental aesthetic categories have undergone great changes in the last two millennia, in particular, during an “artistic revolution” that lasted from 1680 to 1830. This revolution was made possible by the development of a number of technologies of art that created a separate cultural space for this new invention. The attempt to extend this revolution to include the aesthetic appreciation of the natural environment is aided (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  47. Malcolm Budd (1996). The Aesthetic Appreciation of Nature. British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These include: (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  48.  44
    Karsten Harries (2011). What Need is There for an Environmental Aesthetics? Nordic Journal of Aesthetics 22 (40-41).
    What need is there for an environmental aesthetics? The answer to that question is by no means obvious. To be sure, that we need to protect our environment has become a cliché that I am just a bit wary about repeating it here – the statement hardly bears much discussion any longer. Is it not obvious that we need to make sure that all those natural resources on which we depend for our survival will continue to be available, not (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  49.  24
    Carlo Volf (2011). Light and the Aesthetics of Perception. Nordic Journal of Aesthetics 22 (40-41).
    Light seems to be a very changeable size in our build environment. Being an immaterial building stone, light takes a very liquid shape in our design-vocabulary. It consists of an invisible material – photons – and therefore it takes no specific form in itself but is only articulated through the meeting with form. Therefore, since form has been the major theme for the aesthetics up until now, giving form to light is a complex and challenging task and reducing it (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  50.  16
    Tom Sparrow (2011). Plasticity and Aesthetic Identity; or, Why We Need a Spinozist Aesthetics. Nordic Journal of Aesthetics 40 (40-41):53-74.
    This essay defends the view that, as embodied, our identities are necessarily dependent on the aesthetic environment. Toward this end, it examines the renewal of the concept of sensation (aisthesis) in phenomenology, but then concludes that the methodology and metaphysics of phenomenology must be abandoned in favor of an ontology that sees corporeal identity as generated by the materiality of aesthetic relations. It is suggested that such an ontology is available in the work of Spinoza, which helps break down (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
1 — 50 / 180