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John Gibson [33]James J. Gibson [17]James Gibson [10]J. J. Gibson [8]
Joan McIver Gibson [7]J. B. Gibson [5]John B. Gibson [3]Joan Gibson [2]

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Profile: John Gibson (University of Louisville)
Profile: James A. Gibson
Profile: Jennifer Gibson (University of Phoenix)
Profile: Jo Anna Gibson (University of Canberra)
Profile: Jim Gibson
  1. John Gibson & Nöel Carroll (eds.) (forthcoming). The Routledge Companion to Philosophy of Literature. Routledge.
     
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  2. James A. Gibson (2014). Anselm on Freedom and Grace. Oxford Studies in Philosophy of Religion 5:88-121.
    The chapter presents Anselm’s incompatibilist account of human freedom within the context of his theodicy and presents two arguments against his account. Both arguments aim to show there is a genuine conflict between his account of freedom and the role of God’s grace in making agents just. The first argument, the problem of harmonization, highlights the conflict within the soteriological context where an agent changes from being unjust to being just. The second argument, the problem of just creation, highlights the (...)
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  3. John Gibson (2013). Representation and the Novel. The Henry James Review 34 (3):220-231.
  4. John Gibson (2013). What Doe Humanists Want? In P. Hanna (ed.), Reality and Culture: Essays on the Philosophy of Bernard Harrison. Rodopi.
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  5. Jennifer L. Gibson & Ross E. G. Upshur (2012). Ethics and Chronic Disease: Where Are the Bioethicists? Bioethics 26 (5):ii-iv.
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  6. John Gibson (2012). Being Numerous: Poetry and the Ground of Social Life by Izenberg, Oren. Journal of Aesthetics and Art Criticism 70 (4):399-401.
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  7. John Gibson (2012). ReviewDescribing Ourselves: Wittgenstein and Autobiographical Consciousness Hagberg Garry L. Oxford University Press Oxford. Journal of Aesthetic Education 46 (4):109-119.
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  8. John Gibson (2012). Selves on Selves: The Philosophical Significance of Autobiography. Journal of Aesthetic Education 46 (4):109-119.
    Philosophers of literature do not take much of an interest in autobiography.1 In one sense this is not surprising. As a certain prejudice has it, autobiography is, along with biography, the preferred reading of people who do not really like to read. The very words can conjure up images of what one finds on bookshelves in Florida retirement communities and in underfunded public libraries, books with titles like Under the Rainbow: The Real Liza Minnelli or Me: Stories of My Life (...)
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  9. John Gibson (2012). The Question of Poetic Meaning. Nonsite (4).
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  10. John Gibson, Vladimir J. Konečni, S. K. Wertz, Alessandra Stradella, Kyle Hunter, Deborah Barnbaum, Rebecca Gould, Yi-Hui Huang, Hui Zou & Bjarne Sode Funch (2012). 1. Index to Volume 46 Index to Volume 46 (Pp. 125-127). Journal of Aesthetic Education 46 (4).
     
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  11. Noel Carroll & John Gibson (eds.) (2011). Narrative, Emotion, and Insight. Penn state university.
    While narrative has been one of the liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The (...)
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  12. John Gibson (2011). Thick Narratives. In John Gibson Noel Carroll (ed.), Narrative, Emotion, and Insight. PSUP. 69.
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  13. John Gibson & Simona Bertacco (2011). Skepticism and the Idea of an Other. In Bernie Rhei (ed.), Stanley Cavell and Literary Theory: Consequences of Skepticism. Continuum.
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  14. John Gibson & Noel Carroll (eds.) (2011). Narrative, Emotion, and Insight. Penn State UP.
    While narrative has been one of liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The book (...)
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  15. James L. Gibson (2010). Public Images and Understandings of Courts. In Peter Cane & Herbert M. Kritzer (eds.), The Oxford Handbook of Empirical Legal Research. Oxford University Press.
     
