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  1. Giorgio Agamben (forthcoming). Homo sacer: o poder suberano ea vida nua. VI Belo Horizonte: Editora UFMG. Humanitas.
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  2. Giorgio Agamben (forthcoming). Infância E História: Destruição da Experiência E Origem da História. Belo Horizonte: UFMG. Humanitas.
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  3. Giorgio Agamben & Juliana Schiesari (forthcoming). The Thing Itself. Substance.
     
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  4. Giorgio Agamben (2014). The Power of Thought. Critical Inquiry 40 (2):480-491.
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  5. Giorgio Agamben (2014). Vocation and Voice. Critical Inquiry 40 (2):492-501.
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  6. Giorgio Agamben (2013). Opus Dei: An Archaeology of Duty. Stanford University Press.
     
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  7. Giorgio Agamben (2013). The Highest Poverty: Monastic Rules and Form-of-Life. Stanford University Press.
     
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  8. Giorgio Agamben & Leland de la Durantaye (2012). Image and Silence. Diacritics 40 (2):94-98.
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  9. Giorgio Agamben (2011). Angels. Angelaki 16 (3):117 - 123.
    Angelaki, Volume 16, Issue 3, Page 117-123, September 2011.
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  10. Giorgio Agamben (2011). Nymphs. In Jacques Khalip & Robert Mitchell (eds.), Releasing the Image: From Literature to New Media. Stanford University Press.
  11. Alfred Adler, Giorgio Agamben, Maurizio Albahari, Jack Amariglio, Benedict Anderson, Claudia Aradau, Gaston Bachelard, Michail Bakhtin, Étienne Balibar & Friedrich Balke (2010). Persons Index. In Ulrich Bröckling, Susanne Krasmann & Thomas Lemke (eds.), Governmentality: Current Issues and Future Challenges. Routledge.
     
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  12. Giorgio Agamben (2010). Nudities. Stanford University Press.
    Creation and salvation -- What is the contemporary? -- K. -- On the uses and disadvantages of living among specters -- On what we can not do -- Identity without the person -- Nudity -- The glorious body -- Hunger of an ox : considerations on the Sabbath, the feast, and inoperativity -- The last chapter in the history of the world.
     
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  13. Giorgio Agamben (2010). Privation is Like a Face. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  14. Giorgio Agamben, Luca D'Isanto & Kevin Attell (2010). Angle, Stephen C., Sagehood: The Contemporary Significance of Neo-Confucian Philosophy, Oxford and New York: Oxford University Press, 2009, Pp. Xvi+ 293,£ 45.00. Baier, Annette C., Reflections on How We Live, Oxford and New York: Oxford University Press, 2010, Pp. Xi+ 275,£ 25.00. [REVIEW] Mind 119:473.
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  15. Giorgio Agamben & Nicholas Heron (2010). Introductory Note on the Concept of Democracy. Theory and Event 13 (1).
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  16. Giorgio Agamben (2009). Two Paradigms. Filozofski Vestnik 30 (1):127-142.
     
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  17. Giorgio Agamben (2009). The Signature of All Things: On Method. Distributed by the Mit Press.
    What is a paradigm? -- Theory of signatures -- Philosophical archeology.
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  18. Giorgio Agamben (2009). 'What is an Apparatus?' and Other Essays. Stanford University Press.
    What is an apparatus? -- The friend -- What is the contemporary?
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  19. Giorgio Agamben (2009). What is a Paradigm? Filozofski Vestnik 30 (1):107-125.
     
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  20. Giorgio Agamben, Gernot BÖHME, Bernard Stiegler & David Wills (2009). Mensch, Medien, Körper, Kehre: Zum posthumanistischen Immerschon. Philosophische Rundschau 56 (1):1 - 16.
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  21. Giorgio Agamben, Lorenzo Fabbri & Elisabeth Fay (2009). On the Limits of Violence. Diacritics 39 (4):103-111.
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  22. Giorgio Agamben (2007). Homo sacer. Suwerenna władza i nagie życie (fragmenty). Kronos 4 (4):174-186.
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  23. Giorgio Agamben (2007). Profanations. Zone Books.
     
