In lieu of an abstract, here is a brief excerpt of the content:Explaining Away the Greek Gods in IslamJohn WalbridgeOf the angels newly fallen from heaven, Milton tells us:Nor had they yet among the Sons of Eve Got them new Names...Men took... Devils to adore for Deities: Then were they known to men by various Names, And various Idols through the Heathen World.Among the devils worshipped as gods among the ancients were the Olympians:Th’ Ionian Gods, of (...) Javans Issue held Gods, yet confest later then Heav’n and Earth Thir boasted parents; Titan Heavn’s first born With his enormous brood, and birthright seis’d By younger Saturn, he from mightier Jove His own and Rhea’s Son like measure found; So Jove usurping reign’d: these first in Creet And Ida known, thence on the Snowy top Of cold Olympus rul’d the middle Air Thir highest Heav’n; or on the Delphian Cliff, Or in Dodona, and through all the bounds Of Doric Land....Paradise Lost, I: 364–65, 372–75, 508–19 [End Page 389]Milton’s assertion that the Greek gods were demons goes back to the centuries in which those ancient gods slowly yielded to the new and jealous triune God of the Christians. Augustine in The City of God does not deny the reality of the old gods but identifies them as dead heroes or as demons. The power of the old gods was still manifest to the Christians of antiquity; it was their moral worth, not their existence, that was to be challenged.Such an interpretation is not found in Muslim accounts of the Greek gods. For all practical purposes Greek polytheism was entirely dead by the time Islam came onto the scene. Indeed, even Arabian polytheism, though still vigorous when Muhammad began his prophetic career, died out within three decades of the proclamation of Islam. Pious Muslims might be offended by the icons in Christian churches, but the temples of the Greek gods were gone these three centuries or more, their statues broken up and their stones stolen to build churches. The other forms of polytheism with which Islam came into contact—Zoroastrianism (the most important), Buddhism, Hinduism, and gnostic religions like Manichaeism and Harranian Sabianism—could rightly be understood as forms of monotheism (or dualism). Only the occasional idol temple in some out-of-the-way place—the shrine of the god Zun or Zur in Zamindawar in Afghanistan, 1 for example—might illustrate pure idol worship, but such institutions were soon destroyed and posed little intellectual challenge. Thus, by the time highly intellectual forms of Islam came into being in the eighth and ninth centuries, there was no real idol-worshipping paganism to oppose. Despite the uncompromising monotheism of Islam, polytheism aroused little emotion for the generations of Muslims born after the passing of the Prophet’s companions. Shirk, polytheism, went on to have a rich history in Islamic thought, but it was idols of the soul, not idols carved from stone and wood, that stirred the imaginations and fears of serious Muslims.The Muslim contact with Greek polytheism was thus not with living pagans but with literary allusions in Greek philosophical and scientific texts. In late antiquity philosophy had been the last bastion of paganism, a fortress whose outworks may have been stormed perhaps but whose citadel still held out, manned by doughty and commited fighters like Proclus and Simplicius. But the fortress had at last fallen, and even the ancient philosophers had finally been brought to the baptismal font.The fact that they knew little more than the names of Greek gods was another factor preventing Muslim scholars from taking alarm at Greek polytheism. The obvious first question to ask when we examine what Muslims thought of the Greek gods is what they might have known about them. How indeed do we know about Greek religion? Mostly we know mythology from literature: Hesiod, Homer, Greek drama, and manuals of literature and rhetoric. None of [End Page 390] these sources were available to Muslims. The translators were not interested in literature, which they knew resisted translation, so even Homer appears in Arabic sources as a sage, one of a number of authors of wise sayings... (shrink)

Develops Heidegger’s understanding of the Greek gods in the summer 1943 lecture course on Heraclitus. Of particular note is Heidegger’s assertion at the beginning of the lecture course that “there is no Greek religion,” though Heraclitus is said to “have” gods. Heidegger holds that the essential activity of gods consists in "giving signs." An explanation of the connection between gods and their signs gains clarification by a study of how Heidegger understands the Greek (...) concepts of theoi and daimones in the earlier but related Parmenides course of winter 1942-43. (shrink)

Mary R. Lefkowitz, Greek Gods, Human Lives: What We Can Learn from the Myths, Yale University Press, ISBN - 9780300101454Marcel Detienne, The Writing of Orpheus: Greek Myth in a Cultural Context, Johns Hopkins University Press, ISBN - 9780801869549.

