The goal of this paper is to introduce the notion of a four-dimensional time in classical mechanics and in quantum mechanics as a natural concept related with the angular momentum. The four-dimensional time is a consequence of the geometrical relation in the particle in a given plane defined by the angular momentum. A quaternion is the mathematical entity that gives the correct direction to the four-dimensional time.Taking into account the four-dimensional time as a vectorial quaternionic idea, we develop a (...) set of generalizations and conclusions over the mechanics.In quantum mechanics, the four-dimensional time appears as an observable. (shrink)

It is often maintained that one insight of Kant's Critical philosophy is its recognition of the need to distinguish accounts of knowledge acquisition from knowledge justification. In particular, it is claimed that Kant held that the detailing of a concept's acquisition conditions is insufficient to determine its legitimacy. I argue that this is not the case at least with regard to geometrical concepts. Considered in the light of his pre-Critical writings on the mathematical method, construction in the Critique (...) can be seen to be a form of concept acquisition, one that is related to the modal phenomenology of geometrical judgement. (shrink)

The cognitive basis of geometry is still poorly understood, even the ‘simpler’ issue of what kind of representation of geometric objects we have. In this work, we set forward a tentative model of the neural representation of geometric objects for the case of the pure geometry of Euclid. To arrive at a coherent model, we found it necessary to consider earlier forms of geometry. We start by developing models of the neural representation of the geometric figures of ancient Greek practical (...) geometry. Then, we propose a related model for the earliest form of pure geometry – that of Hippocrates of Chios. Finally, we develop the model of the neural representation of the geometric objects of Euclidean geometry. The models are based on the hub-and-spoke theory. In our view, the existence of specific models opens the possibility of addressing the relationship between geometric figures and geometric objects, in a novel way, in terms of their neural representation. (shrink)

This paper considers Kant's understanding of conceptual representation in light of his view of geometry.

We give a general account of the goals of axiomatization, introducing a variant on Detlefsen’s notion of ‘complete descriptive axiomatization’. We describe how distinctions between the Greek and modern view of number, magnitude, and proportion impact the interpretation of Hilbert’s axiomatization of geometry. We argue, as did Hilbert, that Euclid’s propositions concerning polygons, area, and similar triangles are derivable from Hilbert’s first-order axioms. We argue that Hilbert’s axioms including continuity show much more than the geometrical propositions of Euclid’s theorems (...) and thus are an immodest complete descriptive axiomatization of that subject. (shrink)

Current cognitive architectures are either working at the abstract, symbolic level, or the low, emergent level related to neural modeling. The best way to understand phenomena is to see, or imagine them, hence the need for a geometric model of mental processes. Geometric models should be based on an intermediate level of modeling that describe mental states in terms of features relevant from the first-person perspective but also linked to neural events. Concepts should be represented as geometrical objects (...) that have sufficiently rich structures to show their properties and their relations to other concepts. The best way to create such geometrical representations of concepts is through the approximate description of the physical states of neural networks. The evolution of brain states is then represented as a trajectory linking successful concepts, and topological constraints on the shape of such trajectory define grammar and logic. (shrink)

In contrast to symbolic or associationist representations, I advocate a third form of representing information that employs geometrical structures. I argue that this form is appropriate for modelling concept learning. By using the geometrical structures of what I call conceptual spaces, I define properties and concepts. A learning model that shows how properties and concepts can be learned in a simple but naturalistic way is then presented. I also discuss the advantages of the geometric approach over (...) the symbolic and associationist traditions. (shrink)

In contrast to symbolic or associationist representations, I advocate a third form of representing information that employs geometrical structures. I argue that this form is appropriate for modelling concept learning. By using the geometrical structures of what I call conceptual spaces, I define properties and concepts. A learning model that shows how properties and concepts can be learned in a simple but naturalistic way is then presented. I also discuss the advantages of the geometric approach over (...) the symbolic and associationist traditions. (shrink)