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  16. John Gibson (2010). Interpretation, Sincerity and "Theory&Quot;. Contemporary Aesthetics 8.
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  17. John Gibson (2010). The Philosophy of Literature by Lamarque, Peter. [REVIEW] Journal of Aesthetics and Art Criticism 68 (1):68-70.
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  18. John Gibson (2009). Literature and Knowledge. In Richard Eldridge (ed.), Oxford Handbook of Philosophy and Literature. Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
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  19. J. L. Gibson, R. Sibbald, E. Connolly & P. Singer (2008). Organizational Ethics. In Peter A. Singer & A. M. Viens (eds.), The Cambridge Textbook of Bioethics. Cambridge University Press.
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  20. J. Gibson, D. Godkin, S. Tracy & S. MacRae (2008). Innovative Strategies to Improve Effectiveness in Clinical Ethics. In Peter A. Singer & A. M. Viens (eds.), The Cambridge Textbook of Bioethics. Cambridge University Press.
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  21. John Gibson (2008). Aesthetics and Literatureby Davies, David. [REVIEW] Journal of Aesthetics and Art Criticism 66 (4):406-407.
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  22. John Gibson (2008). Cognitivism and the Arts. Philosophy Compass 3 (4):573-589.
    Cognitivism in respect to the arts refers to a constellation of positions that share in common the idea that artworks often bear, in addition to aesthetic value, a significant kind of cognitive value. In this paper I concentrate on three things: (i) the challenge of understanding exactly what one must do if one wishes to defend a cognitivist view of the arts; (ii) common anti-cognitivist arguments; and (iii) promising recent attempts to defend cognitivism.
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  23. D. S. Silva, J. L. Gibson, R. Sibbald, E. Connolly & P. A. Singer (2008). Clinical Ethicists' Perspectives on Organisational Ethics in Healthcare Organisations. Journal of Medical Ethics 34 (5):320-323.
    Background: Demand for organisational ethics capacity is growing in health organisations, particularly among managers. The role of clinical ethicists in, and perspective on, organisational ethics has not been well described or documented in the literature. Objective: To describe clinical ethicists’ perspectives on organisational ethics issues in their hospitals, their institutional role in relation to organisational ethics, and their perceived effectiveness in helping to address organisational ethics issues. Design and Setting: Qualitative case study involving semi-structured interviews with 18 clinical ethicists across (...)
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  24. John Gibson (2007). Fiction and the Weave of Life. Oxford University Press.
    Printbegrænsninger: Der kan printes 1 kapitel eller op til 5% af teksten.
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  25. John Gibson (2007). Kritischer pluralismus und Erkenntnis zuwachs. Translated in German by Gabrielle Boller. In Alex Burri & Wolfgang Huemer (eds.), Kunst Denken. Mentis. 105--116.
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  26. John Gibson, Wolfgang Huemer & Luca Pocci (2007). A Sense of The World: Essays on Fiction, Narrative, and Knowledge. In Michael Beaney (ed.), The Analytic Turn: Analysis in Early Analytic Philosophy and Phenomenology. Routledge.
    A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction (...)
     
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  27. John Gibson, Wolfgang Huemer & Luca Pocci (2007). Fiction, Narrative, and Knowledge : A Sense of the World. In Michael Beaney (ed.), The Analytic Turn: Analysis in Early Analytic Philosophy and Phenomenology. Routledge.
     
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  28. John Gibson, Luca Pocci & Wolfgang Huemer (2007). A Sense of the World: Essays on Fiction, Narrative, and Knowledge. Routledge.
    A team of leading scholars have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate.
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  29. Joan Gibson (2006). The Logic of Chastity: Women, Sex, and the History of Philosophy in the Early Modern Period. Hypatia 21 (4):1-19.
    : Before women could become visible as philosophers, they had first to become visible as rational autonomous thinkers. A social and ethical position holding that chastity was the most important virtue for women, and that rationality and chastity were incompatible, was a significant impediment to accepting women's capacity for philosophical thought. Thus one of the first tasks for women was to confront this belief and argue for their rationality in the face of a self-referential dilemma.
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  30. John Gibson (2006). Interpretive Reasoning Edited by Stern, Laurent. [REVIEW] Journal of Aesthetics and Art Criticism 64 (4):481–483.
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  31. John Gibson (2006). Interpreting Words, Interpreting Worlds. Journal of Aesthetics and Art Criticism 64 (4):439–450.
    It is often assumed that literary meaning is essentially linguistic in nature and that literary interpretation is therefore a purely linguistic affair. This essay identifies a variety of literary meaning that cannot be reduced to linguistic meaning. Meaning of this sort is generated not by a communicative act so much as through a creative one: the construction of a fictional world. The way in which a fictional world can bear meaning turns out to be strikingly unlike the way a sentence (...)
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  32. Alison Thompson, Karen Faith, Jennifer Gibson & Ross Upshur (2006). Pandemic Influenza Preparedness: An Ethical Framework to Guide Decision-Making. [REVIEW] BMC Medical Ethics 7 (1):1-11.
    Background Planning for the next pandemic influenza outbreak is underway in hospitals across the world. The global SARS experience has taught us that ethical frameworks to guide decision-making may help to reduce collateral damage and increase trust and solidarity within and between health care organisations. Good pandemic planning requires reflection on values because science alone cannot tell us how to prepare for a public health crisis. Discussion In this paper, we present an ethical framework for pandemic influenza planning. The ethical (...)
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  33. James J. Gibson (2004). A Theory of Direct Visual Perception, and From The Ecological Approach to Visual Perception. In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell Publishing. 158.
     
