21 found
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Frances A. Yates [18]Frances Amelia Yates [6]
  1.  5
    Ian M. L. Hunter & Frances A. Yates (1967). The Art of Memory. Philosophical Quarterly 17 (67):169.
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  2. Frances A. Yates (1940). The Religious Policy of Giordano Bruno. Journal of the Warburg and Courtauld Institutes 3 (3/4):181-207.
  3. Frances Amelia Yates (1964). Giordano Bruno and the Hermetic Tradition. Routledge.
    Placing Bruno—both advanced philosopher and magician burned at the stake—in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay—and conflict—with magic and occult practices. "Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians (...)
     
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  4.  74
    Frances A. Yates (1959). Boissard's Costume-Book and Two Portraits. Journal of the Warburg and Courtauld Institutes 22 (3/4):365-366.
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  5.  59
    Frances A. Yates (1954). The Art of Ramon Lull: An Approach to It Through Lull's Theory of the Elements. Journal of the Warburg and Courtauld Institutes 17 (1/2):115-173.
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  6.  30
    Frances A. Yates (1947). Queen Elizabeth as Astraea. Journal of the Warburg and Courtauld Institutes 10:27-82.
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  7.  37
    Frances A. Yates (1943). The Emblematic Conceit in Giordano Bruno's de Gli Eroici Furori and in the Elizabethan Sonnet Sequences. Journal of the Warburg and Courtauld Institutes 6:101-121.
  8.  29
    Frances A. Yates (1944). Paolo Sarpi's "History of the Council of Trent". Journal of the Warburg and Courtauld Institutes 7:123-143.
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  9.  31
    Frances A. Yates (1960). Ramon Lull and John Scotus Erigena. Journal of the Warburg and Courtauld Institutes 23 (1/2):1-44.
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  10.  21
    Frances A. Yates (1957). Elizabethan Chivalry: The Romance of the Accession Day Tilts. Journal of the Warburg and Courtauld Institutes 20 (1/2):4-25.
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  11.  23
    Frances A. Yates (1951). Transformations of Dante's Ugolino. Journal of the Warburg and Courtauld Institutes 14 (1/2):92-117.
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  12.  17
    Delio Cantimori & Frances A. Yates (1937). Rhetoric and Politics in Italian Humanism. Journal of the Warburg Institute 1 (2):83-102.
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  13.  18
    Frances A. Yates (1939). Giordano Bruno's Conflict with Oxford. Journal of the Warburg Institute 2 (3):227-242.
  14. Frances Amelia Yates (1982). Lull and Bruno. Routledge.
    Frances Yates, leading Renaissance scholar of her time, revolutionised the study of art, science and ideas. She was a pioneer in her emphasis on visual culture, Fellow of the British Academy, and a remarkable twentieth century philosopher. This set provides immediate access to the work of this very important late twentieth century philosopher.
     
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  15.  3
    Frances A. Yates (1973). Science, Medicine and Society in the Renaissance Edited by Allen G. Debus. History of Science 11:286-291.
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  16.  7
    Frances A. Yates (1937). Italian Teachers in Elizabethan England. Journal of the Warburg Institute 1 (2):103-116.
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  17. Frances A. Yates (1973). Science in its Context. History of Science 11 (4):286-291.
     
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  18.  8
    Frances A. Yates (1951). Antoine Caron's Paintings for Triumphal Arches. Journal of the Warburg and Courtauld Institutes 14 (1/2):132-134.
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  19. Frances A. Yates (1951). Giordano Bruno. Some New Documents.«. Revue Internationale de Philosophie 15 (2=16):174.
     
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  20. Frances A. Yates & Thierry Chaucheyras (1998). Les académies en France au XVIe siècle, coll. « Questions ». Revue Philosophique de la France Et de l'Etranger 188 (2):221-222.
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  21. Frances Amelia Yates (1982). Lull & Bruno. Routledge & K. Paul.
    First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
     
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