The Topos of Music is the upgraded and vastly deepened English extension of the seminal German Geometrie der Töne. It reflects the dramatic progress of mathematical music theory and its operationalization by information technology since the publication of Geometrie der Töne in 1990. The conceptual basis has been vastly generalized to topos-theoretic foundations, including a corresponding thoroughly geometric musical logic. The theoretical models and results now include topologies for rhythm, melody, and harmony, as well as a classification theory of musical (...) objects that comprises the topos-theoretic concept framework. Classification also implies techniques of algebraic moduli theory. The classical models of modulation and counterpoint have been extended to exotic scales and counterpoint interval dichotomies. The probably most exciting new field of research deals with musical performance and its implementation on advanced object-oriented software environments. This subject not only uses extensively the existing mathematical music theory, it also opens the language to differential equations and tools of differential geometry, such as Lie derivatives. Mathematical performance theory is the key to inverse performance theory, an advanced new research field which deals with the calculation of varieties of parameters which give rise to a determined performance. This field uses techniques of algebraic geometry and statistics, approaches which have already produced significant results in the understanding of highest-ranked human performances. The book's formal language and models are currently being used by leading researchers in Europe and Northern America and have become a foundation of music software design. This is also testified by the book's nineteen collaborators and the included CD-ROM containing software and music examples. (shrink)

In Part I of this paper we argued that the first-order systems HP5 and EG are modest complete descriptive axiomatization of most of Euclidean geometry. In this paper we discuss two further modest complete descriptive axiomatizations: Tarksi’s for Cartesian geometry and new systems for adding $$\pi$$. In contrast we find Hilbert’s full second-order system immodest for geometrical purposes but appropriate as a foundation for mathematical analysis.

Cet article cherche à montrer comment la pratique mathématique, particulièrement celle admettant des représentations visuelles, peut conduire à de nouveaux résultats mathématiques. L'argumentation est basée sur l'étude du cas d'un domaine des mathématiques relativement récent et prometteur: la théorie géométrique des groupes. L'article discute comment la représentation des groupes par les graphes de Cayley rendit possible la découverte de nouvelles propriétés géométriques de groupes.

Cet article cherche à montrer comment la pratique mathématique, particulièrement celle admettant des représentations visuelles, peut conduire à de nouveaux résultats mathématiques. L'argumentation est basée sur l'étude du cas d'un domaine des mathématiques relativement récent et prometteur: la théorie géométrique des groupes. L'article discute comment la représentation des groupes par les graphes de Cayley rendit possible la découverte de nouvelles propriétés géométriques de groupes.

The purpose of this work is to address what notion of geometrical object and geometrical figure we have in different kinds of geometry: practical, pure, and applied. Also, we address the relation between geometrical objects and figures when this is possible, which is the case of pure and applied geometry. In practical geometry it turns out that there is no conception of geometrical object.

It is a well-known fact that although the poset of open sets of a topological space is a Heyting algebra, its Heyting implication is not necessarily stable under the inverse image of continuous functions and hence is not a geometric concept. This leaves us wondering if there is any stable family of implications that can be safely called geometric. In this paper, we will first recall the abstract notion of implication as a binary modality introduced in Akbar Tabatabai (Implication via (...) spacetime. In: Mathematics, logic, and their philosophies: essays in honour of Mohammad Ardeshir, pp 161–216, 2021). Then, we will use a weaker version of categorical fibrations to define the geometricity of a category of pairs of spaces and implications over a given category of spaces. We will identify the greatest geometric category over the subcategories of open-irreducible (closed-irreducible) maps as a generalization of the usual injective open (closed) maps. Using this identification, we will then characterize all geometric categories over a given category $${\mathcal {S}}$$ S, provided that $${\mathcal {S}}$$ S has some basic closure properties. Specially, we will show that there is no non-trivial geometric category over the full category of spaces. Finally, as the implications we identified are also interesting in their own right, we will spend some time to investigate their algebraic properties. We will first use a Yoneda-type argument to provide a representation theorem, making the implications a part of an adjunction-style pair. Then, we will use this result to provide a Kripke-style representation for any arbitrary implication. (shrink)

We propose a distinction between two different concepts of time that play a role in physics: geometric time and creative time. The former is the time of deterministic physics and merely parametrizes a given evolution. The latter is instead characterized by real change, i.e. novel information that gets created when a non-necessary event becomes determined in a fundamentally indeterministic physics. This allows us to give a naturalistic characterization of the present as the moment that separates the potential future from (...) the determined past. We discuss how these two concepts find natural applications in classical and intuitionistic mathematics, respectively, and in classical and multivalued tensed logic, as well as how they relate to the well-known A- and B-theories in the philosophy of time. (shrink)

