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  1. Gerhard Schweppenhäuser (2009). „Das Recht des Kitsches “Synthetische Kunst, populärer Widerschein und reflexive Pragmatik. In Melanie Sachs, Sabine Sander, Sarah Linke, Stefan Niklas & Robert Zwarg (eds.), Die Permanenz des Ästhetischen. Vs Verlag Für Sozialwissenschaften 55--72.
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  2. Gerhard Schweppenhäuser (2009). Theodor W. Duke University Press.
    The project of renewing childhood by transforming one's life -- Critical theory -- Reason's self-criticism -- Defined negation -- The two faces of enlightenment -- Rescuing what is beyond hope -- Philosophy from the perspective of redemption -- Primacy of the object -- The totally socialized society -- The concept of society -- Liquidation of the individual -- Critical theory on morality -- The goal of the emancipated society -- The powerless utopia of beauty -- The destruction and salvation of (...)
     
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  3. Gerhard Schweppenhäuser (2009). Theodor W. Adorno: An Introduction. Duke University Press.
    The project of renewing childhood by transforming one's life -- Critical theory -- Reason's self-criticism -- Defined negation -- The two faces of enlightenment -- Rescuing what is beyond hope -- Philosophy from the perspective of redemption -- Primacy of the object -- The totally socialized society -- The concept of society -- Liquidation of the individual -- Critical theory on morality -- The goal of the emancipated society -- The powerless utopia of beauty -- The destruction and salvation of (...)
     
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  4. Gerhard Schweppenhäuser (2007). Ein Gemälde von Cézanne ist auch auf dem Klosett ein Gemälde von Cézanne«. Kunst, Alltagskultur und ready-made bei Marcuse. In Peter V. Zima & Rainer Winter (eds.), Kritische Theorie Heute. Transcript Verlag 159-176.
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  5. Gerhard Schweppenhäuser (2007). Ästhetik: Philosophische Grundlagen Und Schlüsselbegriffe. Campus.
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