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  1. Gérard Genette (2005). Essays in Aesthetics. University of Nebraska Press.
    Over the course of the past forty years, Ge;rard Genette’s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France’s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver’s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with (...)
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  2. Gérard Genette (1999). The Aesthetic Relation. Cornell University Press.
    The Aesthetic Relation is a companion volume to The Work of Art: Immanence and Transcendence, published by Cornell in 1997.
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  3. Gerard Genette & Thais E. Morgan (1994). The Gender and Genre of Reverie. Critical Inquiry 20 (2):357.
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  4. Timothy Binkley & Gérard Genette (1992). Esthétique Et Poétique.
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  5. Gerard Genette & Bernard Crampe (1988). Structure and Functions of the Title in Literature. Critical Inquiry 14 (4):692.
    Wishing to contribute to the brief history of title science, I would argue that the difference in terminology between “secondary title” and “subtitle” is too weak for the mind to grasp; and since, as Duchet has noted, the principal feature of his “subtitle” is to contain a more or less explicit generic indication, it would be simpler and more vocative to rebaptize it as such, thereby freeing the term “subtitle” to resume its usual present meaning. Hence these three terms: “title” (...)
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  6. Gérard Genette (1971). Langage poétique, poétique du langage. In Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.), Essays in Semiotics. The Hague,Mouton. 4--423.
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