_ Source: _Volume 29, Issue 1, pp 39 - 65 Since Euclid, optics has been considered a geometrical science, which Aristotle defines as a “mixed” mathematical science. Hobbes follows this tradition and clearly places optics among physical sciences. However, modern scholars point to a confusion between geometry and physics and do not seem to agree about the way Hobbes mixes both sciences. In this paper, I return to this alleged confusion and intend to emphasize the peculiarity of Hobbes’s (...) class='Hi'>geometrical optics. This paper suggests that Hobbes’s conception of geometrical optics, as a mixed mathematical science, greatly differs from Descartes’s one, mainly because they do not share the same “mechanical conception of nature.” I will argue that Hobbes and Descartes also have in common the quest for a different kind of geometry for their optics, different from that of the Ancients. I will show that this departure is not recent since Hobbes’s approach is already evident in 1636, when he judges the demonstrations of his contemporary friends, Claude Mydorge and Walter Warner. Finally the paper broadly suggests what is noteworthy in Hobbes’s optics, that is, the importance of the idea of force in his mechanics, although he was not able to conceptualize it in other terms than “quickness.”. (shrink)

The article investigates one of the key contributions to modern structural mathematics, namely Hilbert’sFoundations of Geometry and its mathematical roots in nineteenth-century projective geometry. A central innovation of Hilbert’s book was to provide semantically minded independence proofs for various fragments of Euclidean geometry, thereby contributing to the development of the model-theoretic point of view in logical theory. Though it is generally acknowledged that the development of model theory is intimately bound up with innovations in 19th century geometry, so far, little (...) has been said about how exactly model-theoretic concepts grew out of methodological investigations within projective geometry. This article is supposed to fill this lacuna and investigates this geometrical prehistory of modern model theory, eventually leading up to Hilbert’sFoundations. (shrink)

Examples are given of applications by Pauling, Mulliken, Marcus and G.E.Kimball of the three Pythagorian means to formulate the scales of electronegativity of the elements, to the calculations of rate constants of electron transfer cross-reactions, to the calculation of the observed rate constant as function of activation and diffusion rate constants in the case of mixed reaction-diffusion rates and to the calculation of the effective diffusion coefficient in solution of a salt AB as a whole from the diffusion coefficients of (...) the ions in which it dissociates. (shrink)

Context: Technology has not only changed the way we teach mathematical concepts but also the nature of knowledge, and thus what is possible to learn. While geometric transformations are recognized to be foundational to the formation of students’ geometric conceptions, little research has focused on how these notions can be introduced in elementary schooling. Problem: This project addressed the need for development of students’ reasoning about and with geometric transformations in elementary school. We investigated the nature of students’ understandings (...) of translations, rotations, scaling, and stretching in two dimensions in the context of use of the software application Graphs ’n Glyphs. More specifically, we explored the question “What is the nature of elementary students’ reasoning of geometric transformations when instruction exploits the technological tool Graphs ’n Glyphs?” Method: Using a design research perspective, we present the conduct of a teaching experiment with one pair of fourth-graders, studying translation and rotation. The project investigated how and to what extent activity using Graphs ’n Glyphs can elicit students’ reasoning about geometric transformations, and explored the constraints and affordances of Graphs ’n Glyphs for thinking-in-change about geometric transformations. Results: The students proved adept using the software with carefully designed tasks to explore the behavior of two-dimensional shapes, distinguish among transformations, and develop predictions. In relation to varied conditions of transformations, they formed generalizations about the way a shape behaves, including the use of referent points in predicting outcomes of translations, and recognizing the role of the center of rotation. Implications: The generalizations that the students developed are foundational for developing an understanding of the properties of transformations in the later years of schooling. Dynamic technological approaches to geometry may prove as valuable to elementary students’ understanding of geometry as it is for older students. Constructivist content: This study contributes to ongoing constructivism/constructionism conversations by concentrating on the transformation of ideas when engaging learners in activity through particular contexts and tools. Key Words: Geometry, transformations, constructionist technologies. (shrink)

