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Garry Hagberg [36]Garry L. Hagberg [34]Garry Lyn Hagberg [1]
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Profile: Garry L. Hagberg (Bard College)
  1. Garry Hagberg (2003). On Philosophy as Therapy: Wittgenstein, Cavell, and Autobiographical Writing. Philosophy and Literature 27 (1):196-210.
  2. Garry Hagberg (2005). Leporello's Question. Philosophy and Literature 29 (1):180-199.
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  3.  2
    Garry L. Hagberg (2016). Introduction: On the Ground of Ethical Criticism. Philosophy and Literature 39 (1):v-vi.
    One can characterize the relation between philosophy and literature in a number of interestingly different ways: literature provides examples that put flesh on the bones of philosophical ideas; literature shows what philosophy says; literature serves philosophy by displaying the complexity of circumstance that philosophy may oversimplify; literature captures a kind of content that is not amenable to propositional encapsulation; literature offers a portal into an imaginative world and a special kind of vicarious experience within it that philosophy does not and (...)
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  4. Garry L. Hagberg (2002). What, After All, is a Work of Art? British Journal of Aesthetics 42 (2):206-209.
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  5.  50
    Garry Hagberg (2008). Describing Ourselves: Wittgenstein and Autobiographical Consciousness. Oxford University Press.
    The voluminous writings of Ludwig Wittgenstein contain some of the most profound reflections of recent times on the nature of the human subject and self-understanding - the human condition, philosophically speaking. Describing Ourselves mines those extensive writings for a conception of the self that stands in striking contrast to its predecessors as well as its more recent alternatives. More specifically, the book offers a detailed discussion of Wittgenstein's later writings on language and mind as they hold special significance for the (...)
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  6.  48
    Garry Hagberg (2002). On Representing Jazz: An Art Form in Need of Understanding. Philosophy and Literature 26 (1):188-198.
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  7.  54
    Garry L. Hagberg (2010). The Thinker and The Draughtsman: Wittgenstein, Perspicuous Relations, and ‘Working on Oneself’. Royal Institute of Philosophy Supplement 85 (66):67-81.
    In 1931, in the remarks collected as Culture and Value, Wittgenstein writes: ‘A thinker is very much like a draughtsman whose aim it is to represent all the interrelations between things.’ At a glance it is clear that this analogy might contribute significantly to a full description of the autobiographical thinker as well. And this conjunction of relations between things and the work of the draughtsman immediately and strongly suggests that the grasping of relations is in a sense visual, or (...)
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  8.  16
    Garry Hagberg (2006). Jazz Improvisation : A Mimetic Art ? Revue Internationale de Philosophie 4:469-485.
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  9.  55
    Garry Hagberg (1984). Art and the Unsay Able: Langer's Tractarian Aesthetics. British Journal of Aesthetics 24 (4):325-340.
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  10.  25
    Garry Hagberg (2000). Foreword: Improvisation in the Arts. Journal of Aesthetics and Art Criticism 58 (2):95-97.
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  11.  5
    Garry L. Hagberg (2015). Implication in Interpretation: Wittgenstein, Artistic Content, and ‘The Field of a Word’. In Annalisa Coliva, Volker Munz & Danièle Moyal-Sharrock (eds.), Mind, Language and Action: Proceedings of the 36th International Wittgenstein Symposium. De Gruyter 45-64.
  12. David Goldblatt & Garry L. Hagberg (2007). Art and Ventriloquism. Journal of Aesthetics and Art Criticism 65 (2):238-240.
     
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  13. Garry L. Hagberg (2007). How to Read Wittgenstein – Ray Monk. Philosophical Quarterly 57 (228):491-495.
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  14.  47
    Garry Hagberg (2004). Wittgenstein Underground. Philosophy and Literature 28 (2):379-392.
    : This paper argues that Dostoevsky's Notes from Underground makes a fundamental point that runs directly counter to the received popular image of the work; i.e. the understanding that Notes describes a consciousness reflecting on itself, hermetically sealed within its own Cartesian interior. In truth, a closer reading shows that the mind depicted therein is profoundly relational and situated in a particularized context, and that this discursive mind characterizes what Wittgenstein says about mental privacy in the context of the private (...)
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  15.  21
    Garry Hagberg (1984). Understanding Happiness. Mind 93 (372):589-591.
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  16.  22
    Garry L. Hagberg (2010). On Rhythm. Journal of Aesthetics and Art Criticism 68 (3):281-284.
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  17.  20
    Garry Hagberg (1984). Aristotle's "Mimesis" and Abstract Art. Philosophy 59 (229):365 - 371.
    Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
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  18.  23
    Garry Hagberg, Wittgenstein's Aesthetics. Stanford Encyclopedia of Philosophy.
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  19.  26
    Garry Hagberg (2002). Davidson, Self-Knowledge, and Autobiographical Writing. Philosophy and Literature 26 (2):354-368.
  20.  2
    Garry Hagberg (1989). Wittgenstein, Henry James, and Epistemological Fiction. Philosophy and Literature 13 (1):75-95.
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  21.  11
    Garry L. Hagberg (2012). Editor's Note. Philosophy and Literature 36 (1):iv-v.
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  22.  1
    Garry L. Hagberg (2014). Introductory Note: Denis Dutton, Editor. Philosophy and Literature 38 (1A):iv-vi.
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  23.  18
    Garry L. Hagberg (2007). Review of Ray Monk, How to Read Wittgenstein. [REVIEW] Philosophical Quarterly 57 (228):491–495.
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  24.  16
    Garry Hagberg (1995). Book Review: Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge. [REVIEW] Philosophy and Literature 19 (2).
  25.  8
    Denis Dutton & Garry Hagberg (2002). War of the Worldviews. Philosophy and Literature 26 (1):iii-iv.
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  26.  13
    Garry Hagberg (1987). Creation as Translation. Journal of Aesthetics and Art Criticism 46 (2):249-258.
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  27.  3
    Garry L. Hagberg (2010). Self-Expression. British Journal of Aesthetics 50 (1):107-109.
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  28.  8
    Garry L. Hagberg (2006). Review of Stephen Davies, Themes in the Philosophy of Music. [REVIEW] Notre Dame Philosophical Reviews 2006 (1).
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  29. Garry L. Hagberg (2006). David G. Stern, Wittgenstein's Philosophical Investigations: An Introduction Reviewed By. Philosophy in Review 26 (5):384-386.
     
