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Erin Manning [18]Erin Claire Manning [1]
  1.  2
    Erin Manning (2006). Politics of Touch: Sense, Movement, Sovereignty. Univ of Minnesota Press.
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  2.  11
    Erin Manning (2009). What If It Didn't All Begin and End with Containment? Toward a Leaky Sense of Self. Body and Society 15 (3):33-45.
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  3.  5
    Erin Manning (2000). I AM CANADIAN Identity, Territory and the Canadian National Landscape. Theory and Event 4 (4).
  4. Erin Manning (forthcoming). Relationscapes: Movement, Art. Philosophy.
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  5.  3
    Erin Manning (2011). Fiery, Luminous, Scary. Substance 40 (3):41-48.
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  6.  2
    Erin Manning (forthcoming). Propositions for Collective Action – Towards an Ethico-Aesthetic Politics. Theory and Event 15 (3).
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  7.  1
    Erin Manning (2005). The Craft of Politics: Witching Times. Theory and Event 8 (3).
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  8.  1
    Erin Manning (1998). A Critical Ellipsis: Spacing as an Alternative to Criticism: On Deconstruction and the Visual Arts: Art, Media, Architecture , Edited by Peter Brunette and David Wills. Film-Philosophy 2 (1).
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  9. Erin Manning (2013). Always More Than One: Individuation's Dance. Duke University Press Books.
    In _Always More Than One_, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this (...)
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  10. Erin Manning (2013). Always More Than One: Individuation's Dance. Duke University Press Books.
    In _Always More Than One_, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this (...)
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  11. Erin Manning (2011). Make Money with Your Digital Photography. Wiley.
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  12.  1
    Erin Manning (2007). Portrait and Candid Photography: Photo Workshop. Wiley.
    Erin Manning, DIY Network host of The Whole Picture, tells aspiring photographers how to take outstanding photos of people in this full-color book filled with great images Helps readers gain the skills and confidence to successfully use the ...
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  13.  17
    Erin Manning (2009). Relationscapes: Movement, Art, Philosophy. MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
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  14. Erin Manning (2012). Relationscapes: Movement, Art, Philosophy. The MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. (...)
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  15. Erin Manning (2008). Sensing Beyond Security. In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues. Palgrave Macmillan
     
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  16. Erin Manning & Brian Massumi (2014). Thought in the Act: Passages in the Ecology of Experience. Univ of Minnesota Press.
    “Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world’s varied ways of affording itself.” —from _Thought in the Act _Combining philosophy and aesthetics, _Thought in the Act_ is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi “think through” a (...)
     
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  17. Erin Manning (2016). The Minor Gesture. Duke University Press Books.
    In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to (...)
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  18. Erin Manning (2016). The Minor Gesture. Duke University Press Books.
    In this wide-ranging and probing book Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to (...)
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