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  1. Michael Berman, David Brubaker, Gerald Cipriani, Jay Goulding, Hyong-hyo Kim, Gereon Kopf, Glen A. Mazis, Shigenori Nagatomo, Carl Olson, Bernard Stevens, Funaki Toru & Brook Ziporyn (2009). Merleau-Ponty and Buddhism. Lexington Books.
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  2. Gerald Cipriani (2009). Merleau-Ponty, Cézanne, and the Basho of the Visible. In Jin Y. Park & Gereon Kopf (eds.), Merleau-Ponty and Buddhism. Lexington Books.
     
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  3. Gerald Cipriani (2008). Meaning in Form. Ideas y Valores 111.
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  4. Gerald Cipriani (2007). Hope and Despair in Postmodernity. The Proceedings of the Twenty-First World Congress of Philosophy 7:15-19.
    Far from having overcome the human, all too human essence of knowledge the West has replaced its modern objectifying subjectivity by what may be called a postmodern subjectifying subjectivity. The modern will to power and its drive for controlling the Other has given way to a postmodern form of 'unavailability', a key concept in the ethical reflections of the Christian Socratic philosopher Gabriel Marcel. This paper attempts to highlight the degree to which fundamental features of Postmodernity, from instrumental technology to (...)
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  5. Gérald Cipriani (2004). The Art of Renewal and Consideration: Marcelian Reflections. Revista Portuguesa de Filosofia 60 (1):167 - 175.
    This essay attempts to address ethical issues concerning interpretation and art practices. It explores an alternative to both modern institutional authority and postmodern nihilism by referring to the concept of 'creative fidelity' developed by the French 'existentialist' philosopher Gabriel Marcel. As it is well known, contemporary radical reactions against the excesses of modernity in the Western world have led to a profound mistrust in the idea of subject/object, and have as a result favoured attitudes which tend to dissolve such a (...)
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  6. Gérald Cipriani (2003). El significado en la forma. Diálogo Filosófico 56:229-246.
    ¿Qué relación guardan forma y significado en la experiencia artística? Frente a la tendencia objetivadora de fenomenólogos como Geiger y Dufrenne, este trabajo niega que quepa separar ambas cosas. Los conceptos de "figural", "morfismo" y "exmorfismo" desempeñarán una función capital en el curso de la argumentación.
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  7. Gerald Cipriani (2000). Hermeneutics and Art. Objectification or Experience? Philosophical Inquiry 22 (1-2):85-101.
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