Online research in philosophy

The study of film entered a new era after World War II, as cinema became an acceptable focus for intellectual inquiry. The many ways in which cinema has been imagined, studied, and discussed in the last fifty years are the subject of this comprehensive overview of film theory in the United States and Europe since 1945. Francesco Casetti groups his essays around principal movements in film studies. In the first part of the book, he reviews the attempts at (...) defining the "essence" of cinema during the 1950s. Then he explores disciplinary approaches to cinema--psychological, sociological, semiotic, and psychoanalytic--popular in the 1960s and 1970s. Finally, he focuses on "field" theories--cinema and politics, the critique of representation, feminist film theory, neo-disciplinary tendencies, cultural and aesthetic studies, and the new approaches to film history. Theories of Cinema was originally published in Italy, where it won the Premio Domenico Meccoli--Scrivere di cinema 1993 of the Centro dello Spettacolo in Rome. This is its first English translation. The author has revised and updated this edition to cover the years 1945-1995. (shrink)

It seems fairly straightforward to describe what should and should not count as a disability into two separate and opposing categories. In this paper we will challenge this assumption and critically reflect on the narrow relations between the concepts of 'talent' and 'disability'. We further relate such matters of terminology and classification to issues of justice in what is conceived of as disability sport. Do current systems of classification do justice to the performances of disabled athletes? Is the organisation of (...) a just and fair competition similar for abled as it is for disabled sport? Two cases (of Francesco Lentini and Oscar Pistorius) will be explored to further illustrate the complexities of these questions, in particular when related to notions of normality and extraordinary performances. (shrink)

Francesco Patrizi da Cherso's Discussiones peripateticae (1581) are one of the most comprehensive analyses of the whole of Aristotelian philosophy to be published before Werner Jaeger's Aristoteles. The main thrust of the argument in the Discussiones is that whatever Aristotle had said that was true was not new, and that whatever he had said that was new was not true. The article shows how Patrizi proves this with respect to the Organon, and deals with the implications for the history (...) af ancient philosophy in general implied by his stance. (shrink)

This paper examines the view held by Francesco Piccolomini (1523-1607) on the relation between prime matter and extension. In his discussion of prime matter in the Libri ad scientiam de natura attinentes Piccolomini develops a theory of prime matter that incorporates crucial elements of the viewpoint adhered to by the Neoplatonist Simplicius. The originality of Piccolomini's undertaking is highlighted by contrasting it with the ideas found in Jacopo Zabarella's De rebus naturalibus . The case of Piccolomini shows that, in (...) order to classify early modern metaphysical theories of prime matter, the category `prime matter as sheer dimensionality' is indispensable. (shrink)

Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.

La nota entra in dialogo con il saggio di Francesco Emmolo e cerca di comprendere la proposta di Enzo Paci all’interno di una domanda sul “soggetto della conoscenza”. Di esso la storia della filosofia ha presentato molteplici immagini, che entrano in un confronto critico con la comprensione “quotidiana” della relazione conoscitiva.

Wonder, miracle, occult science, poetry, and the epistemological implications in Renaissance authors: Marsilio Ficino, Giovanni Pico, Pietro Pomponazzi, Agrippa of Nettesheim, Giordano Bruno, Francesco Patrizi, Tommaso Campanella, Francisco Suárez.

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Upshot: Written by recognized experts in their fields, the book is a set of essays that deals with the influences of early cybernetics, computational theory, artificial intelligence, and connectionist networks on the historical development of computational-representational theories of cognition. In this review, I question the relevance of computability arguments and Jonasian phenomenology, which has been extensively invoked in recent discussions of autopoiesis and Ashby’s homeostats. Although the book deals only indirectly with constructivist approaches to cognition, it is useful reading for (...) those interested in machine-based models of mind. (shrink)