The cognitive foundations of geometry have puzzled academics for a long time, and even today are mostly unknown to many scholars, including mathematical cognition researchers. -/- Foundations of Geometric Cognition shows that basic geometric skills are deeply hardwired in the visuospatial cognitive capacities of our brains, namely spatial navigation and object recognition. These capacities, shared with non-human animals and appearing in early stages of the human ontogeny, cannot, however, fully explain a uniquely human form of geometric cognition. In the book, (...) Hohol argues that Euclidean geometry would not be possible without the human capacity to create and use abstract concepts, demonstrating how language and diagrams provide cognitive scaffolding for abstract geometric thinking, within a context of a Euclidean system of thought. -/- Taking an interdisciplinary approach and drawing on research from diverse fields including psychology, cognitive science, and mathematics, this book is a must-read for cognitive psychologists and cognitive scientists of mathematics, alongside anyone interested in mathematical education or the philosophical and historical aspects of geometry. (shrink)

According to major Latin dictionaries, the word radius is attested as a terminus technicus for the geometrical concept ‘radius’ in Cicero’s Timaeus 17. In this study, however, it is argued that there is good reason to believe that Cicero did not use the word in this sense, but in a metaphorical expression in which radius mainly carries the well-attested sense of ‘rod ’: paribus radiis attingi literally = ‘to be touched by equal rods’, that is to say, ‘to be (...) equidistant’. The first and only convincing attestation of radius in the sense of ‘radius ’ in ancient Latin literature is found in Calcidius’ Commentary on the Timaeus 59. It is suggested that Calcidius was influenced by Cicero’s translation and consequently adopted the word radius; however, its technical sense of ‘radius’ was coined, deliberately or not, by Calcidius himself. As there are no other convincing attestations of this sense of the word in ancient Latin, not even in geometrical texts, it is suggested that the word radius never became a commonly accepted terminus technicus for radius in antiquity. (shrink)

This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as images of the world rather than the true design behind the phenomena. This paved the (...) way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses and rigid connections, and formulated it as a new differential geometric language.Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics. (shrink)

the view of spinoza as a scion of the mathematico-mechanistic tradition of Galileo and Descartes, albeit perhaps an idiosyncratic one, has been held by many commentators and might be considered standard.1 Although the standard view has a prima facie solid basis in Spinoza's conception of the physical world as extended, law-bound, and deterministic, it has come under sustained criticism of late. Arguing that, for Spinoza, numbers and figures are mere beings of reason and mathematical conceptions of nature belong to the (...) imagination rather than the intellect, recent commentators have cast doubt on the applicability of mathematics to natural science in Spinoza and challenged the association of him with the Galilean and... (shrink)

Scholars have long recognised the interest of the Stoics' thought on geometrical limits, both as a specific topic in their physics and within the context of the school's ontological taxonomy. Unfortunately, insufficient textual evidence remains for us to reconstruct their discussion fully. The sources we do have on Stoic geometrical themes are highly polemical, tending to reveal a disagreement as to whether limit is to be understood as a mere concept, as a body or as an incorporeal. In (...) my view, this disagreement held among the historical Stoics, rather than simply reflecting a doxographical divergence in transmission. This apparently Stoic disagreement has generated extensive debate, in which there is still no consensus as to a standard Stoic doctrine of limit. The evidence is thin, and little of it refers in detail to specific texts, especially from the school's founders. But in its overall features the evidence suggests that Posidonius and Cleomedes differed from their Stoic precursors on this topic. There are also grounds for believing that some degree of disagreement obtained between the early Stoics over the metaphysical status of shape. Assuming the Stoics did so disagree, the principal question in the scholarship on Stoic ontology is whether there were actually positions that might be called "standard" within Stoicism on the topic of limit. In attempting to answer this question, my discussion initially sets out to illuminate certain features of early Stoic thinking about limit, and then takes stock of the views offered by late Stoics, notably Posidonius and Cleomedes. Attention to Stoic arguments suggests that the school's founders developed two accounts of shape: on the one hand, as a thought-construct, and, on the other, as a body. In an attempt to resolve the crux bequeathed to them, the school's successors suggested that limits are incorporeal. While the authorship of this last notion cannot be securely identified on account of the absence of direct evidence, it may be traced back to Posidonius, and it went on to have subsequent influence on Stoic thinking, namely in Cleomedes' astronomy. (shrink)

