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Garry Hagberg [35]Garry L. Hagberg [23]Garry Lyn Hagberg [1]
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Profile: Garry L. Hagberg (Bard College)
  1. Norton Batkin, Sandra Laugier, Timouthy Gould, Stanley Cavell, Garry L. Hagberg & Victor J. Krebs (unknown). Seeing Wittgenstein Anew. Cambridge University Press.
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  2. Garry L. Hagberg (2014). Goldman, Alan H. Philosophy and the Novel. Oxford University Press, 2013, 209 Pp., $53.40 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 72 (3):332-335.
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  3. Garry L. Hagberg (2012). Editor's Note. Philosophy and Literature 36 (1):iv-v.
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  4. Garry L. Hagberg (2011). The Self Rewritten : The Case of Self-Forgiveness. In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge.
     
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  5. Garry L. Hagberg (2010). On Rhythm. Journal of Aesthetics and Art Criticism 68 (3):281-284.
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  6. Garry L. Hagberg (2010). In a New Light: Wittgenstein, Aspect-Perception, and Retrospective Change in Self-Understanding. In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
  7. Garry L. Hagberg (2010). Self-Expression. British Journal of Aesthetics 50 (1):107-109.
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  8. Garry L. Hagberg (2010). Self-Defining Reading : Literature and the Constitution of Personhood. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  9. Garry L. Hagberg (2010). The Thinker and The Draughtsman: Wittgenstein, Perspicuous Relations, and ‘Working on Oneself’. Royal Institute of Philosophy Supplement 85 (66):67-81.
    In 1931, in the remarks collected as Culture and Value, Wittgenstein writes: ‘A thinker is very much like a draughtsman whose aim it is to represent all the interrelations between things.’ At a glance it is clear that this analogy might contribute significantly to a full description of the autobiographical thinker as well. And this conjunction of relations between things and the work of the draughtsman immediately and strongly suggests that the grasping of relations is in a sense visual, or (...)
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  10. Garry L. Hagberg & Walter Jost (2010). Introduction. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  11. Garry Hagberg & Walter Jost (eds.) (2010). A Companion to the Philosophy of Literature. Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  12. Garry Hagberg (ed.) (2008). Art and Ethical Criticism. Blackwell.
  13. Garry Hagberg (2008). Describing Ourselves: Wittgenstein and Autobiographical Consciousness. Oxford University Press.
    The voluminous writings of Ludwig Wittgenstein contain some of the most profound reflections of recent times on the nature of the human subject and self-understanding - the human condition, philosophically speaking. Describing Ourselves mines those extensive writings for a conception of the self that stands in striking contrast to its predecessors as well as its more recent alternatives. More specifically, the book offers a detailed discussion of Wittgenstein's later writings on language and mind as they hold special significance for the (...)
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  14. Garry L. Hagberg (2008). Jazz Improvisation and Ethical Interaction : A Sketch of the Connections. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub..
     
