Introduction Content Type Journal Article Pages 1-17 DOI 10.1007/s10503-011-9238-3 Authors Ana Laura Nettel, Law Department, Universidad Autónoma Metropolitana—Azcapotzalco (UAM-A), Amsterdam 180-403 Colonia Hipódromo Condesa, 06100 Mexico, DF, Mexico GeorgesRoque, Centre National de la Recherche Scientifique (CNRS), CRAL, EHESS/CNRS, 96 Bd. Raspail, 75006 Paris, France Journal Argumentation Online ISSN 1572-8374 Print ISSN 0920-427X.
This article deals with the relationship between argumentation and persuasion. It defends the idea that these two concepts are not as opposed as all too often said. If it is important to recognize their differences (there are argumentative discourses without persuasion and persuasive discourses without argumentation), there is nevertheless an overlap, in which characteristics are taken from both. We propose to call this overlap “persuasive argumentation”. In order to bridge argumentation and persuasion, we will first distinguish the latter from manipulation. (...) In the second part of this article, we will analyze four cases of persuasive argumentation: the enthymeme, a few rhetorical figures, narration and visual argumentation. (shrink)
Georges Bataille's work is an essential reference in any discussion of modernity and postmodernity. An important influence on Foucault, Derrida and post-structuralism, Bataille is a thinker of key significance. This volume makes a selection from the entire body of his academic work, showing how his thinking on sacrifice, eroticism, taboo and transgression, and the nature of identity inform his social theory. Bataille - Essential Writings contains much previously untranslated material, including the complete texts of seven essays, and long extracts (...) from many others. It is the most comprehensive selection of Bataille's work to date, edited by an acknowledged authority. Bataille - Essential Writings will be the standard introductory text to this profound and difficult thinker. (shrink)
Review of "Maß und Eigensinn. Studien im Anschluß an Georges Canguilhem“, ed. by Cornelius Borck, Volker Hess and Henning Schmidgen, München (Fink Verlag) 2005.".
The goal of this article is to examine the nature of technology in view of Georges Bataille’s notion of intimacy. After providing a summary of Bataille’s critique of technology, I offer my response and show that a technological device can reach such a degree of familiarity that it becomes indistinguishable from our psychophysical personality. In this sense, we experience technology not as instrumentation, but in intimacy. The old theory of technology as organ-projection is, therefore, reinterpreted to produce a theory (...) of technology that includes the technological process in its entirety, from the moment of invention and innovation, involving a movement of transcendence and objectification, to the moment of intimacy. (shrink)
In this article I assess Georges Canguilhem's historical epistemology with both theoretical and historical questions in mind. From a theoretical point of view, I am concerned with the relation between history and philosophy, and in particular with the philosophical assumptions and external norms that are involved in history writing. Moreover, I am concerned with the role that history can play in the understanding and evaluation of philosophical concepts. From a historical point of view, I regard historical epistemology, as developed (...) by Gaston Bachelard and Georges Canguilhem, as a conception and practice which came out of the project, elaborated in France from the 1920s to the 1940s, of combining history of science and philosophy. I analyse in particular Canguilhem's epistemology in his theory and practice of history of science. What he called 'normative history' is the focus of my analysis. I evaluate the question of the nature and provenience of the norm employed in normative history, and I compare it with the norm as discussed by Canguilhem in Le normal et le pathologique. While I am critical of Canguilhem's treatment of history, I conclude that his philosophical suggestion to analyse the formation of scientific concepts 'from below' represents a useful model for history and philosophy of science, and that it can be very profitably extended to philosophical concepts. (shrink)
This essay tries to demonstrate two distinct but complementary visions to a central theme of Christian faith: humanity’s redemption in the crucified Christ. It will attempt to show how the poetics of Simone Weil (1909–1943) and the poetic art of Georges Rouault (1871–1943) embody different understandings of Christian faith. Considering faith from a philosophical approach, Weil detaches the sufferings of Christ from the totality of salvific history. Viewing faith from the artistic approach, Rouault places the crucified Christ in the (...) context of the history of salvation, including Mary and the Church. Though different from one another, these two visions reveal to us a light in the midst of our dark or suffering existence that makes audible or perceptible the silence of God’s love in Christ that is its source. (shrink)
Georges Bataille agrees with numerous Christian mystics that there is ethical and religious value in meditating upon, and having ecstatic episodes in response to, imagery of violent death. For Christians, the crucified Christ is the focus of contemplative efforts. Bataille employs photographic imagery of a more-recent victim of torture and execution. In this essay, while engaging with Amy Hollywood's interpretation of Bataille in Sensible Ecstasy, I show that, unlike the Christian mystics who influence him, Bataille strives to divorce himself (...) from any moral authority external to the ecstatic episode itself. I argue that in his attempt to remove external authority he abandons the only resources that could possibly protect his mystical contemplation from engendering sadistic attitudes. (shrink)