In his writings Philosophical Remarks, the Austrian-British Philosopher Ludwig Wittgenstein draws an octahedron with the words of pure colours such as “white”, “red” and “blue” at the corners and argues: “The colour octahedron is grammar, since it says that you can speak of a reddish blue but not of a reddish green, etc”. He uses the word “grammar” in such a specific way that the grammar or grammatical rules describe the meanings of words/expressions, in other words, how we use them (...) in our language. Accordingly, the colour octahedron can also be taken to represent grammatical rules about how we apply words of colour, e.g., that we can call a certain colour “reddish-blue”, but not “reddish-green”. In a different context, the Japanese philosopher Shūzō Kuki explores in his work The Structure of Iki what the Japanese word “iki” means. This word is often translated as “chic” or “stylistic” in English, but Kuki holds that it is an aesthetic Japanese concept that cannot be translated one-to-one, instead encompassing three aspects: “coquetry”, “pride and honour” and “resignation”. To explain the meanings of the word “iki” and other related words all of which Kuki calls “tastes”, he introduces a rectangular prism as a geometrical representation similar to Wittgenstein’s colour octahedron. In this paper, I argue that the rectangular prism does not solely explain how the modes of Japanese tastes are related to each other, but also has a grammatical character. On this score, I suggest that one can regard this rectangular prism as a description of the grammatical rules of the Japanese language. By appeal to the arguments of both philosophers and in comparison with them, I will not only clarify what they claim by geometrical representations but also examine what role this kind of representation plays as an explanation of grammar in general. Keywords: grammar, colour octahedron, rectangular prism, Shūzō Kuki, Wittgenstein. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.4 (2001) 292-307 [Access article in PDF] The Rhetoric of the Geometrical Method Spinoza's Double Strategy Christopher P. Long A double strategy may be apprehended in the first definitions, axioms and propositions of Spinoza's Ethics: the one is rhetorical, the other, systematic. Insofar as these opening passages constitute a geometrical argument that leads ultimately to the strict monism that lies at the heart of (...) Spinoza's philosophy, they function systematically as grounding principles. However, insofar as they are designed to uncover errors at the heart of the Cartesian system, they function rhetorically as a critique of Descartes's equivocal theory of substance. The geometrical mode of presentation lends an aura of necessity to the systematic strategy and tends to eclipse the rhetorical strategy that functions as a critique of Cartesian dualism. 1 To this extent, the systematic strategy itself functions rhetorically. On the other hand, to the extent that any seventeenth-century attempt to establish a monistic system would inevitably have had to involve a critique of Cartesian dualism, the rhetorical strategy itself functions systematically. Thus, although two distinct strategies are simultaneously discernible in the opening passages of the Ethics, the two work together, each arguing on a different front, to establish Spinoza's monism. By focusing on the rhetorical side of this double strategy, the underlying nature of Spinoza's critique of Descartes can be clarified and certain gaps in the systematic, geometrical argument for monism can be explained. Descartes's theory of substance The rhetorical strategy Spinoza employs at the outset of the Ethics involves a brilliant use of equivocation and ambiguity designed to draw a reader dedicated to Cartesian dualism into the heart of an argument designed to [End Page 292] undermine this dualism itself. The impetus behind this rhetorical critique is surely Spinoza's dissatisfaction with Descartes's theory of substance. 1. Descartes's equivocation Descartes's theory rests upon a fundamental equivocation: on the one hand, the term "substance" is meant strictly to designate that which is absolutely self-sufficient, namely, God; on the other hand, Descartes allows for a weaker understanding of substance, which pertains to those things (specifically res cogitans and res extensa) that require only the concurrence of God in order to exist (Principles I, 51-52; AT VIIIA24-25). 2 Thus, for Descartes, although God is, strictly speaking, the only substance, there remains a sense in which both res cogitans and res extensa may be understood as substances as well.Ultimately, this equivocal understanding of substance may be traced to a tension internal to Descartes between the Aristotelian notion of substance as underlying subject and the seventeenth-century mutation of that notion, which came to be defined in terms of causal self-sufficiency. 3 Jonathan Bennett traces the source of this mutation back to the view held by Aristotle that the existence of some property depends upon its being instantiated--that is, there can be no courage unless there exists someone courageous. He continues his interesting argument thus: This suggests that there is a relation of dependence running from properties to the things that have them and not conversely. The dependence would be logical: the thesis must be that "existent but uninstantiated property" is conceptually defective, not merely contrary to physics. Thus, one mark of a genuine thing, or substance, is its not being logically dependent for its existence on anything else. (Bennett 1984, 56) The development of this line of thinking leads to the conception of substance we find both in Descartes's Principles and in Spinoza's Ethics, namely, that a substance must not causally depend on anything outside of itself for its existence. 4 However, with Descartes, what emerges out of this tradition is a hybrid understanding of substance in which the term "substance" is not reserved simply for that which is utterly self-sufficient (God), but extends to those things that depend only upon the concurrence of God for their existence (rescogitans and resextensa). This bifurcated understanding of substance seems to stem from the distinction at work in [End Page 293] Aristotle... (shrink)

