1. Francesco Casetti (1999). Theories of Cinema, 1945-1995. University of Texas Press.
    The study of film entered a new era after World War II, as cinema became an acceptable focus for intellectual inquiry. The many ways in which cinema has been imagined, studied, and discussed in the last fifty years are the subject of this comprehensive overview of film theory in the United States and Europe since 1945. Francesco Casetti groups his essays around principal movements in film studies. In the first part of the book, he reviews the attempts at defining the (...)
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  2. Francesco Casetti (1996). Communicative Situations: The Cinema and the Television Situation. Semiotica 112 (1-2):35-48.
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  3. Francesco Casetti & Luciana Bohne (1986). Antonioni and Hitchcock: Two Strategies of Narrative Investment. Substance 15 (3).
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