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  1. Frederick Burwick (2001). Mimesis and its Romantic Reflections. Penn State University Press.
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  2. Walter Pape & Frederick Burwick (eds.) (1995). Reflecting Senses: Perception and Appearance in Literature, Culture, and the Arts. W. De Gruyter.
    Introduction In "search of instances where the American imagination demands the real thing, and, to attain it, must fabricate the absolute fake," Umberto ...
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  3. Frederick Burwick (1992). And Paul Douglass. In Frederick Burwick & Paul Douglass (eds.), The Crisis in Modernism: Bergson and the Vitalist Controversy. Cambridge University Press.
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  4. Frederick Burwick & Paul Douglass (eds.) (1992). The Crisis in Modernism: Bergson and the Vitalist Controversy. Cambridge University Press.
    The modernist movement has been regarded as representing a crisis point in Western thought. This volume looks at that crisis in terms of its reinterpretation of ideas concerning vitalism: the animation of the universe, whether spiritual or based in physical energies) of the universe. Beginning with vitalism's historical background in the enlightenment and the nineteenth century, and moving through scientific, philosophical and literary disciplines, the contributors chart the progress of vitalism and its influence on modernist thought. The focal point is (...)
     
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  5. Frederick Burwick (1990). The Grotesque: Illusion Vs. Delusion. In Frederick Burwick & Walter Pape (eds.), Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter. 122--132.
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  6. Frederick Burwick & Walter Pape (eds.) (1990). Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter.
    Art treats appearance as appearance and thus does not want to be an illusion, but is true. [...] truths are illusions which we are oblivious of their being ...
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  7. F. Burwick W. Pape & Frederick Burwick (1990). Aesthetic Illusion. In Frederick Burwick & Walter Pape (eds.), Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter. 1.
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