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Gerald L. Bruns [29]Gerald Bruns [8]
  1. Gerald L. Bruns (2011). On Ceasing to Be Human. Stanford University Press.
    Prologue : on the freedom of non-identity -- Otherwise than human (toward sovereignty) -- What is human recognition? (on zones of indistinction) -- Desubjectivation (Michel Foucault's aesthetics of experience) -- Becoming animal (some simple ways) -- Derrida's cat (who am I?).
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  2. Gerald Bruns (2010). Review of Leslie Hill, Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism. [REVIEW] Notre Dame Philosophical Reviews 2010 (3).
  3. Gerald L. Bruns (2010). David Michael Kleinberg-Levin: Gestures of Ethical Life: Reading Hölderlin's Question of Measure After Heidegger. [REVIEW] Continental Philosophy Review 42 (4):573-576.
  4. Gerald Bruns (2009). Should Poetry Be Ethical or Otherwise? Substance 38 (3):72-91.
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  5. Gerald L. Bruns (2009). Review of Stanley Cavell, Cora Diamond, John McDowell, Ian Hacking, Cary Wolf (Authors 1st Book), Stephen Mulhall (Author 2nd Book), (Book 1) Philosophy and Animal Life; (Book 2) the Wounded Animal: J. M. Coetzee and the Difficulty of Reality in Literature and Philosophy. [REVIEW] Notre Dame Philosophical Reviews 2009 (5).
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  6. Zahi Zalloua, Gaurav Majumdar, Paul Allen Miller, Gerald Bruns, Gabriel Riera, Lynne Huffer, Alan Singer & Steven Miller (2009). Ethics and the Inventive Work. Substance 38:113-124.
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  7. Gerald L. Bruns (2008). Derrida's Cat (Who Am I?). Research in Phenomenology 38 (3):404-423.
    What is it to be seen (naked) by one's cat? In “L'animal que donc je suis” (2006), the first of several lectures that he presented at a conference on the “autobiographical animal,” Jacques Derrida tells of his discomfort when, emerging from his shower one day, he found himself being looked at by his cat. Th experience leads him, by way of reflections on the question of the animal, to what is arguably the question of his philosophy: Who am I? It (...)
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  8. Gerald L. Bruns (2008). On the Conundrum of Form and Material in Adorno's Aesthetic Theory. Journal of Aesthetics and Art Criticism 66 (3):225 - 235.
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  9. Gerald Bruns (2007). A Theory of Turbulence. The European Legacy 10 (5):503-507.
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  10. Gerald Bruns (2007). Review of Asja Szafraniec, Beckett, Derrida, and the Event of Literature. [REVIEW] Notre Dame Philosophical Reviews 2007 (11).
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  11. Gerald Bruns (2006). Foucault's Modernism. In Gary Gutting (ed.), The Cambridge Companion to Foucault. Cambridge University Press.
     
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  12. Gerald L. Bruns (2006). On the Anarchy of Poetry and Philosophy: A Guide for the Unruly. Fordham University Press.
    Marcel Duchamp once asked whether it is possible to make something that is not a work of art. This question returns over and over in modernist culture, where there are no longer any authoritative criteria for what can be identified (or excluded) as a work of art. As William Carlos Williams says, “A poem can be made of anything,” even newspaper clippings.At this point, art turns into philosophy, all art is now conceptual art, and the manifesto becomes the distinctive genre (...)
     
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  13. Gerald L. Bruns (2006). Review of Leslie Hill, Brian Nelson, Dimitris Vardoulakis (Eds.), After Blanchot: Literature, Criticism, Philosophy. [REVIEW] Notre Dame Philosophical Reviews 2006 (8).
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  14. Gerald L. Bruns (2006). Review of Simon Critchley, Things Merely Are: Philosophy in the Poetry of Wallace Stevens. [REVIEW] Notre Dame Philosophical Reviews 2006 (2).
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  15. Gerald Bruns (2002). Review of Jorge J.E. Gracia, Carolyn Korsmeyer (Eds.), Literary Philosophers: Borges, Calvino, Eco. [REVIEW] Notre Dame Philosophical Reviews 2002 (10).
