Search results for 'French literature History and criticism' (try it on Scholar)

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  1. Middle French, Prosody, Topicalization and V2 in the History of English and French.score: 1260.0
    • Why does topicalization decline in Middle English but not disappear? If the change a parametric one, it should go to completion. Otherwise, topicalization, a clear case of stylistic variation might be expected to be stable in frequency over time.
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  2. Jenny Chamarette & Jennifer Higgins (eds.) (2010). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Peter Lang.score: 684.0
    This collection of essays, on French and francophone prose, poetry, drama, visual art, cinema and thought, assesses guilt and shame in relation to structures of ...
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  3. Ian W. Alexander (1985). French Literature and the Philosophy of Consciousness: Phenomenological Essays. St. Martin's Press.score: 672.0
  4. John Culbert (2010). Paralyses: Literature, Travel, and Ethnography in French Modernity. University of Nebraska Press.score: 642.0
    Introduction -- The muse of paralysis -- Horizon of conquest: Eugene Fromentin's Algerian narratives -- Slow progress: Jean Paulhan and Madagascar -- Frustration: Michel Leiris -- Atopia: Roland Barthes -- The wake of Ulysses.
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  5. Everett W. Knight (1957). Literature Considered as Philosophy: The French Example. London, Routledge & Paul.score: 642.0
    Furthermore, it is not easy for most of us to accept a philosophy however well reasoned which refuses exterior reality to all we see, hear and touch about us. It is such philosophy that gives point to Valery's boutade: 'Philosophy pretends not to ...
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  6. Christie McDonald & Susan Rubin Suleiman (eds.) (2010). French Global: A New Approach to Literary History. Columbia University Press.score: 642.0
     
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  7. Scott M. Powers (ed.) (2011). Evil in Contemporary French and Francophone Literature. Cambridge Scholars Pub..score: 642.0
     
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  8. René Wellek (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1).score: 552.0
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  9. Eva L. Corredor (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1):260-262.score: 552.0
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  10. Jefferson Humphries (1987). The Puritan and the Cynic: Moralists and Theorists in French and American Letters. Oxford University Press.score: 510.0
    Why do Americans, and so often, American writers, profess moral sentiments and yet write so little in the traditionally "moralistic" genres of maxim and fable? What is the relation between "moral" concerns and literary theory? Can any sort of morality survive the supposed nihilism of deconstruction? Jefferson Humphries undertakes a discussion of questions like these through a comparative reading of the ways in which moral issues surface in French and American literature. Humphries takes issue with the "amoral" view (...)
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  11. George Boas (1933/1966). The Happy Beast in French Thought of the Seventeenth Century. New York, Octagon Books.score: 462.0
     
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  12. Nancy Yousef (2004). Isolated Cases: The Anxieties of Autonomy in Enlightenment Philosophy and Romantic Literature. Cornell University Press.score: 456.0
    While individuals presented in central texts of the period are indeed often alone or separated from others, Yousef regards this isolation as a problem the texts attempt to illuminate, rather than a condition they construct as normative or ...
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  13. Joseph Acquisto (ed.) (2013). Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry. Palgrave Macmillan.score: 456.0
     
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  14. Arnold Ages (1969). French Enlightenment and Rabbinic Tradition. Frankfurt Am Main, Klostermann.score: 456.0
     
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  15. Neil Kenny (ed.) (1991). Philosophical Fictions and the French Renaissance. Warburg Institute, University of London.score: 456.0
     
