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  1. Gordon C. F. Bearn (forthcoming). Aestheticide: Architecture and the Death of Art. Journal of Aesthetic Education.
     
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  2. Gordon C. F. Bearn (2010). Effecting Affection: The Corporeal Ethics of Gins and Arakawa. Journal of Aesthetic Education 44 (2):pp. 40-49.
    No one has yet determined what the body can do …What could be the educational relevance of an architecture designed to make its inhabitants live forever? At first, it is hard to take seriously that Madeline Gins and Arakawa, in their work Architectural Body, are trying to escape mortality. Many are those who smile and say that what they call "the architectural surrounds" that they have designed and built for what they call "organisms that person" are intriguing enough, but this (...)
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  3. Gordon C. F. Bearn (2008). Instead of Relativism. The European Legacy 2 (4):621-626.
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  4. Gordon C. F. Bearn (2000). Differentiating Derrida and Deleuze. Continental Philosophy Review 33 (4):441-465.
    Repetition plays a significant, productive role in the work of both Derrida and Deleuze. But the difference between these two philosophers couldn''t be greater: it is the difference between negation and affirmation, between Yes and No. In Derrida, the productive energy of repetition derives from negation, from the necessary impossibility of supplementing an absence. Deleuze recognizes the kind of repetition which concerns Derrida, but insists that there is another, primary form of repetition which is fully positive and affirmative. I will (...)
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  5. Gordon C. F. Bearn (2000). Staging Authenticity: A Critique of Cavell's Modernism. Philosophy and Literature 24 (2):294-311.
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  6. Gordon C. F. Bearn (1997). Waking to Wonder: Wittgenstein's Existential Investigations. State University of New York Press.
    The central claim of this book is that, early and late, Wittgenstein modelled his approach to existential meaning of his account of linguistic meaning.
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  7. Gordon C. F. Bearn (1996). General Philosophy Derrida and Wittgenstein. Philosophical Books 37 (2):118-119.
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  8. Gordon C. F. Bearn (1995). Derrida Dry: Iterating Iterability Analytically. Diacritics 25 (3):3-25.
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  9. Gordon C. F. Bearn (1995). The Possibility of Puns: A Defense of Derrida. Philosophy and Literature 19 (2):330-335.
  10. Gordon C. F. Bearn (1992). The Formal Syntax of Modernism: Carnap and le Corbusier. British Journal of Aesthetics 32 (3):227-241.
  11. Gordon C. F. Bearn (1991). Still Looking for Proof: A Critique of Smith's Relativism. Journal of Aesthetics and Art Criticism 49 (4):297-306.
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  12. Gordon C. F. Bearn (1987). Reply to Martin's “A Critique of Nietzsche's Metaphysical Scepticism”. International Studies in Philosophy 19 (2):61-65.
  13. Gordon C. F. Bearn (1986). Nietzsche, Feyerabend, and the Voices of Relativism. Metaphilosophy 17 (2-3):135-152.
  14. Gordon C. F. Bearn (1985). Relativism as Reductio. Mind 94 (375):389-408.
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