Der Beziehung zwischen Religion, sozialen Strukturen und politischen Institutionen kam in menschlichen Gesellschaften seit jeher eine fundamentale Rolle zu. Die hier versammelten Aufsätze erkunden mögliche Wege, wie die philosophischen Konzeptualisierungen von Gott, Göttern und dem Göttlichen in der antiken Welt mit traditionellen religiösen Praktiken und Institutionen interagieren, ebenso wie mit nicht-philosophischen Ansichten des Göttlichen. Dabei wird ein Bogen von der „Rationalisierung“ des Göttlichen durch die frühen griechischen Philosophen bis hin zur Konzeption der Toleranz gespannt, die sich bei Augustinus finden lässt. (...) Untersucht werden Schriften von Platon, der als Erster in der Geschichte die Worte ‚Theologie‘ und ‚Atheismus‘ prägte, und Aristoteles mit seinem intellektuell geprägten Blick auf Gott. Der Band ist besonders wertvoll für Interessenten der Geistesgeschichte, politischen Theorie, Religionsgeschichte und der klassischen Antike. Mit Beiträgen von Sylvana V. Chrysakopoulou | Francesca Eustacchi | Silvia Gastaldi | Giovanni Giorgini | Christoph Horn | Elena Irrera | Jakub Jinek | Manuel Knoll | Maria Liatsi | Francisco L. Lisi | Alberto Maffi | Maurizio Migliori | Josef Moural | Nurdane Şimşek | Bernat Torres | Denis Walter. (shrink)

THE PRE-SOCRATIC ORIGINS OF NATURAL THEOLOGY § INTRODUCTION St Augustine informs us that pagan philosophers divided theology into three parts: () civic ...

In _Did God Care?_ Dylan Burns offers the first comprehensive survey of providence in ancient philosophy, from Plato to Plotinus, that takes into full account the importance and innovations of early Christian thinkers, including Coptic Gnostic and Syriac sources.

Greek philosophy had formed the minds of the educated classes of the Roman Empire for centuries before the early Christians set out to spread their message there. If they wished to gain a hearing, therefore, the language of Greek philosophy was the language they had to speak. This venture was to have a long history and an enduring effect both upon Christianity itself and on the world that it was seeking to convince and convert.

CHAPTER I GOD AND THE GREEK PHILOSOPHERS T HALES of Miletus, commonly known as the first philosopher in this western world, said that Water was the cause ...

_ Source: _Volume 10, Issue 1, pp 40 - 64 This paper focuses on the four preserved commentaries to a Pythagorean poem known as the _Golden Verses_. It deals with two Greek texts—Iamblichus’ _Protrepticus_ and Hierocles’ _Commentary to the Golden Verses_—as well as two commentaries preserved in Arabic, attributed to Iamblichus and Proclus. The article analyses how each of these commentators understood the relationship between man and god in the context of the eschatological vision presented in the poem. It (...) also demonstrates how differences in the interpretation of particular verses and ideas within the poem were dependent on an author’s philosophical views and cultural background. (shrink)

The German relationship to the Greeks was central to German self-understanding. It defined German identity culturally through the exclusion of democracy from the idealized image of Greece and through the emphasis on Greek originality that served to devalue the Roman, Latin and Renaissance translations of the Greek heritage. Hostility to the legacy of the Latin spirit, to legal thought and to rationality, reinforced the German rejection of French intellectual and cultural hegemony. These German fictions about the Greeks were (...) closely linked with reflections on modernity, the death of the Christian God and a disenchanted Cartesian universe. They led Nietzsche and Heidegger to more `original' interpretations of the Greeks as the source of German rebirth. (shrink)