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  16. Richard M. Berrong (1990). A New History of French Literature (Review). Philosophy and Literature 14 (2):398-399.score: 436.5
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  17. David Maskell (1993). Yale French Studies. Baroque Topographies: Literature/History/Philosophy. History of European Ideas 17 (2-3):347-348.score: 436.5
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  18. Denis Hollier, Richard Joseph Golsan & Ruth Larson (2003). Revisiting A New History of French Literature. Substance 32 (3):6-18.score: 427.5
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  19. Paul Rockwell (2003). Lynn Tarte Ramey, Christian, Saracen and Genre in Medieval French Literature. (Medieval History and Culture, 3.) New York and London: Routledge, 2001. Pp. Xiii, 120; 2 Black-and-White Figures. $60. [REVIEW] Speculum 78 (4):1381-1383.score: 427.5
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  20. Julia V. Douthwaite (2002). The Wild Girl, Natural Man, and the Monster: Dangerous Experiments in the Age of Enlightenment. University of Chicago Press.score: 414.0
    This study looks at the lives of the most famous "wild children" of eighteenth-century Europe, showing how they open a window onto European ideas about the potential and perfectibility of mankind. Julia V. Douthwaite recounts reports of feral children such as the wild girl of Champagne (captured in 1731 and baptized as Marie-Angelique Leblanc), offering a fascinating glimpse into beliefs about the difference between man and beast and the means once used to civilize the uncivilized. A variety of educational experiments (...)
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  21. Century Democracy (forthcoming). Adam, Ulrich. The Political Economy of JHG Justi. Bern: Peter Lang, 2006. 317p., Bibl., Index, $61.95. The Eighteenth-Century German Statistician as Reader of French Theory of Commerce and Reformer of the European State System. Armitage, David, Ed. British Political Thought in History, Literature and The. [REVIEW] Journal of the History of Ideas.score: 414.0
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  22. Gladys Rosaleen Turquet-Milnes (1926/1977). From Pascal to Proust: Studies in the Genealogy of a Philosophy. Haskell House Pub..score: 414.0
    Introductory.--Bergson and Pascal.--Bergson and Molière.--Balzac.--Meredith and the cosmic spirit.--The new criticism: Albert Thibaudet.--Marcel Proust.
     
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  23. Anthony Uhlmann (1999). Beckett and Poststructuralism. Cambridge University Press.score: 408.0
    In Beckett and Poststructuralism, Anthony Uhlmann offers a reading of Beckett in relation to recent French philosophy, particularly the work of Foucault, Deleuze and Guattari, Levinas, and Derrida. Uhlmann offers a work of literary criticism that is also a piece of intellectual history, emphasising how Beckett develops a kind of critical thinking which differs from yet is just as powerful as that of philosophers who, along with Beckett, found themselves faced with sets of ethical problems which were (...)
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  24. Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. The Modern Schoolman 61 (1):56-57.score: 405.0
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  25. Alex Neill & Aaron Ridley (1990). Richard Abel, Ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed By. Philosophy in Review 10 (9):345-351.score: 405.0
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  26. Suzanne Gearhart (1987). History as Criticism: The Dialogue of History and Literature. Diacritics 17 (3):56-65.score: 405.0
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  27. Alix Mazuet (ed.) (2012). Imaginary Spaces of Power in Sub-Saharan Literatures and Films. Cambridge Scholars Publishing.score: 404.0
     
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  28. John D. Lyons (2005). Before Imagination: Embodied Thought From Montaigne to Rousseau. Stanford University Press.score: 402.0
    Before imagination became the transcendent and creative faculty promoted by the Romantics, it was for something quite different. Not reserved to a privileged few, imagination was instead considered a universal ability that each person could direct in practical ways. To imagine something meant to form in the mind a replica of a thing—its taste, its sound, and other physical attributes. At the end of the Renaissance, there was a movement to encourage individuals to develop their ability to imagine vividly. Within (...)
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  29. Paul Cooke & Helen Vassallo (eds.) (2009). Alienation and Alterity: Otherness in Modern and Contemporary Francophone Contexts. Peter Lang.score: 402.0
    The essays in this collection, which derive from the conference 'Alienation and Alterity: Otherness in Modern and Contemporary Francophone Contexts', held at the University of Exeter in September 2007, explore various aspects of this ...
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  30. Julien Benda (1929). Belphegor. New York, Payson and Clarke Ltd..score: 402.0
     
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  31. L. A. C. Dobrez (1986). The Existential and its Exits: Literary and Philosophical Perspectives on the Works of Beckett, Ionesco, Genet, & Pinter. St. Martin's Press.score: 402.0
     
