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  1. Eva Geulen (2012). Passion in Prose. Telos 2012 (158):8-20.
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  2. Eva Geulen (2006). The End of Art: Readings in a Rumor After Hegel. Stanford University Press.
    Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here (...)
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  3. Eva Geulen (2006). „Und siehe! Apollo konnte nicht ohne Dionysos leben!“. Deutsche Zeitschrift für Philosophie 54 (3/2006).
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  4. Eva Geulen (2001). Mega Melancholia: Adorno's Minima Moralia'. In Peter Uwe Hohendahl & Jaimey Fisher (eds.), Critical Theory: Current State and Future Prospects. Berghahn Books. 49--68.
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  5. Eva Geulen (1998). Melancholy Dialectics. International Studies in Philosophy 30 (2):148-150.
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