Until quite recently, the epistemology of logical laws has not been much discussed and neither has how one can be justified in claiming that a particular inference is valid. The transfer of warrant from premises to conclusion in modus ponens will be examined in the paper through assessing Paul Boghossian's inferentialist proposal of assuming 'blind reasoning'. It will be argued that merely being justified in inferring according to a logical law a priori is worthless unless one can also be justified (...) in claiming that the inference is valid. An alternative to Boghossian's solution will be presented which addresses this need as well as the needs Boghossian had identified previously. (shrink)

info:eu-repo/semantics/publishedVersion.

In 1982 Saul A. Kripke proposed a reconstruction of the central insights of Ludwig Wittgenstein's remarks on rule-following. The reconstruction prominently featured a sceptical challenge which soon was recognised as a new and very radical form of scepticism. According to the challenge there is no fact of the matter which constitutes meaning. As there is no such fact, the first-person authority people intuitively seem to have concerning what they mean is also baseless. In response to the sceptic, many solutions have (...) been proposed. This thesis is about one family of solutions, according to which facts about meaning are sui generis and can neither be reduced to other facts about the world nor to non-semantic facts about the human mind. The non-reductionist proposals by Colin McGinn and Crispin Wright will be assessed in detail and arguments against both will be introduced. The arguments stem only partially from Kripke himself, some are based on recent literature, others are completely new. The emerging situation will be used as a basis to propose an alternative non-reductionism about meaning-facts. (shrink)

The philosophy of G.W.F. Hegel emphasises the importance of understanding consciousness and, even more so, self-consciousness. His lectures on aesthetics contain aesthetic theories for all forms of art (viz. architecture, painting, music or poetry), but critics use them only in significantly altered versions. The present paper attempts to give an in-depth analysis of a poem following one interpretation of Hegel's philosophy of self-consciousness. The poem analysed is not a German Romantic poem, but an Indian poem from the mid-20th century. The (...) explanatory force of Hegel's aesthetics is thus assessed with the needs of a global culture studies in mind. (shrink)