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  1.  11
    Gerald Cipriani (2000). Hermeneutics and Art. Objectification or Experience? Philosophical Inquiry 22 (1-2):85-101.
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  2.  12
    Gerald Cipriani (2007). Hope and Despair in Postmodernity. The Proceedings of the Twenty-First World Congress of Philosophy 7:15-19.
    Far from having overcome the human, all too human essence of knowledge the West has replaced its modern objectifying subjectivity by what may be called a postmodern subjectifying subjectivity. The modern will to power and its drive for controlling the Other has given way to a postmodern form of 'unavailability', a key concept in the ethical reflections of the Christian Socratic philosopher Gabriel Marcel. This paper attempts to highlight the degree to which fundamental features of Postmodernity, from instrumental technology to (...)
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    Gerald Cipriani (2008). Meaning in Form. Ideas Y Valores 111:3-17.
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  4. Gérald Cipriani (2003). El significado en la forma. Diálogo Filosófico 56:229-246.
    ¿Qué relación guardan forma y significado en la experiencia artística? Frente a la tendencia objetivadora de fenomenólogos como Geiger y Dufrenne, este trabajo niega que quepa separar ambas cosas. Los conceptos de "figural", "morfismo" y "exmorfismo" desempeñarán una función capital en el curso de la argumentación.
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  5. Michael P. Berman, David Brubaker, Gerald Cipriani, Jay Goulding, Hyong-hyo Kim, Gereon Kopf, Glen A. Mazis, Shigenori Nagatomo, Carl Olson, Bernard Stevens, Funaki Toru & Brook Ziporyn (2009). Merleau-Ponty and Buddhism. Lexington Books.
    Merleau-Ponty and Buddhism explores a new mode of philosophizing through a comparative study of Maurice Merleau-Ponty's phenomenology and philosophies of major Buddhist thinkers including Nagarjuna, Chinul, Dogen, Shinran, and Nishida Kitaro. The book offers an intercultural philosophy in which opposites intermingle in a chiasmic relationship, and which brings new understanding regarding the self and the self's relation with others in a globalized and multicultural world.
     
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  6. Gerald Cipriani (2009). Merleau-Ponty, Cézanne, and the Basho of the Visible. In Jin Y. Park & Gereon Kopf (eds.), Merleau-Ponty and Buddhism. Lexington Books
     
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