Search results for 'Erkki Pekkilä' (try it on Scholar)

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  1. Susan Ingram (2006). Music in Narrative Film. On Motion and Stasis : Photography, "Moving Pictures," Music / David Neumeyer, Laura Neumeyer ; the Topos of "Evil Medieval" in American Horror Film Music / James Deaville ; la Leggenda Del Pianista Sull'oceano : Narration, Music, and Cinema / Rosa Stella Cassotti ; Music in Aki Kaurismäki's Film the Match Factory Girl / Erkki Pekkilä ; It's a Little Bit Funny : Moulin Rouge's Sparkling Postmodern Critique. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.score: 21.0
     
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  2. Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.score: 6.0
     
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  3. Erkki Huovinen (2008). Levels and Kinds of Listeners' Musical Understanding. British Journal of Aesthetics 48 (3):315-337.score: 3.0
    This article examines an account of the listener's musical understanding put forward by Stephen Davies. I begin by discussing Davies's "expressibility requirement", according to which a musical listener should be able to express his understanding in sentences that are truth-apt. This is followed by a reconstruction of Davies's argument for the idea that high levels of musical understanding can be attained without possessing music-theoretical concepts. Such a conclusion is seen to follow from his belief that although musical understandings may be (...)
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  4. Erkki Huovinen & Tobias Pontara (forthcoming). Methodology in Aesthetics: The Case of Musical Expressivity. Philosophical Studies.score: 3.0
    A central method within analytic philosophy has been to construct thought experiments in order to subject philosophical theories to intuitive evaluation. According to a widely held view, philosophical intuitions provide an evidential basis for arguments against such theories, thus rendering the discussion rational. This method has been the predominant way to approach theories formulated as conditional or biconditional statements. In this paper, we examine selected theories of musical expressivity presented in such logical forms, analyzing the possibilities for constructing thought experiments (...)
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  5. Erkki Huovinen (2008). The Justification of Music-Structural Claims. Philosophy of Music Education Review 16 (1):21-39.score: 3.0
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  6. Erkki Vesa Rope Kojonen (2013). Tensions in Intelligent Design's Critique of Theistic Evolutionism. Zygon 48 (2):251-273.score: 3.0
    “Intelligent Design” (ID) is a contemporary intellectual movement arguing that there is scientific evidence for the existence of some sort of creator. Its proponents see ID as a scientific research program and as a way to build a bridge between science and theology, while many critics see it merely as a repackaged form of religiously motivated creationism: both bad science and bad theology. In this article, I offer a close reading of the ID movement's critique of theistic evolutionism and argue (...)
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  7. Erkki Huovinen (2012). Musical Understandings and Other Essays on the Philosophy of Music by Davies, Stephen. Journal of Aesthetics and Art Criticism 70 (3):315-317.score: 3.0
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  8. Ellsworth Fuhrman & Erkki Kaukonen (1988). Science and Finnish Sociology: Reply to Allardt and Kelle. Social Epistemology 2 (4):353 – 355.score: 3.0
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  9. Erkki Hartikainen (1982). Freethinkers' Proposal for a Teaching Plan in Moral Education in Finland. Journal of Moral Education 11 (4):274-283.score: 3.0
    Abstract The paper which follows gives the historical and contemporary background to the present on?going attempt of the Union of Freethinkers in Finland to gain acceptance for a new syllabus in moral education in the curriculum of Finnish schools. An outline is given of their linguistic approach to moral education which draws on many insights from thinkers and practitioners world?wide and attempts to promote a positive identity among non?believers. The proposal is offered as a possible model for other non?doctrinaire teaching (...)
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  10. Jukka Jokela & Erkki Haukioja (2000). Evolution of Strategies to Stay in the Game. Biology and Philosophy 15 (2).score: 3.0
    Life-history evolution is a complexprocess. Life-history theory covers the fundamentallevel of the process, the evolution of life-historytraits. Life-history traits interact; thosecoevolving as a response to the same selectionpressure form life-history tactics. Top level of thehierarchy, life-history strategy, is formed bygenetically interconnected tactics. Our aim is toexpand the traditional view to life-history evolutionby considering what boundary conditions a successfullife-history strategy has to fulfil. We claim thatthe most fundamental condition successful strategieshave to meet is to minimize the risk of evolutionaryfailure. Here the (...)
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  11. Erkki Ahlström (2009). Reference and Complex Demonstratives in English and in Finnish. In Dingfang Shu & Ken Turner (eds.), Contrasting Meanings in Languages of the East and West. Peter Lang.score: 3.0
     
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  12. Ellsworth Fuhrman & Erkki Kaukonen (1988). On the Circulation and Legitimation of Social Science Knowledge: The Case of Finnish Sociology. Social Epistemology 2 (1):43 – 59.score: 3.0
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  13. Erkki Huhtamo (2003). Cyberarts, Codes and Coders: Contextualizing Software Art. Art Inquiry. Recherches Sur les Arts 5:49-68.score: 3.0
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  14. Erkki Huhtamo (2002). Global Glimpses for Local Realities: The Moving Panorama, a Forgotten Mass Medium of the 19th Century. Art Inquiry. Recherches Sur les Arts 4:193-228.score: 3.0
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  15. Hans Joas & Erkki Kilpinen (2006). Creativity and Society. In John R. Shook & Joseph Margolis (eds.), A Companion to Pragmatism. Blackwell Pub..score: 3.0
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  16. Erkki Juhani Jussila (1975). Functional Logic. Jussila.score: 3.0