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  34. John Gibson (2004). Reading For Life. In John Gibson Wolfgang Huemer (ed.), The Literary Wittgenstein. Routledge.
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  35. John Gibson (ed.) (2004). The Literary Wittgenstein. routledge.
    Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the ...
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  36. John Gibson (2003). Between Truth and Triviality. British Journal of Aesthetics 43 (3):224-237.
    A viable theory of literary humanism must do justice to the idea that literature offers cognitive rewards to the careful reader. There are, however, powerful arguments to the effect that literature is at best only capable of offering idle visions of a world already well known. In this essay I argue that there is a form of cognitive awareness left unmentioned in the traditional vocabulary of knowledge acquisition, a form of awareness literature is particularly capable of offering. Thus even if (...)
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  37. James J. Gibson (2002). A Theory of Direct Visual Perception. In A. Noe & E. Thompson (eds.), Vision and Mind: Selected Readings in the Philosophy of Perception. Mit Press. 77--89.
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  38. John Gibson (2002). Martin Morris, Rethinking the Communicative Turn: Adorno, Habermas and the Problem of Communicative Freedom. [REVIEW] Philosophy in Review 22 (6):428-429.
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  39. John Gibson (2002). Paul Fairfield, Theorizing Praxis: Studies in Hermeneutical Pragmatism Reviewed By. Philosophy in Review 22 (1):31-32.
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  40. John Gibson (2002). The Threat of Panfictionalism. Symposium 6 (1):37-44.
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  41. John Gibson (2002). Wolfgang Iser, The Range of Interpretation Reviewed By. Philosophy in Review 22 (5):330-331.
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  42. John Gibson (2001). Marcella Tarozzi Goldsmith, The Future of Art: An Aesthetics of the New and the Sublime Reviewed By. Philosophy in Review 21 (1):41-42.
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  43. John A. E. Gibson (2000). Dry Valley Ecology. Bioscience 50 (1):81.
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  44. J. Gibson & K. Graham (1997). Postmodern Becomings: From the Space of Form to the Space of Potentiality. In Georges Benko & Ulf Strohmayer (eds.), Space and Social Theory: Interpreting Modernity and Postmodernity. Blackwell Publishers.
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  45. Joan McIver Gibson (1996). Death by Definition and Process. HEC Forum 8 (6):340-345.
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  46. Joan McIver Gibson (1995). Response of the St. Joseph Healthcare System Ethics Committee (Albuquerque, NM). HEC Forum 7 (1):46-47.
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  47. J. W. Ross, J. W. Glaser, D. Rasinski-Gregory, J. M. Gibson, C. Bayley & Giles R. Scofield (1994). Health Care Ethics Committees: The Next Generation. [REVIEW] HEC Forum 6 (3):157-162.
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  48. Joan McIver Gibson (1992). New Mexico. Cambridge Quarterly of Healthcare Ethics 1 (02):122-.
  49. Mary Beth West & Joan McIver Gibson (1992). Facilitating Medical Ethics Case Review: What Ethics Committees Can Learn From Mediation and Facilitation Techniques. Cambridge Quarterly of Healthcare Ethics 1 (01):63-.
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