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Profile: Georg Mohr (Universität Bremen)
  1. Barbara Merker, Georg Mohr, Michael Quante & Ludwig Siep (eds.) (2004). Subjektivität Und Anerkennung. Mentis.
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  2.  8
    Georg Mohr & Marcus Willaschek (1999). Review: Kant, Immanuel, Kritik der reinen Vernunft. Tijdschrift Voor Filosofie 61 (3):595-596.
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  3.  1
    Stefano Bacin, Georg Mohr, Jürgen Stolzenberg & Marcus Willaschek (2015). Vorwort. In Stefano Bacin, Georg Mohr, Jürgen Stolzenberg & Marcus Willaschek (eds.), Kant-Lexikon. De Gruyter
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  4.  4
    Georg Mohr (2012). Gegen die Kernspaltung des Subjekts. Manfred Frank im Varieté der Subjektivität. Deutsche Zeitschrift für Philosophie 60 (6):1019-1025.
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  5.  5
    Georg Mohr (2010). Eine neue Philosophie der Neuen Musik–mit und nach Adorno. Über: Albrecht Wellmer: Versuch über Musik und Sprache. Deutsche Zeitschrift für Philosophie 58 (4):647-655.
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    Georg Mohr (2002). Descartes über Selbstbewußtsein und Personen1. In Helmut Linneweber-Lammerskitten & Georg Mohr (eds.), Interpretation Und Argument. Koenigshausen & Neumann 129.
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    Georg Mohr (2009). Schwerpunkt: Musikphilosophie. Deutsche Zeitschrift für Philosophie 57 (6):876-878.
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  8.  1
    Georg Mohr (2012). Musik als erlebte Zeit. Philosophia Naturalis 49 (2):319-347.
    If one intends to analyse the relevant features, dimensions und conditions of experienced time, music is a particularly suited field. Music excellently exposes temporal structures and modes of time experience. Temporality is an essential feature of music in such a way that music has often been called “the art of time ”. The variety of music-specific qualities can be related to two fundamental structural features of music: the irreversible course of tones, i.e. sound events in time (music in time); the (...)
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  9. Stefano Bacin, Georg Mohr, Jürgen Stolzenberg & Marcus Willaschek (2015). Siglenverzeichnis. In Stefano Bacin, Georg Mohr, Jürgen Stolzenberg & Marcus Willaschek (eds.), Kant-Lexikon. De Gruyter
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  10. Helmut Linneweber-Lammerskitten & Georg Mohr (eds.) (2002). Interpretation und Argument. Koenigshausen & Neumann.
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  11. Barbara Merker, Georg Mohr, Ludwig Siep & Allgemeine Gesellschaft für Philosophie in Deutschland (1998). Angemessenheit Zur Rehabilitierung Einer Philosophischen Metapher.
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  12. Georg Mohr & JVIarcus Willaschek (2000). ImmanuelKant'Kritikderreinen Vernunft. Logical Analysis and History of Philosophy 3:241.
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  13. Marcus Willaschek, Jürgen Stolzenberg, Georg Mohr & Stefano Bacin (eds.) (2015). Kant-Lexikon. De Gruyter.
    Kant’s revolutionary new approach to philosophy was accompanied by the introduction of a largely novel terminology. With the Kant-Lexikon, a lexical reference gives the modern reader access to his work on the basis of present-day editions and takes into account 20th century and contemporary research and advances in lexicology. The Kant-Lexikon includes 2395 entries authored by 221 scholars.
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  14. Georg Mohr (2013). Kant über Musik als schöne Kunst. In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter 153-168.
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  15. Georg Mohr (1985). Objektivität und Selbstbewußtsein, I: Zur neueren Kritik und Rekonstruktion von Kants metaphysischer und transzendentaler Deduktion der Kategorien. Philosophischer Literaturanzeiger 38:271-287.
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  16. Georg Mohr (1988). Personne, personnalité et liberté dans la Critique de la Raison pratique in Kant: la Critique de la Raison pratique. Revue Internationale de Philosophie 42 (166):289-319.
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  17. Georg Mohr (1986). Przypisywanie sobie czegoś a tożsamość osobowa. Studia Filozoficzne 247 (6).
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  18. Georg Mohr (2014). 5. Unrecht und Strafe. In Ludwig Siep (ed.), G. W. F. Hegel: Grundlinien der Philosophie des Rechts. Oldenbourg Wissenschaftsverlag 95-124.
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  19. Brian O'Connor & Georg Mohr (eds.) (2006). German Idealism: An Anthology and Guide. University of Chicago Press.
    Beginning with the publication of Kant’s Critique of Pure Reason and extending through to Hegel’s death, the period known as German Idealism signaled the end of an epoch of rationalism, empiricism, and enlightenment—and the beginning of a new “critical” period of philosophy. The most comprehensive anthology of this vital tradition to date, German Idealism brings together an expansive selection of readings from the tradition’s major figures like Kant, Hegel, Fichte, and Schelling. Arranged thematically into sections on topics such as the (...)
     
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  20. Brian O'Connor & Georg Mohr (eds.) (2007). German Idealism: An Anthology and Guide. University of Chicago Press.
    Beginning with the publication of Kant’s _Critique of Pure Reason_ and extending through to Hegel’s death, the period known as German Idealism signaled the end of an epoch of rationalism, empiricism, and enlightenment—and the beginning of a new “critical” period of philosophy. The most comprehensive anthology of this vital tradition to date, _German Idealism_ brings together an expansive selection of readings from the tradition’s major figures like Kant, Hegel, Fichte, and Schelling. Arranged thematically into sections on topics such as the (...)
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