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Gilead Bar-Elli [21]G. Bar-Elli [5]
  1. Gilead Bar-Elli, A Fregean Look at Kripke's Modal Notion of Meaning.
    In Naming and Necessity Kripke accuses Frege of conflating two notions of meaning (or sense), one is meaning proper, the other is determining of reference (p. 59). More precisely, Kripke argues that Frege conflated the question of how the meaning of a word is given or determined with the question of how its reference is determined. The criterial mark of meaning determination, according to Kripke, is a statement of synonymy: if we give the sense of “a” by means of “b”, (...)
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  2. Gilead Bar-Elli, Introduction.
    The meaning of words, according to Wittgenstein, is grounded in their use – in the ways they are used. This does not mean only that in order to know the meaning of a word we should look at its use; it is not only a practical recommendation for the linguist or the learner. It is rather a philosophical thesis about the very notion of meaning, according to which use is what constitutes meaning, and about what the very ascription of meaning (...)
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  3. Gilead Bar-Elli, Interpretation: Keeping in Touch with Reality.
    I doubt whether these three theses, which characterize basic features of Davidson's conception of meaning, are coherent. The narrow sense of (1) has (2) as an obvious corollary. The wider sense of (1), or some aspects of it, is partly explicated by (3). But this doesn’t seem to cohere with (2). When theory of meaning is taken in the wider sense to include an account of how one could come to know that such a theory of truth was true (for (...)
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  4. Gilead Bar-Elli, Pause and Silence – Symmetry and the General End-Pause in Beethoven.
    A musical work is an organized system of notes and of higher musical units such as motives, themes, harmonies, etc. We shall here confine ourselves to notes. A note is not just a physical event (an acoustic disturbance, a passage of wave energy), but a musical entity with functional properties sensitive to context. Roughly, it can be described as an acoustic event under a particular description (“tonic”, “dominant”, “leading tone”, “appoggiatura”, “upper voice of a septachord”, etc.). Are pauses genuine notes (...)
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  5. Gilead Bar-Elli, Sense and Objectivity in Frege's Logic.
    Important aspects of its philosophical basis, and its significance for the foundations of mathematics, appeared in The Foundations of Mathematics (FA, 1884). Six years later, at the beginning of the 1890s, Frege published three articles that mark significant changes in his conception: "Function and Concept" (FC, 1891), "On Sense and Reference" (SR, 1892) and "Concept and Object" (1892). Notable among these changes are: (a) The systematic distinction between the sense and the reference of expressions as two separate ingredients of their (...)
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  6. Gilead Bar-Elli (2010). Analyticity and Justification in Frege. Erkenntnis 73 (2):165 - 184.
    That there are analytic truths may challenge a principle of the homogeneity of truth. Unlike standard conceptions, in which analyticity is couched in terms of "truth in virtue of meanings", Frege's notions of analytic and a priori concern justification, respecting a principle of the homogeneity of truth. Where there is no justification these notions do not apply, Frege insists. Basic truths and axioms may be analytic (or a priori), though unprovable, which means there is a form of justification which is (...)
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  7. Gilead Bar-Elli (2010). Identity in Frege's Begriffsschrift. Canadian Journal of Philosophy 36 (3):355-370.
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  8. Gilead Bar-Elli (2006). Identity in Frege's Begriffsschrift: Where Both Thau-Caplan and Heck Are Wrong. Canadian Journal of Philosophy 36 (3):355-370.
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  9. Gilead Bar-Elli (2006). Wittgenstein on the Experience of Meaning and the Meaning of Music. Philosophical Investigations 29 (3):217-249.
    An argument is presented to the effect that the ability to feel or to experience meaning conditions the ability to mean, and is thus essential to our notion of meaning. The experience of meaning is manifested in the "fine shades" of use and behavior. Theses, so obvious in music, constitute understanding music, which makes music understanding so relevant to understanding language. Applying these notions of understanding, feeling, and experience--as well as their explication in terms of comparisons, internal relation, and mastery (...)
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  10. Gilead Bar-Elli (2004). Evaluating a Performance -- Ideal Vs. Great Performance. Journal of Aesthetic Education 38 (2):7-19.
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  11. Gilead Bar-Elli (2004). Summaries of Hebrew Articles. Iyyun 53:118.
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  12. G. Bar-Elli (2003). Wittgenstein on Objectivity and Rules. Iyyun 52:369-398.
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  13. Gilead Bar-Elli (2002). Ideal Performance. British Journal of Aesthetics 42 (3):223-242.
    Based on a conception that a musical composition is constituted by normative properties, it is argued that every such composition has one ideal performance—a performance that fulfils all the aesthetic-normative properties that the composition determines. A performance is conceived of (and evaluated) as inherently and essentially ‘intentionalistic’—being, by its very nature, a performance of a certain composition. This conception allows for various different performances, none of which is preferable over the others. The properties concerned are conceived of broadly as comprising (...)
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  14. Gilead Bar-Elli (1998). On the Philosophical Significance of Russell's “On Denoting”. In Anat Biletzki & Anat Matar (eds.), The Story of Analytic Philosophy: Plot and Heroes. Routledge. 167.
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  15. Gilead Bar-Elli (1997). Frege's Context Principle. Philosophia 25 (1-4):99-129.
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  16. Gilead Bar-Elli (1996). The Sense of Reference: Intentionality in Frege. Walter De Gruyter.
    Chapter: Sense and Intentionality A: Reference and Sense — Preliminary Remarks Few people during Frege's lifetime paid due attention to his work and its ...
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  17. G. Bar-Elli (1994). Intentionality and Belief de Re: A Critical Study of Searle's Representative Internalism. Erkenntnis 41 (1):65-85.
  18. Dm Armstrong & G. Bar-Elli (1988). Can a Naturalist Believe in Universals? In Science in Reflection. The Israel Colloquium: Studies in History, Philosophy, and Sociology of Science (Vol. 3). [REVIEW] Boston Studies in the Philosophy of Science 110:103-122.
     
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  19. Gilead Bar-Elli (1986). Identity, Semantics and Ontology in Carnap. Philosophia 16 (3-4):315-331.
  20. Gilead Bar-Elli & David Heyd (1986). Can Revenge Be Just or Otherwise Justified? Theoria 52 (1-2):68-86.
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  21. G. Bar-Elli (1985). Frege's Early Conception of Logic. Epistemologia 8:125-40.
     
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  22. Gilead Bar-Elli (1982). Identity and the Formation of the Notion of Object. Erkenntnis 17 (2):229-248.
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  23. Gilead Bar-Elli (1982). Identity and the Formation of the Notion of Object. Or: The Identity of Indiscernibles: A Synthetic a Priori. Erkenntnis 17 (2):229 - 248.
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  24. G. Bar-Elli (1981). A Note on the Substitutivity of Notes. Analysis 41 (1):27 - 32.
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  25. Gilead Bar-Elli (1981). Frege and the Determination of Reference. Erkenntnis 16 (1):137 - 160.
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  26. Gilead Bar-Elli (1980). Constituents and Denotation in Russell. Theoria 46 (1):37-51.
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