In the Critique of Pure Reason, Kant defends the mathematically deterministic world of physics by arguing that its essential features arise necessarily from innate forms of intuition and rules of understanding through combinatory acts of imagination. Knowing is active: it constructs the unity of nature by combining appearances in certain mandatory ways. What is mandated is that sensible awareness provide objects that conform to the structure of ostensive judgment: “This (S) is P.” -/- Sensibility alone provides no such objects, so (...) the imagination compensates by combining passing point-data into “pure” referents for the subject-position, predicate-position, and copula. The result is a cognitive encounter with a generic physical object whose characteristics—magnitude, substance, property, quality, and causality—are abstracted as the Kantian categories. Each characteristic is a product of “sensible synthesis” that has been “determined” by a “function of unity” in judgment. -/- Understanding the possibility of such determination by judgment is the chief difficulty for any rehabilitative reconstruction of Kant’s theory. I will show that Kant conceives of figurative synthesis as an act of line-drawing, and of the functions of unity as rules for attending to this act. The subject-position refers to substance, identified as the objective time-continuum; the predicate-position, to quality, identified as the continuum of property values (constituting the second-order type named by the predicate concept). The upshot is that both positions refer to continuous magnitudes, related so that one (time-value) is the condition of the other (property-value). -/- Kant’s theory of physically constructive grammar is thus equivalent to the analytic-geometric formalism at work in the practice of mathematical physics, which schematizes time and state as lines related by an algebraic formula. Kant theorizes the subject–predicate relation in ostensive judgment as an algebraic time–state function. When aimed towards sensibility, “S is P” functions as the algebraic relation “t → ƒ(t).”. (shrink)

Kant's distinction between analytic and synthetic method is connected to the so-called Aristotelian model of science and has to be interpreted in a (broad) directional sense. With the distinction between analytic and synthetic judgments the critical Kant did introduced a new way of using the terms 'analytic'-'synthetic', but one that still lies in line with their directional sense. A careful comparison of the conceptions of the critical Kant with ideas of the precritical Kant as expressed in _Ãœber die Deutlichkeit, leads (...) to the interpretation defended here of Kant's distinction between analytic and synthetic judgments within his philosophy of mathematics. (shrink)

In this paper, I will offer a novel perspective on Carnapian explication, understanding it as a philosophical analogue of the transfer principle methodology that originated in nineteenth-century projective geometry. Building upon the historical influence that projective geometry exerted on Carnap’s philosophy, I will show how explication can be modeled as a kind of transfer principle that connects, relative to a given task and normatively constrained by the desiderata chosen by the explicators, the functional properties of concepts belonging to different (...) conceptual frameworks. Moreover, I will demonstrate how, in light of this characterization, we can better appreciate the evolution of Carnap’s metaphilosophy. (shrink)

Traditional discussions about the arrow of time in general involve the concept of entropy. In the cosmological context, the direction past-to-future is usually related to the direction of the gradient of the entropy function of the universe. But the definition of the entropy of the universe is a very controversial matter. Moreover, thermodynamics is a phenomenological theory. Geometrical properties of space-time provide a more fundamental and less controversial way of defining an arrow of time for the universe as a (...) whole. We will call the arrow defined only on the basis of the geometrical properties of space-time, independently of any entropic considerations, “the global arrow of time.” In this paper we will argue that: (i) if certain conditions are satisfied, it is possible to define a global arrow of time for the universe as a whole, and (ii) the standard models of contemporary cosmology satisfy these conditions. (shrink)