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  24. Giorgio Agamben (2007). The Work of Man. In Matthew Calarco & Steven DeCaroli (eds.), Giorgio Agamben: Sovereignty and Life. Stanford University Press.
     
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  25. Theodor Wiesengrund Adorno, Giorgio Agamben, Louis Althusser, Hannah Arendt, John Langshaw Austin, Gaston Bachelard, Alain Badiou, Mikhail Mikhaylovich Bakhtin, Roland Barthes & Georges Bataille (2006). Names and Terms. In Paul Wake & Simon Malpas (eds.), The Routledge Companion to Critical Theory. Routledge.
  26. Giorgio Agamben (2005). The State of Exception. In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press.
  27. Giorgio Agamben (2005). The Time That Remains: A Commentary on the Letter to the Romans. Stanford University Press.
  28. Giorgio Agamben (2004). The Open: Man and Animal. Stanford University Press.
    The end of human history is an event that has been foreseen or announced by both messianics and dialecticians. But who is the protagonist of that history that is coming—or has come—to a close? What is man? How did he come on the scene? And how has he maintained his privileged place as the master of, or first among, the animals? In The Open, contemporary Italian philosopher Giorgio Agamben considers the ways in which the “human” has been thought of as (...)
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  29. Giorgio Agamben (2002). Remnants of Auschwitz: The Witness and the Archive. Zone Books.
     
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  30. Giorgio Agamben (2002). The Time That Is Left. Epoché: A Journal for the History of Philosophy 7 (1):1-14.
  31. Giorgio Agamben & Carolin Emcke (2001). Security and Terror. Theory and Event 5 (4).
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  32. Giorgio Agamben (1999). Potentialities: Collected Essays in Philosophy. Stanford University Press.
    This volume constitutes the largest collection of writings by the Italian philosopher Giorgio Agamben hitherto published in any language and all but one appear in English for the first time. The essays consider figures in the history of philosophy (Plato, Plotinus, Spinoza, Hegel) and twentieth-century thought (Walter Benjamin, Heidegger, Derrida, Deleuze, the historian Aby Warburg, and the linguist J.-C. Milner). They also examine several central concerns of Agamben: the relation of linguistic and metaphysical categories; messianism in Islamic, Jewish, and Christian (...)
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  33. Giorgio Agamben (1999). The Man Without Content. Stanford University Press.
    In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation. He argues, however, that Hegel by no means proclaimed the 'death of art' (as many still imagine) but proclaimed rather the indefinite continuation of art in a 'self-annulling' mode. With astonishing breadth and originality, he probes the meaning, aesthetics, and historical consequences of that self-annulment. He argues that (...)
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  34. Giorgio Agamben (1998). Homo Sacer: Sovereign Power and Bare Life. Stanford University Press.
     
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  35. Giorgio Agamben (1995). Idea of Prose. State University of New York Press.
    This book consists of prose pieces that find a new form of expression for philosophy, an expression showing the inseparability of idea and prose--the very form of truth.
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  36. Giorgio Agamben & J. Rolland (1994). Le Philosophe Et la Muse. Archives de Philosophie 57 (1):87-89.
     
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  37. Giorgio Agamben (1993). Infancy and History: The Destruction of Experience. Verso.
    Every written work can be regarded as the prologue (or rather, the broken cast) of a work never penned, and destined to remain so, because later works, ...
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  38. Giorgio Agamben (1990). Pardes l'écriture de la puissance. Revue Philosophique de la France Et de l'Etranger 180 (2):131 - 145.
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  39. Giorgio Agamben (1986). Quattro Glosse a Kafka. Rivista di Estetica 22:37-44.
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  40. Giorgio Agamben (1984). The Idea of Language: Some Difficulties in Speaking About Language. Graduate Faculty Philosophy Journal 10 (1):141-149.