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  1. F. David Martin (2012). The. Dialectics and Humanism 2 (2):25-43.
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  2. Joseph P. Fell & F. David Martin (1988). William Preston Warren 1901-1988. Proceedings and Addresses of the American Philosophical Association 62 (2):317 -.
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  3. F. David Martin (1982). Sculpture and Enlivened Space: Aesthetics and History. Journal of Aesthetics and Art Criticism 40 (4):435-436.
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  4. F. David Martin (1980). Sculpture and Enlivened Space Aesthetics and History /F. David Martin. --. --. University Press of Kentucky, C1981.
     
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  5. F. David Martin (1979). Architecture and the Aesthetic Appreciation of the Natural Environment. Journal of Aesthetics and Art Criticism 38 (2):189-190.
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  6. F. David Martin (1979). Kandinsky and Ashmore: A Comment. Ultimate Reality and Meaning 2 (3):257.
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  7. F. David Martin (1979). Reviews and Evaluations of Articles. Ultimate Reality and Meaning 2:257.
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  8. F. David Martin (1979). Sculpture and "Truth to Things". Journal of Aesthetic Education 13 (2):11.
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  9. F. David Martin (1978). Response to Ronald E. Roblin. Journal of Aesthetic Education 12 (3):93.
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  10. F. David Martin (1978). Sculpture, Painting, and Damage. Journal of Aesthetics and Art Criticism 37 (1):47-52.
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  11. F. David Martin (1977). The Arts and the ‘Between’. British Journal of Aesthetics 17 (1):22-36.
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  12. F. David Martin (1976). Sculpture and Place. Dialectics and Humanism 3 (2):45-55.
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  13. F. David Martin (1976). The Autonomy of Sculpture. Journal of Aesthetics and Art Criticism 34 (3):273-286.
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  14. F. David Martin & Lee A. Jacobus (1976). The Humanities Through the Arts. Journal of Aesthetics and Art Criticism 34 (3):366-367.
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  15. F. David Martin (1975). Art and the Religious Experience: The 'Language' of the Sacred. Religious Studies 11 (3):381-383.
     
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  16. F. David Martin (1975). The "Between". Dialectics and Humanism 2 (2):25-43.
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  17. F. David Martin (1975). The "Between": Brancusi, Moore, and Giacometti. Dialectics and Humanism 2 (2):25-43.
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  18. F. David Martin (1974). Behind Appearance. Process Studies 4 (1):51-55.
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  19. F. David Martin (1974). Heidegger's Being of Things and Aesthetic Education. Journal of Aesthetic Education 8 (3):87.
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  20. F. David Martin (1973). Art and the Religious Experience. Journal of Aesthetics and Art Criticism 31 (4):546-552.
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  21. F. David Martin (1969). The Persistent Presence of Abstract Painting. Journal of Aesthetics and Art Criticism 28 (1):23-31.
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  22. F. David Martin (1968). The Aesthetic in Religious Experience. Religious Studies 4 (1):1 - 24.
    William James catalogued an amazing diversity of religious experiences. Yet even the pluralistic James was able to find a nucleus, consisting of an uneasiness and its solution, ‘1. The uneasiness, reduced to its simplest terms, is a sense that there is something wrong about us as we naturally stand. 2. The solution is a sense that we are saved from the wrongness by making proper connection with the higher powers.’ But by stressing the moral factor, James seems to exclude those (...)
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  23. F. David Martin (1967). The Power of Music and Whitehead's Theory of Perception. Journal of Aesthetics and Art Criticism 25 (3):313-322.
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  24. F. David Martin (1965). Spiritual Asymmetry in Portraiture. British Journal of Aesthetics 5 (1):6-13.
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  25. F. David Martin (1961). On Portraiture: Some Distinctions. Journal of Aesthetics and Art Criticism 20 (1):61-72.
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  26. F. David Martin (1959). On Enjoying Decadence. Journal of Aesthetics and Art Criticism 17 (4):441-446.
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  27. F. David Martin (1956). On the Supposed Incompatibility of Expressionism and Formalism. Journal of Aesthetics and Art Criticism 15 (1):94-99.
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  28. F. David Martin (1955). Unrealized Possibility in the Aesthetic Experience. Journal of Philosophy 52 (15):393-400.
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