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Felicity Colman [7]Felicity J. Colman [1]
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Profile: Felicity Colman (Manchester Metropolitan University)
  1. Felicity Colman (2011). Deleuze and Cinema: The Film Concepts. Berg.
    Introduction : Deleuze's cinematographic consciousness -- Ciné-system -- Movement : the movement-image -- Frame, shot and cut -- Montage -- Perception -- Affect -- Action -- Transsemiotics -- Signs (vector) -- Time -- Politics -- Topology -- Thought -- Conclusion : cinematographic ethics.
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  2. Felicity J. Colman (2011). Cinema. In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts. Mcgill-Queen's University Press.
     
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  3. Felicity Colman (2009). Affective Imagery : Screen Militarism. In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum. 143--159.
     
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  4. Felicity Colman (ed.) (2009). Film, Theory and Philosophy: The Key Thinkers. Acumen.
    Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. -/- Film, Theory and Philosophy brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers (...)
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  5. Felicity Colman (2008). Affective Terrorism. In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues. Palgrave Macmillan.
     
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  6. Felicity Colman (2006). Affective Entropy. Angelaki 11 (1):169-178.
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  7. Felicity Colman & Charles J. Stivale (2006). A Creative Life. Angelaki 11 (1):1 – 3.
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  8. Felicity Colman (2005). Deleuze's Kiss: The Sensory Pause of Screen Affect'. Pli: The Warwick Journal of Philosophy 16:101-113.
     
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