With the publication of The Social Frameworks of Knowledge? the English speaking world has at last been given a serious opportunity to approach the complex sociological thought of Georges Gurvitch. However, as the author himself admits in the Preface, this book appears ?abstract and schematic particularly to the uninitiated?.1 The aim of this paper will be to try to relate this translated work to the main body of Gurvitch's writing and particularly to his stance in the sociology of knowledge. (...) First I will examine the intellectual origins of his sociology of knowledge and his attitude to his predecessors in the field. Secondly I will compare his approach to the sociology of knowledge to that of P. L. Berger and T. Luckmann. (shrink)
In this reply to Kent Brintnall's response to my essay on Georges Bataille and the ethics of ecstasy, I explore two primary questions: whether instrumentalization is inherently violent and non-instrumentalization is inherently non-violent, and whether there is a way to intervene in the world that avoids both “apathetic disengagement” and domination. I endorse the view that instrumentalization can be good as well as bad, and I suggest that it is possible to strive to intervene in the world without striving (...) to master it. I make reference to Sarah Coakley as a Christian theologian who advances particular practices that aim for non-dominating intervention in theworld. (shrink)
Découvert par l’intermédiaire d’Alfred Métraux , l’enseignement de Marcel Mauss a profondément et durablement impressionné Georges Bataille, qui désigne explicitement l’ Essai sur le don comme l’« origine » de ses deux essais sociologiques , l’article sur La Notion de dépense publié en 1933 , et le texte intitulé La Part maudite , publié en 1949. Le degré et la nature de l’influence exercée par les écrits de Marcel Mauss sur la pensée de Georges Bataille ont fait l’objet (...) de nombreuses études.Il ne s’agit ici ni de prendre la mesure de la dette théorique de Bataille à l’égard de son inspirateur , ni d’évaluer les convergences ou les divergences de son interprétation sociologique du don d’avec la pensée de Marcel Mauss . Mais d’interroger l’usage qu’il fait du discours anthropologique produit par l’école française de sociologie pour fonder ses investissements politiques et artistiques personnels. (shrink)
Guilty , by Georges Bataille Content Type Journal Article Category Book Review Pages 162-163 Authors Andrew J. Mitchell, Emory University Journal Comparative and Continental Philosophy Online ISSN 1757-0646 Print ISSN 1757-0638 Journal Volume Volume 4 Journal Issue Volume 4, Number 1 / 2012.
"With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French ...
Long recognized in France as a central figure in French cultural thought, the range and significance of Batille's ideas are now being grasped in the English speaking world. His influence on Derrida, Foucault, Kristeva and Baudrillard is now more clearly understood and Bataille has emerged as a front-rank cultural theorist who posed questions and paradoxes that were extraordinarily prescient. This book offers a comprehensive and detailed presentation and analysis of the full range of his writings - political, philosophical, aesthetic, literary, (...) anthropological and cultural. And tackles his thoughts on waste, sacrifice, death, eroticism, surplus, ecstasy and drunkenness, offering the best available guide to this challenging and utterly unique thinker. (shrink)
The paper approaches the topic of what a general philosophy of science could mean today from the perspective of a historical epistemology. Consequently, in a first step, the paper looks at the notion of generality in the sciences, and how it evolved over time, on the example of the life sciences. In the second part of the paper, the urgency of a general philosophy of science is located in the history of philosophy of science. Two attempts at the beginning of (...) the twentieth century are particularly highlighted: that of Karl Popper and that of Martin Heidegger. Both of them concentrate, albeit in widely different form, on the phenomenon of research as an open-ended process. This trend is even more pronounced in Gaston Bachelard’s version of a historical epistemology, whose work is taken as a point of reference for a general historical epistemology of research. The paper concludes with a plea to look, with Georges Canguilhem, at the history of the sciences as a laboratory for epistemology. (shrink)
I say: “Oh, what a beautiful surrealist picture!” With quite precise awareness: this páthos, these emotions of mine do not stem from our common sense. An aesthetic judgment is founded on an immediate subjective intuition: an emotion or a free feeling of a single subject towards an object. A universal sense, possibly. Some judgments of ours in ethics and in law are no different from our perceptions in front of art. It would be the same for a hypothetical sentence of (...) the judge that concluded with these words: “I acquit Arsenio Lupin because of his magnificent handlebar moustache like that of Guy de Maupassant”. Everyone would think intuitively that it is an unfair sentence. Is there aesthetics of terror? The case that the article intends to examine is that of the famous kidnapping and murder of the Italian statesman Aldo Moro by the “Brigate Rosse” [Red Brigades] (1978). The method used here consists in studying the image of the kidnapping as iconic documentation of reality, and, above all, as an ethical-legal judgment about the terrorist crime. Moro was photographed during his kidnapping. There are at least two pictures. Both constitute an extraordinary source for a judgment on the basis of an image. In both of them, Aldo Moro is pictured in front of a Red Brigades banner during the captivity. In what sense do these pictures document an aesthetic judgment concerning the “case Moro”? The answer can be found in a remarkable iconic coincidence of these pictures with a masterpiece by Georges Rouault (Paris 1871-1958) devoted to the theme of the “Ecce Homo”. The Gospel in the “Ecce Homo” scene (John: 19, 4-5) narrates how Pontius Pilate wanted to arouse the compassion of the people with a scourging and the exposure of Jesus to the crowd. The plate under consideration is entitled “Qui ne se grime pas?” [Who does not have a painted face?] and is a key work in Rouault’s suite of prints Miserere, dated for 1923. (shrink)
