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  1.  7
    Ernst van Alphen (2016). The Politics of Exclusion, or, Reanimating the Archive. Nordic Journal of Aesthetics 24 (49-50).
    The notion of the archive covers two kinds of knowledge: knowledge and memories that can be articulated and objectified by convergent discursive rules, and knowledge that remains overlooked because of the same discursive rules, now working as rules of exclusion. Many contemporary art practices foreground these exclusions from the archive by presenting them as yet another archive. Artists highlight this residue of the archive by collecting images that were until then not considered to be archivable, that is, of any value (...)
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  2. Pedro Erber & Ernst van Alphen (forthcoming). BADIOU, ALAIN:“Five Remarks on the Contemporary Significance of the Middle Ages.” Fall–Winter 2006: 156–57 BAZZICALUPO, LAURA:“The Ambivalences of Biopolitics.” Summer 2006: 109–16. BLACKMORE, JOSIAH:“Imagining the Moor in Medieval Portugal.” Fall–Winter. [REVIEW] Diacritics.
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  3.  17
    Ernst van Alphen (2005). Art in Mind: How Contemporary Images Shape Thought. University of Chicago Press.
    Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind , Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical (...)
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  4. Ernst van Alphen (2014). Staging the Archive: Art and Photography in the Age of New Media. Reaktion Books.
     
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  5. Ernst van Alphen, Mieke Bal & Carel Smith (eds.) (2008). The Rhetoric of Sincerity. Stanford University Press.
    The essays in this volume demonstrate how the performance of sincerity is culturally specific and is enacted in different ways in different media and disciplines, including law and the arts.
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