This article offers a re-examination of the theoi (‘gods’) heading which appears regularly on inscriptions in the ancient Greek world. Long noted, the heading has also long been passed over, often considered so formulaic as to lack much significance. This paper explores the consequences of taking theoi seriously as a reference to the divine, by investigating the function and meaning of the heading in the classical period. It makes use of two case studies, the financial building inscriptions from (...) the Athenian Akropolis and the epigraphic corpus from Oropos, to set out the most important characteristics of the formula. By placing the theoi heading in a broader context of other types of divine formula found on inscriptions, and by paying particular attention to the crucial aspect of the heading’s non-specificity, this article contends that the theoi or theos formula should not be understood as a prayer or appeal to the gods. Instead, it is a statement of presence of the divine and a recognition of divine power. (shrink)

Over a hundred instances of the word ὕμνος from extant archaic poetry demonstrate that the Greek hymn was understood broadly as a song of praise. The majority of these instances comes from Pindar, who regularly uses the term to describe his poems celebrating athletic victors. Indeed, Pindar and his contemporaries saw the ὕμνος as a powerful vehicle for praising gods, heroes, men and their achievements—often in service of an ideological agenda. Writing a century later Plato used the term (...) frequently and with much the same range. A survey of his usage reveals instances of ὕμνοι for gods,daimones, heroes, ancestors, leading citizens, noble deeds, sites and landscapes. Despite abundant evidence of Plato's own practice, studies of the Greek hymn posit an extreme narrowing of the genre in the classical period and cite the philosopher as the sole witness to, if not the originator of, this development. Two passages in particular, one from theRepublicand one from theLaws, are seen to support the claim that by the fourth centuryb.c.e.the term ὕμνος refers exclusively to songs for gods. InRepublicBook 10, we find the memorable edict on poetic censorship: ‘But we must know that of poetry only ὕμνοι for the gods and ἐγκώμια for the good must be admitted into our city.’LawsBook 3 offers what appears to be an even more straightforward pronouncement: ‘Back then our music was divided according to its various types and arrangements; and a certain type of song was prayers to the gods, and these were called by the name ὕμνοι.’ From these two statements has arisen the consensus that Plato saw a divine recipient as the defining feature of the ὕμνος and, moreover, that this position reflects thecommunis opiniofrom at least the fourth centuryb.c.e.onward. (shrink)

Within the pantheon of the great television series of recent decades, "The Wire" (D. Simon & E. Burns, HBO, 2002-2006) undoubtedly occupies a prominent place for critics and audiences. “The Wire”, disguised as a police thriller, is a serial story that stands out for its cyclical structure, tragic archetypes and a choral look that makes the difference from the rest of current television content. Three characteristics (the corality, the tragedy, and the cyclical time) that make up the essence of (...) class='Hi'>Greek theater. And as soon as we start analyzing The Wire we see what is hidden in the characters and plots of one of the most prestigious series in history owe their essence to the cosmogony and Greek mythology, the root of all our culture. (shrink)

Ce bouquet d’articles est un cadeau offert à Jenny Strauss Clay par de « vieux amis » qui connaissent aussi bien son travail que sa personne. Les thèmes choisis pour honorer celle qui fut professeure à l’Université de Virginie à Charlottesville, créent un jeu de miroir avec les intérêts scientifiques qu’elle a déployés tout au long d’une riche carrière d’enseignante et de chercheuse : les dieux et les mortels, la poésie, qu’elle soit grecque ou latine. Au-delà de réflexions personnelles (la (...) t... (shrink)