In this article, I examine the issue of forgiveness of oneself by looking at the writings of two postwar French philosophers: Georges Gusdorf and Vladimir Jankélévitch. Gusdorf believes that forgiving oneself is necessary for being able to forgive others. On the other hand, Jankélévitch sees no possibility of forgiveness for oneself and for similar reasons is very suspicious of traditional views of the role accorded to repenting and penitence. In short, the main view that separates the thinkers is, quite (...) literally, whether work on oneself—such as repentance and penitence—comes first before forgiveness, or whether repentance and penitence are the result of some prior gracious act, such as forgiveness. Somewhat ironically, their views, when all is said and done, may not really be all that far apart from each other, especially in light of how each views the nature of the self. In the end, the main factor dividing the two thinkers is metaphysical allegiances. Reflecting a tendency that is shown in most—if not all—of his early works, Gusdorf views the self more from the perspective of anthropology. Jankélévitch, like his mentor Henri Bergson, has faith in science and does not have a supernatural view of the human soul. (shrink)
George Herbert Mead's early lectures at the University of Chicago are more important to understanding the genesis of his views in social psychology than some commentators, such as Hans Joas, have emphasized. Mead's lecture series "The Evolution of the Psychical Element," preserved through the notes of student H. Heath Bawden, demonstrate his devotion to Hegelianism as a method of thinking and how this influenced his non-reductionistic approach to functional psychology. In addition, Mead's breadth of historical knowledge as well as his (...) commitments in the natural and social sciences are on display here, culminating in the Darwinian observation that human animals only achieve the degree of control they have over their environment by the achievement of social organization. (shrink)
Sydney Shoemaker’s Causal Theory of Properties is an important starting place for some contemporary metaphysical perspectives concerning the nature of properties. In this paper I discuss the causal and intrinsic criteria that Shoemaker stipulates for the identity of genuine properties and relations, and address George Molnar’s criticism that holding both criteria presents an unbridgeable hypothesis in the Causal Theory of Properties. The causal criterion requires that properties and relations contribute to the causal powers of objects if they are to be (...) deemed genuine rather than ‘mere-Cambridge’. The intrinsic criterion requires that all genuine properties and relations be intrinsic. Molnar’s S-property argument says that these criteria conflict if one considers extrinsic spatiotemporal properties and relations to contribute causally. In this paper I argue that a solution to the contradiction that Molnar identifies involves a denial of discreteness between objects, leading to a Power Holist perspective and a resulting deflationary account of intrinsicality. -/- Keywords: Shoemaker, Molnar, Holism, genuine properties, powers, Causal Theory of Properties . (shrink)
Philosopher, poet, literary and cultural critic, George Santayana is a principal figure in Classical American Philosophy. His naturalism and emphasis on creative imagination were harbingers of important intellectual turns on both sides of the Atlantic. He was a naturalist before naturalism grew popular; he appreciated multiple perfections before multiculturalism became an issue; he thought of philosophy as literature before it became a theme in American and European scholarly circles; and he managed to naturalize Platonism, update Aristotle, fight off idealisms, and (...) provide a striking and sensitive account of the spiritual life without being a religious believer. His Hispanic heritage, shaded by his sense of being an outsider in America, captures many qualities of American life missed by insiders, and presents views equal to Tocqueville in quality and importance. Beyond philosophy, only Emerson may match his literary production. As a public figure, he appeared on the front cover of Time (3 February 1936), and his autobiography (Persons and Places, 1944) and only novel (The Last Puritan, 1936) were the best-selling books in the United States as Book-of-the-Month Club selections. The novel was nominated for a Pulitzer Prize, and Edmund Wilson ranked Persons and Places among the few first-rate autobiographies, comparing it favorably to Yeats's memoirs, The Education of Henry Adams, and Proust's Remembrance of Things Past. Remarkably, Santayana achieved this stature in American thought without being an American citizen. He proudly retained his Spanish citizenship throughout his life. Yet, as he readily admitted, it is as an American that his philosophical and literary corpuses are to be judged. Using contemporary classifications, Santayana is the first and foremost Hispanic-American philosopher. (shrink)