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  30. Garry L. Hagberg (1999). Jenefer Robinson, Ed., Music and Meaning Reviewed By. Philosophy in Review 19 (1):52-55.
     
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  31.  6
    Garry Hagberg (1992). Listening to Music By Martyn Evans London: Macmillan, 1990, Viii + 160 Pp., £35.00. [REVIEW] Philosophy 67 (259):123-.
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  32. Garry L. Hagberg (2006). James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle Reviewed By. Philosophy in Review 26 (6):449-452.
     
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  33. Garry Hagberg (1993). Jerrold Levinson, Music, Art, & Metaphysics: Essays in Philosophical Aesthetics Reviewed By. Philosophy in Review 13 (6):325-327.
     
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  34. Garry L. Hagberg (2011). The Self Rewritten : The Case of Self-Forgiveness. In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge
     
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  35.  2
    Garry Hagberg (1990). Book Reviews. [REVIEW] British Journal of Aesthetics 30 (3):287-288.
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  36.  5
    Garry Hagberg (1986). Art as Thought: The Inner Conflicts of Aesthetic Idealism. Philosophical Investigations 9 (4):257-273.
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  37.  4
    Garry Hagberg (1986). Music and Imagination. Philosophy 61 (238):513 - 517.
    When we inquire into the nature of works of art we can see at a glance that there is a good deal of evidence against aesthetic idealism, the view that artworks are, in the final analysis, imaginary objects in the minds of their creators. We believe, for instance, that the National Gallery not only contingently but in some sense necessarily weighs more than merely the sum of the empty building, the people in it, and the assorted fixtures. This sum must (...)
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  38. Garry Hagberg (1984). VA Howard, Artistry: The Work of Artists Reviewed By. Philosophy in Review 4 (3):113-115.
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  39.  1
    Garry Hagberg (2002). The self, speaking. Revue Internationale de Philosophie 1 (219):9-47.
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  40. Norton Batkin, Sandra Laugier, Timouthy Gould, Stanley Cavell, Garry L. Hagberg & Victor J. Krebs (unknown). Seeing Wittgenstein Anew. Cambridge University Press.
     
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  41.  52
    Garry Hagberg (ed.) (2008). Art and Ethical Criticism. Blackwell.
  42. Garry L. Hagberg (ed.) (2009). Art and Ethical Criticism. Wiley-Blackwell.
    Through a series of essays, _Art and Ethical Criticism_ explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious _New Directions in Aesthetics_ series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  43. Garry L. Hagberg (ed.) (2011). Art and Ethical Criticism. Wiley-Blackwell.
    Through a series of essays, _Art and Ethical Criticism_ explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious _New Directions in Aesthetics_ series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  44. Garry L. Hagberg (ed.) (2008). Art and Ethical Criticism. Wiley-Blackwell.
    Through a series of essays, _Art and Ethical Criticism_ explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious _New Directions in Aesthetics_ series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  45. Garry L. Hagberg (ed.) (2010). Art and Ethical Criticism. Wiley-Blackwell.
    Through a series of essays, _Art and Ethical Criticism_ explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious _New Directions in Aesthetics_ series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  46.  50
    Garry Hagberg & Walter Jost (eds.) (2010). A Companion to the Philosophy of Literature. Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  47. Garry L. Hagberg & Walter Jost (eds.) (2009). A Companion to the Philosophy of Literature. Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  48. Garry L. Hagberg & Walter Jost (eds.) (2015). A Companion to the Philosophy of Literature. Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  49. Garry L. Hagberg & Walter Jost (eds.) (2011). A Companion to the Philosophy of Literature. Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  50. Garry Hagberg (1988). Artistic Intention and Mental Image. Journal of Aesthetic Education 22 (3):63-75.
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