Ce fort volume est la traduction anglaise du livre Die Götter des Griechen publié en 1969 par Erika Simon. La savante, décédée en 2019 à l’âge de 91 ans, laisse une œuvre abondante qui fait droit à l’importance des objets, des monuments, et de leur mise en contexte pour appréhender la culture grecque. Ce n’est pas encore le material turn qui s’est fait jour depuis lors, car la démarche reste sous-tendue par la notion d’« œuvres d’art ». Il n’en reste (...) pas moins que la chercheuse allemande a ma... (shrink)

Cities of the Gods is a historical study of the theory of Utopian communism in ancient Greek thought, identifying and assessing its several currents. The author looks at the reason for the decline of the Utopian traditions after c. 150 BC and suggests that the main factor was the Roman conquest of the Greek world, which produced a more conservative intellectual climate. He concludes by looking at the evidence for the survival of utopian traditions, particularly their influence (...) on early Christianity. (shrink)

En este trabajo ofrecemos la traducción del latín al español del Liber de convenientia fidei et intellectus in obiecto de Ramón Llull, con introducción y notas. Se trata de una obra en la que el filósofo mallorquín efectúa una síntesis de su pensamiento en torno de las relaciones entre fe y razón, así como de su posición respecto de la defensa de la fe católica y la conversión de los no cristianos. El opúsculo, que se muestra como un trabajo definitivo (...) en cuanto al establecimiento de la relación mencionada, hecha mano de los elementos fundamentales de su sistema, el Ars magna, pero aun así es una rara avis dentro de la opus luliana: está pleno de citas bíblicas y alusiones a las auctoritates eclesiásticas más renombradas, unas y otras ausentes en la mayoría de las obras lulianas. In this paper we offer the translation from Latin to Spanish of Ramón Llull´s Liber de convenientia fidei et intellectus in obiecto with introduction and notes. This is a work where the mallorcan philosopher makes a synthetic framework of his thinking on the relationship between faith and reason, as well as of his position towards the defense of catholic faith and conversion of non-christian people. The text, which is shown as a definitive work in the setting of this relationship, uses the most characteristic principles of his system, Ars magna, but still is a rara avis inside the opus lulliana: is full of biblical quotations and allusions to the most renowned ecclesiastical auctoritates, all these absents in most lullian woks. (shrink)

This innovative study posits that myths in general, and Greek theogonic myth in particular, have a latent meaning that is responsible both for the emotional energy inherent in myths, and for the special attraction they have even to those who no longer believe in their literal meaning. Caldwell describes, in clear and comprehensible language, aspects of psychoanalytic theory relevant to the understanding of Greek myth, implementing a psychoanalytic methodology to interpret the Greek myth of origin and succession, (...) particularly as stated in Hesiod's Theogony. In reassessing this work, which tells the story of the world's beginning from unbounded Chaos to the defeat of the Titans, Caldwell addresses several unexplained problems-- why does the world begin with the spontaneous emergence of four uncaused entities, and why in this particular order? Why does Ouranos prevent his children from being born by confining them in their mother's body? Why is Ouranos castrated by his son, and why is Aphrodite born from the severed genitals? Why is it always the youngest son who overthrows his father, the sky-god, and what is the logic of the steps taken by Zeus to prevent the same thing happening to him? Presenting a new definition and analyses of the psychological functions in myth, this new study should appeal to a wide range of classicists, teachers and students of mythology, and those interested in the application of psychoanalytic methods to literature. (shrink)

This article explores the mystical impulse in the American mind, reflected in the work of William James, Kenneth Burke, and most especially the case of Ralph Waldo Emerson. The parallels and differences between Emerson's mystical idea of Nature and the ancient Greek pre-Socratic idea of the universe as a union of opposites are explored. The divergence between the Americans and the Greeks concerning the idea of limits is reflected on. The optimism of the Americans is explained as a function (...) of their mystical theodicy, and the greatness of their power as a function of their mystic ability, so well assayed by Emerson, to bear crushing paradoxes with a cheerful lightness of being. (shrink)