Beaucoup de « géomètres » du XIXe siècle - Bernhard Riemann, Hermann von Helmholtz, Felix Klein, Riccardo De Paolis, Mario Pieri, Henri Poincaré, Federigo Enriques, et autres - ont joué un rôle important dans la discussion sur les fondements des mathématiques. Mais, contrairement aux idées d'Euclide, ils n'ont pas identifié «l'espace physique» avec« l'espace de nos sens». Partant de notre expérience dans l'espace, ils ont cherché à identifier les propriétés les plus importantes de l'espace et les ont posées à la (...) base de la géométrie. C'est sur la connaissance active de l'espace que les axiomes de la géométrie ont été élaborés ; ils ne pouvaient donc pas être a priori comme ils le sont dans la philosophie kantienne. En outre, pendant la dernière décade du siècle, certains mathématiciens italiens - De Paolis, Gino Fano, Pieri, et autres - ont fondé le concept de nombre sur la géométrie, en employant des résultats de la géométrie projective. Ainsi, on fondait l'arithmétique sur la géométrie et non l'inverse, comme David Hilbert a cherché à faire quelques années après, sans succès. (shrink)

The first article in this issue attempts to refute the concept of Altruism and calls it akin to Selfishness. The arguments are logically set in the way like that of Spinoza’s method of demonstration, with Axioms, Definitions, Propositions and Notes: so as to make them exact and precise. Interestingly, the writer introduces a new concept of Credit and through various other original propositions and examples rebuts the altruistic nature which is generally ascribed to humans.

The history and philosophy of science are destined to play a fundamental role in an epoch marked by a major scientific revolution. This ongoing revolution, principally affecting mathematics and physics, entails a profound upheaval of our conception of space, space–time, and, consequently, of natural laws themselves. Briefly, this revolution can be summarized by the following two trends: by the search for a unified theory of the four fundamental forces of nature, which are known, as of now, as gravity, electromagnetism, and (...) strong and weak nuclear forces; by the search for new mathematical concepts capable of elucidating and therefore explaining such a relationship. In fact, the first search is essentially dependent on the second; that is to say, that in order for a new theory of physics to come to light, the development of a deeper geometric theory capable of explaining the structure of space–time on a quantum scale appears to be necessary. On careful consideration, we notice that both of these developments converge in the direction of a unitary and fundamental tendency of modern science—which is the geometrization of theoretical physics and of natural sciences. This new emergent situation carries within it a profound conceptual change, affecting the way in which relations are conceived of, first and foremost, between mathematics and physics. This new paradigm can be summed up by the intimately interdependent points: the immense variety of physical phenomena and of natural forms follows from the equally infinite variety of geometric and topological objects that can be made out in space and from which space is made up; the second point, which ensues from the former one and which is of great historical and epistemological significance, is that mathematics is involved in rather than applied to phenomena. In other words, phenomena are effects that emerge from the geometrical structure of space–time. There is no doubt that this new conception of the relationship between the universe of mathematical ideas and objects and the world of natural phenomena is the true scientific revolution of our century, of great conceptual importance, and consequently, capable of changing our view of science and of nature at one and the same time. It is all at once of a scientific, philosophical and aesthetic order. (shrink)

This book concerns Spinoza's theory of knowledge and closely related issues: Spinoza's conceptions of geometrical figure or shape, number, and observational sci.

Foucault famously divided the history of twentieth-century French philosophy between a “philosophy of experience” and a “philosophy of the concept,” placing Bergson in the former camp and his teacher Canguilhem in the latter. This division has shaped the Anglophone reception of Canguilhem as primarily a historian and philosopher of biology. Canguilhem, however, was also a philosopher of life and a careful reader of Bergson. The recently-begun publication of Canguilhem’s Œuvres complètes has revealed the depth of this engagement, and a re-reading (...) of Canguilhem’s final major statement on Bergson, the 1966 essay “The Concept and Life,” has thus become necessary. The basic problem of that essay is the relationship between knowledge and life in the history of biology and philosophy, with a special place for Bergson. Canguilhem’s strong criticism of him turns, however, on a misquotation. In claiming that Bergson fails to account for the struggle of the living being to maintain a species form, Canguilhem misconstrues the crucial Bergsonian distinction between vital order and geometrical identity; he thus misses the importance that Bergson accords to general biological tendencies, rather than to the generality of the species. Despite the differences on display in the 1966 essay, it will be argued that Canguilhem’s earlier remarks on Bergson show a surprising convergence in the underlying aim of each thinker’s biological philosophy: the call for a new ontology that grasps the ordered and intelligible character of life without relying on a principle of identity. (shrink)