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  15. Garry Hagberg, Wittgenstein's Aesthetics. Stanford Encyclopedia of Philosophy.
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  16. Garry L. Hagberg (2007). Review of Ray Monk, How to Read Wittgenstein. [REVIEW] Philosophical Quarterly 57 (228):491–495.
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  17. Garry Hagberg (2006). Jazz Improvisation : A Mimetic Art ? Revue Internationale de Philosophie 4:469-485.
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  18. Garry Hagberg (2006). James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle. [REVIEW] Philosophy in Review 26:449-452.
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  19. Garry L. Hagberg (2006). Autobiographical Memory: Wittgenstein, Davidson, and the 'Descent Into Ourselves'. In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave Macmillan.
  20. Garry L. Hagberg (2006). David G. Stern, Wittgenstein's Philosophical Investigations: An Introduction Reviewed By. Philosophy in Review 26 (5):384-386.
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  21. Garry L. Hagberg (2006). James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle Reviewed By. Philosophy in Review 26 (6):449-452.
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  22. Garry L. Hagberg (2006). Review of Stephen Davies, Themes in the Philosophy of Music. [REVIEW] Notre Dame Philosophical Reviews 2006 (1).
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  23. Garry Hagberg (2005). Leporello's Question. Philosophy and Literature 29 (1):180-199.
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  24. Garry Hagberg (2004). Wittgenstein Underground. Philosophy and Literature 28 (2):379-392.
    : This paper argues that Dostoevsky's Notes from Underground makes a fundamental point that runs directly counter to the received popular image of the work; i.e. the understanding that Notes describes a consciousness reflecting on itself, hermetically sealed within its own Cartesian interior. In truth, a closer reading shows that the mind depicted therein is profoundly relational and situated in a particularized context, and that this discursive mind characterizes what Wittgenstein says about mental privacy in the context of the private (...)
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  25. Garry Hagberg (2003). On Philosophy as Therapy: Wittgenstein, Cavell, and Autobiographical Writing. Philosophy and Literature 27 (1):196-210.
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  26. Denis Dutton & Garry Hagberg (2002). War of the Worldviews. Philosophy and Literature 26 (1).
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  27. Garry Hagberg (2002). On Representing Jazz: An Art Form in Need of Understanding. Philosophy and Literature 26 (1):188-198.
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  28. Garry Hagberg (2002). Davidson, Self-Knowledge, and Autobiographical Writing. Philosophy and Literature 26 (2):354-368.
  29. Garry Hagberg (2002). The self, speaking. Revue Internationale de Philosophie 1 (219):9-47.
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  30. Garry L. Hagberg (2002). What, After All, is a Work of Art? British Journal of Aesthetics 42 (2):206-209.
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  31. Garry L. Hagberg (2001). Metaphor. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  32. Garry Hagberg (2000). Foreword: Improvisation in the Arts. Journal of Aesthetics and Art Criticism 58 (2):95-97.
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  33. Garry Hagberg (1999). Jenefer Robinson, Ed., Music and Meaning. [REVIEW] Philosophy in Review 19:52-55.
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  34. Garry L. Hagberg (1999). Jenefer Robinson, Ed., Music and Meaning Reviewed By. Philosophy in Review 19 (1):52-55.
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  35. Garry Hagberg (1998). Improvisation: Jazz Improvisation. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. 1--479.
     
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  36. Garry Hagberg (1995). Book Review: Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge. [REVIEW] Philosophy and Literature 19 (2).
  37. Garry Hagberg (1994). Meaning & Interpretation Wittgenstein, Henry James, and Literary Knowledge. Monograph Collection (Matt - Pseudo).
     
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  38. Garry Hagberg (1993). Jerrold Levinson, Music, Art, & Metaphysics: Essays in Philosophical Aesthetics Reviewed By. Philosophy in Review 13 (6):325-327.
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  39. Garry Hagberg (1992). Listening to Music By Martyn Evans London: Macmillan, 1990, Viii + 160 Pp., £35.00. [REVIEW] Philosophy 67 (259):123-.
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  40. Garry Hagberg (1992). EVANS, MARTYN Listening to Music. [REVIEW] Philosophy 67:123.
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  41. Garry Hagberg (1990). Book Reviews. [REVIEW] British Journal of Aesthetics 30 (3):287-288.
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  42. Garry Hagberg (1990). "Contingencies of Value: Alternative Perspectives for Critical Theory": Barbara Herrnstein Smith. [REVIEW] British Journal of Aesthetics 30 (3):287.
     
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  43. Garry Hagberg (1990). "Metaphor and Art: Interactionism and Reference in the Verbal and Non-Verbal Arts": Carl R. Hausman. [REVIEW] British Journal of Aesthetics 30 (4):376.
     
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  44. Garry Hagberg (1989). Wittgenstein, Henry James, and Epistemological Fiction. Philosophy and Literature 13 (1):75-95.
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  45. Garry Hagberg (1988). Artistic Intention and Mental Image. Journal of Aesthetic Education 22 (3):63-75.
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  46. Garry Hagberg (1987). Creation as Translation. Journal of Aesthetics and Art Criticism 46 (2):249-258.
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  47. Garry Hagberg (1986). Art as Thought: The Inner Conflicts of Aesthetic Idealism. Philosophical Investigations 9 (4):257-273.
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  48. Garry Hagberg (1986). Music and Imagination. Philosophy 61 (238):513 - 517.
    When we inquire into the nature of works of art we can see at a glance that there is a good deal of evidence against aesthetic idealism, the view that artworks are, in the final analysis, imaginary objects in the minds of their creators. We believe, for instance, that the National Gallery not only contingently but in some sense necessarily weighs more than merely the sum of the empty building, the people in it, and the assorted fixtures. This sum must (...)
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  49. Garry Hagberg (1984). Aristotle's "Mimesis" and Abstract Art. Philosophy 59 (229):365 - 371.
    Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
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  50. Garry Hagberg (1984). Art and the Unsay Able: Langer's Tractarian Aesthetics. British Journal of Aesthetics 24 (4):325-340.
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