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F. Joseph Smith [8]F. J. Smith [6]
  1. F. Joseph Smith (forthcoming). Toward a Phenomenology of Music: A Musician's Composition Journal. Philosophy of Music Education Review.
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  2. F. Joseph Smith (ed.) (1976). In Search of Musical Method. Gordon and Breach.
    Alfred Schutz's "Fragments on the phenomenology of music" has been edited from a manuscript written in Lake Placid during the week of July 16th to July 23rd ...
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  3. F. J. Smith (1973). Musical Sound as a Model for Husserlian Intuition and Time-Consciousness. Journal of Phenomenological Psychology 4 (1):271-296.
  4. F. Joseph Smith (1971). Some Notes on the Meaning of Analysis. Philosophy Today 15 (3):159-174.
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  5. F. J. Smith (1970). Two Heideggerian Analyses. Southern Journal of Philosophy 8 (4):409-420.
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  6. F. Joseph Smith (1970). Phenomenology in Perspective. The Hague,Martinus Nijhoff.
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  7. F. Joseph Smith (1970). Toward a Phenomenology of Musical Aesthetics. In Erwin W. Straus & Richard Marion Griffith (eds.), Aisthesis and Aesthetics. Pittsburgh, Pa.,Duquesne University Press. 198--99.
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  8. F. J. Smith (1969). Une phénoménologie de la croyance. Revue de Métaphysique et de Morale 74 (4):392 - 405.
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  9. F. Joseph Smith (1969). Further Insights Into a Phenomenology of Sound. Journal of Value Inquiry 3 (2):136-146.
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  10. F. J. Smith & E. Bär (1968). Vers Une Phénoménologie du Son. Revue de Métaphysique et de Morale 73 (3):328 - 343.
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  11. F. Joseph Smith (1967). Heidegger's Kant Interpretation. Philosophy Today 11 (4):257-264.
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  12. F. Joseph Smith (1967). Insights Leading to a Phenomenology of Sound. Southern Journal of Philosophy 5 (3):187-199.
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  13. F. J. Smith (1946). A Reading of “East Coker”. Thought 21 (2):272-286.
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