This article examines an account of the listener's musical understanding put forward by Stephen Davies. I begin by discussing Davies's "expressibility requirement", according to which a musical listener should be able to express his understanding in sentences that are truth-apt. This is followed by a reconstruction of Davies's argument for the idea that high levels of musical understanding can be attained without possessing music-theoretical concepts. Such a conclusion is seen to follow from his belief that although musical understandings may be (...) evaluatively compared in terms of the concepts of music theory, the listeners themselves can always fulfil the expressibility requirement by employing simple "folk-musicological" terminology. I will attempt to show that this premise is questionable in the light of some central cases of music-structural understanding. I conclude by examining the relationship between Davies's expressibility requirement and the claim that musical understandings are evaluatively commensurable. (shrink)
A central method within analytic philosophy has been to construct thought experiments in order to subject philosophical theories to intuitive evaluation. According to a widely held view, philosophical intuitions provide an evidential basis for arguments against such theories, thus rendering the discussion rational. This method has been the predominant way to approach theories formulated as conditional or biconditional statements. In this paper, we examine selected theories of musical expressivity presented in such logical forms, analyzing the possibilities for constructing thought experiments (...) against them. We will argue that philosophical intuitions are not available for the evaluation of the types of counterarguments that would need to be constructed. Instead, the evaluation of these theories, to the extent that it can succeed at all, will centrally rely on inferential, non-immediate access to our subjective musical experiences. Furthermore, attempted thought experiments lose their methodological function because no proper distinction can be drawn between the persons figuring in the thought-experimental scenario and the evaluator of the scenario. Consequently, some of the central contributions to what is generally understood to be analytic philosophy of art are shown to represent a form of aesthetic criticism, offering much less basis for rational argumentation than is often thought. (shrink)
“Intelligent Design” (ID) is a contemporary intellectual movement arguing that there is scientific evidence for the existence of some sort of creator. Its proponents see ID as a scientific research program and as a way to build a bridge between science and theology, while many critics see it merely as a repackaged form of religiously motivated creationism: both bad science and bad theology. In this article, I offer a close reading of the ID movement's critique of theistic evolutionism and argue (...) that this critique is ultimately in tension with the movement's broader thought. (shrink)
Abstract The paper which follows gives the historical and contemporary background to the present on?going attempt of the Union of Freethinkers in Finland to gain acceptance for a new syllabus in moral education in the curriculum of Finnish schools. An outline is given of their linguistic approach to moral education which draws on many insights from thinkers and practitioners world?wide and attempts to promote a positive identity among non?believers. The proposal is offered as a possible model for other non?doctrinaire teaching (...) plans and the author would welcome any observations on its relevance and potential use in other countries of the world. (shrink)
Life-history evolution is a complexprocess. Life-history theory covers the fundamentallevel of the process, the evolution of life-historytraits. Life-history traits interact; thosecoevolving as a response to the same selectionpressure form life-history tactics. Top level of thehierarchy, life-history strategy, is formed bygenetically interconnected tactics. Our aim is toexpand the traditional view to life-history evolutionby considering what boundary conditions a successfullife-history strategy has to fulfil. We claim thatthe most fundamental condition successful strategieshave to meet is to minimize the risk of evolutionaryfailure. Here the (...) risk of failure refers to failurein transferring practitioners of the strategy to thenext time point, either through survival, or byreproduction. We make an attempt to classify types ofrisks as they lead to evolutionary failure, anddiscuss how risk minimization ideas may be approachedempirically. We conclude that understanding howtraits evolve may not cover all aspects of howstrategies evolve. We emphasize that bookkeeping ofthe actual causes of failure might help in developinglife-history theory that uses causes of selection topredict responses to selection. (shrink)