Online research in philosophy

The major aim of this article consists in ascertaining the reasons which drove Bacon to compose what he called Instauratio Magna: a great institution of the future science in terms of an broad restoration of the past of science. It brings an exposition of his project (of what he meant to do) in contradistinction to what he effectively accomplished. Cconsidering that Kant dedicated to Bacon his Critique of Pure Reason, it is also an imperative concern of this article to search (...) for the reasons of this dedication. (shrink)

S. A. Mrozowski, « Temps, rythme et espace. L'influence d'Henri Lefebvre dans le champ de l'archéologie historique », in P. Cingolani (dir.), Henri Lefebvre, une pensée devenue monde ?, 2013, Paris, L'Harmattan, 2013, p. 119-132. - Brèves.

No livro “As vozes da igualdade” (“Las voces de la igualdad. Bases para una teoría crítica de la justicia”. Ed. Proteus, 2010. 288 páginas – Ainda sem tradução para o português), o Prof. Dr. Gustavo Pereira, da Universidad de la Republica, Uruguai, procura analisar estas questões investigando as principais teorias de justiça contemporâneas que pretendem respondê-las e apresenta sua proposta de um caminho para a fundamentação de uma teoria crítica de justiça renovada, mais abrangente, que ofereça meios mais adequados e (...) eficazes para promover a justiça social e desenvolver as capacidades humanas necessárias para a construção de uma “eticidade democrática”. (shrink)

This paper attempts to provide a general reconstruction of Francis of Marchia's doctrine of accidental being. The paper is divided into two parts. (1) In the first part, I begin by reconstructing the debate on the nature of accidents held before Marchia, showing that such a debate is characterised by a progressive shift concerning the way to understand accidents. While the first Aristotelian interpreters regard accidents especially as inhering modes of being of substances, the majority of theologians and philosophers (...) in the second half of the thirteenth century regard accidents as absolute beings. For them, the problem is no longer to explain if and, if so, how accidents can be distinct from substances, but how accidents and substances can make some one thing. Metaphysically, their primary focus is on explaining what the ontological status of inherence is. Although it is especially the consideration of the Eucharistic case that induces this change, I point out that many philosophers and theologians find in Aristotle's texts the philosophical support for taking this step. (2) In the second part, I focus more closely on Marchia's doctrine, arguing that Marchia's position is a slightly revised version of Scotus's. Unlike Aquinas and Bonaventure, Marchia explains Aristotle's metaphysics of accidents by way of the metaphysics of the Eucharist and not vice versa. So, in order to explain the philosophical consistency of this miraculous case, Marchia maintains that one does not need to modify the notion of inherence by distinguishing actual from potential inherence and including the latter in the accident's essence; rather it is necessary to take the case of the Eucharist seriously and, on this basis, to remove inherence totally from an accident's essence. In conclusion, the Eucharist shows that accidents are absolute beings to which actual inherence pertains contingently, potential inherence necessarily. But like Scotus's, Marchia's doctrine faces some difficulties that remain unresolved. (shrink)

El artículo ofrece una interpretación de la controversial y aparentemente inaceptable caracterización de la poesía desarrollada por Platón en la República. Los objetivos principales de la discusión son: aclarar las motivaciones de dicha caracterización, desentrañar los múltiples y discontinuos argumentos que la componen, y evaluar críticamente sus aciertos y sus límites. Se concluye que no todas las posturas que adopta Platón frente a la poesía son insostenibles, y que cuando sí lo son las razones para ello resultan particularmente esclarecedoras. The (...) article offers an interpretation of the controversial and apparently unacceptable characterization of poetry developed in Plato's Republic. The main objectives of the discussion are: to clarify the motivations for such characterization, to disentangle the various and discontinuous arguments that compose it, and to critically evaluate its limitations and the extent of its defensibility. It is concluded that not all the positions adopted by Plato with respect to poetry are unsustainable, and that when they are, this is due to reasons which result particularly revealing. (shrink)

Compte rendu de L. Boi (ed.), Symétries, brisures de symétries et complexité en mathématiques, physique et biologie, Peter Lang.

We study first-order properties of the quotient rings C(V)/P by a prime ideal P, where C(V) is the ring of p-adic valued continuous definable functions on some affine p-adic variety V. We show that they are integrally closed Henselian local rings, with a p-adically closed residue field and field of fractions, and they are not valuation rings in general but always satisfy ∀ x, y(x|y 2 ∨ y|x 2 ).

We study function fields over p-adically closed fields in the first-order language of fields. Using ideas of Duret [D], we show that the field of constants is definable, and that the genus is an elementary property.

Cet ouvrage constitue la version révisée d'une thèse de doctorat soutenue à la Scuola Normale Superiore de Pise, et traduite en anglais. Composé de quatre chapitres, l'ouvrage se propose d'abord d'examiner le rôle que Platon attribue à la musique dans l'éducation, pour ensuite analyser la relation que la musique entretient avec l'âme et le corps. F. Pelosi étudie la conception platonicienne de la musique et envisage son importance pour comprendre non seulement la relation corps-esprit chez Platon, mais (…) - 12. (...) Plato 12 (2012). (shrink)

Cet ouvrage, composé de huit chapitres et de neuf appendices (qui contiennent des précisions utiles sur la méthode proposée), présente une thèse originale et controversée selon laquelle une structure musicale sous-tend les dialogues platoniciens, et en permet une plus riche compréhension. J. B. Kennedy s'appuie sur deux dialogues, le Banquet et l'Euthyphron pour la démontrer. Avant d'introduire sa méthodologie, il prend soin de tracer l'origine de ce type d'interprétation pour en défendre la pertinence. (…) - 12. Plato 12 (2012).