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Geneviève Sellier [4]G. Sellier [1]
  1. G. Sellier (2010). Gender Studies and Film Studies in France: Steps Forward and Back. Diogenes 57 (1):103-112.
    Fifteen years after the first translations of Anglo-American feminist film theories, this gender approach is finding it hard to gain acceptance in France. The main reason is the elitist view of cinema d’auteur that is still prevalent in academic circles, where the art is seen as a genius’s creation outside social determinations in general and gender relations in particular. However, under the influence of historians and sociologists, who dominate gender research in France, French work on film privileges a historical and (...)
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  2. Geneviève Sellier (2009). Gender Studies Et Études Filmiques : Avancées Et Résistances Françaises. Diogène 225 (1):126.
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  3. Geneviève Sellier (1999). Images de Femmes Dans le Cinéma de la Nouvelle Vague. Clio 10.
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  4. Geneviève Sellier & Brigitte Rollet (1999). Cinéma et genre en France : état des lieux. Clio 10.
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  5. Geneviève Sellier & Noël Burch (1995). Fantasmes du Temps de la Libération. Clio 1.
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