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  1. Gregory Flaxman (2012). Out of Field. Angelaki 17 (4):119 - 137.
    While every discipline in the humanities worries about its future, film studies is caught in the thrall of a particular anxiety, namely the possibility that it lacks a consistent object and a compelling reason. Behind the question of film studies looms the question of cinema itself, an aging techn? that seems to have hung around in the midst of new(er) media that lay claim to the image as their province. Why cinema? Against so many digital incursions, more traditionally minded critics (...)
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  2. Gregory Flaxman (2011). Philosophy. In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts. Mcgill-Queen's University Press.
     
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  3. Gregory Flaxman (2010). Review of Joe Hughes, Deleuze and the Genesis of Representation. [REVIEW] Notre Dame Philosophical Reviews 2010 (4).
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  4. Gregory Flaxman & Ben Rogerson (2010). The Economy of Fear. Symploke 18 (1):333-336.
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  5. Gregory Flaxman (2008). A Politics of Non-Being. In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues. Palgrave Macmillan.
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  6. Gregory Flaxman (2007). The Future of Utopia. Symploke 14 (1):197-215.
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  7. Gregg Lambert & Gregory Flaxman (2005). Ten Propositions on the Brain. Pli: The Warwick Journal of Philosophy 16:114-28.
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  8. Gregory Flaxman (2001). The Laws of Cinematic Hospitality: A Response to Andrew Murphie. Film-Philosophy 5 (2).
    Andrew Murphie 'Is Philosophy Ever Enough?' _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 38, November 2001.
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  9. Gregory Flaxman (2000). Cinema Year Zero. In , The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press. 87--108.
     
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  10. Gregory Flaxman (ed.) (2000). The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press.
    Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little ...
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