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  32. Karine Drolet & François Gonin (eds.) (2006). L'artifice: Texte Et Image. Uqam.score: 402.0
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  33. Marie-Hélène Gauthier (2010). La Poéthique: Paul Gadenne, Henri Thomas, Georges Perros. Sandre.score: 402.0
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  34. Nicholas Hammond (1994). Playing with Truth: Language and the Human Condition in Pascal's Pensées. Oxford University Press.score: 402.0
    Playing with Truth is the first comprehensive work on Pascal to be devoted to his use in the Pens'ees of key terms depicting its central subject--the human condition. Generally acknowledged as one of the greatest masterpieces of seventeenth-century France, the Pens'ees is an unfinished work which has both inspired and perplexed readers in succeeding centuries. In this study Nicholas Hammond explores such fundamental notions as language and order, proceeding with a detailed analysis of the words inconstance, ennui, inqui'etude, bonheur, f'elicit'e, (...)
     
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  35. Virginie Harvey & Jean-François Hamel (eds.) (2009). Le Temps Contemporain: Maintenant, la Littérature. Université du Québec à Montréal.score: 402.0
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  36. Carmelina Imbroscio (2008). I Moralisti Classici. Laterza.score: 402.0
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  37. Ian Maclachlan (2012). Marking Time: Derrida, Blanchot, Beckett, des Forêts, Klossowski, Laporte. Rodopi.score: 402.0
     
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  38. G. J. Mallinson (ed.) (2006). Interdisciplinarity: Qu'est-Ce Que les Lumières: La Reconnaissance au Dix-Huitième Siècle. Voltaire Foundation.score: 402.0
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  39. Christine Noille-Clauzade (2004). L'éloquence du Sage: Platonisme Et Rhétorique Dans la Seconde Moitié du Xviie Siècle. Honoré Champion Éditeur.score: 402.0
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  40. Bernd Oei (2008). Nietzsche. Deutscher Wissenschafts-Verlag (Dwv).score: 402.0
    Bd 1. Unter deutschen Literaten -- Bd. 2. Unter deutschen Philosophen -- Bd. 3. Unter französischen Literaten -- Bd. 40. -- Unter französischen Philosophen.
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  41. Leonora Cohen Rosenfield (1940/1968). From Beast-Machine to Man-Machine. New York, Octagon Books.score: 402.0
     
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  42. Peter Royle (1982). The Sartre-Camus Controversy: A Literary and Philosophical Critique. University of Ottawa Press.score: 402.0
  43. Jacques Wagner (ed.) (2007). Des Sens au Sens: Littérature & Morale de Molière à Voltaire. Éditions Peeters.score: 402.0
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  44. Virginia Parrott Williams (1987). Surrealism, Quantum Philosophy, and World War I. Garland.score: 402.0
  45. Frederick M. Keener (1983). The Chain of Becoming: The Philosophical Tale, the Novel, and a Neglected Realism of the Enlightenment: Swift, Montesquieu, Voltaire, Johnson, and Austen. Columbia University Press.score: 396.0
  46. Virginie Turcotte (2010). Lire l'Altérité Culturelle Dans les Textes Antillais. Université du Québec à Montréal, Centre de Recherche Figura Sur le Texte Et L'Imaginaire.score: 396.0
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  47. Roger Pearson (1993). The Fables of Reason: A Study of Voltaire's "Contes Philosophiques". Oxford University Press.score: 384.0
    This is the first comprehensive study in English of Voltaire's contes philosophiques--the philosophical tales for which he is best remembered and which include his masterpiece Candide. Pearson situates each story in its historical and intellectual context and offers new readings in light of modern critical thinking. He rejects the traditional view that Voltaire's contes were the private expression of his philosophical perplexity, and argues that it is narrative that is Voltaire's essential mode of thought. His book is a witty, lucid, (...)
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  48. Lev Braun (1974). Witness of Decline. Rutherford [N.J.]Fairleigh Dickinson University Press.score: 384.0
     
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  49. Christopher Kelly (1987). Rousseau's Exemplary Life: The Confessions as Political Philosophy. Cornell University Press.score: 384.0
  50. James Clark McLaren (1953/1971). The Theatre of André Gide. New York,Octagon Books.score: 384.0
     
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