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  1. Gabriel Rockhill (2013). La différence est-elle une valeur en soi? Critique d'une axiologie métaphilosophique. Symposium 17 (1):250-272.
    L’objectif principal de cet article est de mettre en évidence l’axiologie métaphilosophique et la logique normative binaire – la valorisation de la différence par rapport à l’identité – qui a dominé « la philosophie de la différence » en France, et qui a trouvé un terrain d’accueil relativement favorable dans « la politique de la différence » en Amérique du Nord. En détaillant une série d’opérations conceptuelles liées à cette axiologie fondamentale, il s’agira de remettre en question la sacralisation de (...)
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  2. Gabriel Rockhill (2012). Comment penser le temps présent ? De l'ontologie de l'actualité à l'ontologie sans l'être. Rue Descartes 3 (3):114-126.
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  3. Gabriel Rockhill & Summer Renault-Steele (2012). Critical Leverage in the Current Conjuncture: A Dialogue with Gabriel Rockhill Concerning Politics of Culture and the Spirit of Critique. Phaenex 7 (1):347-364.
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  4. Gabriel Rockhill (2011). Rancière's Productive Contradictions: From the Politics of Aesthetics to the Social Politicity of Artistic Practice. Symposium: The Canadian Journal of Continental Philosophy 15 (2):28-56.
    This article explores the force and limitations of Jacques Rancière’s novel attempt to rethink the relationship between aesthetics and politics. In particular, it unravels the paradoxical threads of the fundamental contradiction between two of his steadfast claims: (1) art and politics are consubstantial, and (2) art and politics never truly merge. In taking Rancière to task on this point, the primary objective of this article is to work through the nuances of his project andforeground the problems inherent therein in order (...)
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  5. Gabriel Rockhill (2010). Modernism as a Misnomer: Godard's Archeology of the Image. Journal of French and Francophone Philosophy 18 (2):107-130.
    "The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with the representational norms and codes of classical cinema in the name of liberating film from the deadening weight of its past. His numerous formal innovations—syncopated montage, unconventional framing, unique experiments with dialogue, etc.—along with his abandonment of traditional narrative and character development, his playful pastiche of genres, his debunking of the representational illusions of cinematic realism, his reflexive preoccupation with film itself and the general dissolution (...)
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  6. Gabriel Rockhill (2010). No God, No Caesar, No Tribune! . Epoché: A Journal for the History of Philosophy 15 (1):1-12.
    In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist. Finally, he seeks to break through (...)
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  7. Gabriel Rockhill (2009). The Politics of Aesthetics : Political History and the Hermeneutics of Art. In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
  8. Gabriel Rockhill & Philip Watts (eds.) (2009). Jacques Rancière: History, Politics, Aesthetics. Duke University Press.
  9. Gabriel Rockhill (2008). Le débat sur le temps présent. Symposium: The Canadian Journal of Continental Philosophy 12 (1):126-145.
    Au lieu d’intervenir dans le debat sur la nature du temps present en créant une nouvelle schématisation de notre âge, nous proposons ici une intervention sur ce débat en esquissant les coordonnées conceptuelIes qui déterminent I’espace des possibles de la controverse. Il s ’agil alors d’une réflexion sur la logique historique, sociale et normative qui structure le débat sur le temps présent, et plus particulièrement la controverse postmoderne. Loin pourtant d’être une simple analyse «externe», cette interrogation sur les paramètres conceptuels (...)
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  10. Gabriel Rockhill (2007). Analytic Philosophy and the History of Philosophy (Review). Journal of the History of Philosophy 45 (4):678-679.
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  11. Gabriel Rockhill (2005). L'écriture de l'histoire philosophique. Philosophie 87 (3):59.
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  12. Gabriel Rockhill (2004). The Silent Revolution. Substance 33 (1):54-76.
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  13. Gabriel Rockhill (2002). The Dissimulation of Law and Power: Michel Foucault. Philosophy Today 46 (4):339-355.
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