  16. Gerald L. Bruns (2002). The Concepts of Art and Poetry in Emmanuel Levinas's Writings. In Simon Critchley & Robert Bernasconi (eds.), The Cambridge Companion to Levinas. Cambridge University Press. 206--233.
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  17. Gerald L. Bruns (1999). Tragic Thoughts at the End of Philosophy: Language, Literature, and Ethical Theory. Northwestern University Press.
    Recently, a number of Anglo-American philosophers of very different sorts--pragmatists, metaphysicians, philosophers of language, philosophers of law, moral philosophers--have taken a reflective rather than merely recreational interest in literature. Does this literary turn mean that philosophy is coming to an end or merely down to earth? In this collection of essays, one of the most insightful of contemporary literary theorists investigates the intersection of literature and philosophy, analyzing the emerging preferences for practice over theory, particulars over universals, events over structures, (...)
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  18. Hans-Georg Gadamer & Gerald L. Bruns (1997). Gadamer on Celan: "Who Am I and Who Are You?" and Other Essays. State University of New York Press.
    Brings together all of Gadamer's published writings on Celan's poetry, and makes them available in English for the first time. This is accessible commentary on a notoriously difficult poet.
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  19. Gerald L. Bruns (1996). Blanchot/Levinas: Interruption (on the Conflict of Alterities). Research in Phenomenology 26 (1):132-154.
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  20. Gerald L. Bruns (1995). Book Review: Ancient and Modern Hermeneutics. [REVIEW] Philosophy and Literature 19 (1).
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  21. Gerald Bruns (1992). Hermeneutics: Ancient and Modern. Yale University Press.
    Gerald L. Bruns. the spell of another, to liberate the language imprisoned in a work in his recreation of that work" (p. 80). The notion of a pure language, a language uncontaminated by mere speech, may be one of modernity's great unkillable ...
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  22. Gerald L. Bruns (1991). Echoes After Heidegger. International Studies in Philosophy 23 (3):144-145.
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  23. Gerald L. Bruns (1991). Reply to Crewe and Conant. Critical Inquiry 17 (3):635.
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  24. Gerald L. Bruns (1990). Habermas on Historical Materialism. Review of Metaphysics 44 (2):430-431.
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  25. Gerald L. Bruns (1990). Stanley Cavell's Shakespeare. Critical Inquiry 16 (3):612.
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  26. Gerald L. Bruns (1989). Between Philosophy and Literature. Renascence 41 (4):233-251.
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  27. Gerald L. Bruns (1988). On the Tragedy of Hermeneutical Experience. Research in Phenomenology 18 (1):191-201.
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  28. Gerald L. Bruns (1985). A Question of the Truth of Mimesis. Renascence 37 (3):166-170.
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  29. Gerald L. Bruns (1984). Canon and Power in the Hebrew Scriptures. Critical Inquiry 10 (3):462.
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  30. Gerald L. Bruns (1984). Loose Talk About Religion From William James. Critical Inquiry 11 (2):299.
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  31. Gerald L. Bruns (1984). The Problem of Figuration in Antiquity. In Gary Shapiro & Alan Sica (eds.), Hermeneutics: Questions and Prospects. University of Massachusetts Press. 147--164.
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  32. Gerald L. Bruns (1980). Intention, Authority, and Meaning. Critical Inquiry 7 (2):297.
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  33. Gerald L. Bruns (1976). The Idea of Energy in the Writings of Gerard Manley Hopkins. Renascence 29 (1):25-42.
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  34. Gerald L. Bruns (1974). Freud, Structuralism, and "the Moses of Michelangelo". Journal of Aesthetics and Art Criticism 33 (1):13-18.
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  35. Gerald L. Bruns (1974/2001). Modern Poetry and the Idea of Language: A Critical and Historical Study. Dalkey Archive Press.
    Bruns lucidly depicts the distinctions and convergences between these two lines of thought by examining the works of Mallarme, Flaubert, Joyce, Beckett, and ...
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  36. Gerald L. Bruns (1973). Daedalus, Orpheus, and Dylan Thomas's. Renascence 25 (3):147-156.
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  37. Gerald L. Bruns (1964). The Obscurity of Modern Poetry. Thought 39 (2):180-198.
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