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  1. H. Gene Blocker (forthcoming). Reply to Critics. Journal of Aesthetic Education.
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  2. H. Gene Blocker (2012). Metaphysics and Absurdity. University Press of America.
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  3. H. Gene Blocker & Christopher L. Starling (2001). Japanese Philosophy. State University of New York Press.
    An overview of Japanese philosophy from the seventh century to the present.
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  4. H. Gene Blocker (1996). Robert Cummings Neville, Normative Cultures. Journal of Chinese Philosophy 23 (1):99-109.
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  5. H. Gene Blocker (1991). Is Primitive Art Art? Journal of Aesthetic Education 25 (4):87-97.
     
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  6. H. Gene Blocker (1990). Interpreting Art. Journal of Aesthetic Education 24 (3):29-44.
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  7. D. D. Raphael, H. Gene Blocker & Elizabeth H. Smith (1982). John Rawls' Theory of Social Justice: An Introduction. Philosophical Quarterly 32 (127):190.
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  8. H. Gene Blocker (1980). Autonomy, Reference and Post-Modern Art. British Journal of Aesthetics 20 (3):229-236.
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  9. H. Gene Blocker (1979). The Arts, Cognition, and Basic Skills. Teaching Philosophy 3 (2):259-260.
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  10. H. Gene Blocker (1977). A New Look at Aesthetic Distance. British Journal of Aesthetics 17 (3):219-229.
    A defense of the embattled concept of aesthetic distance is achieved by reinstating a prominent feature of distance ignored in the current controversy. Distance is not the only supposed psychological posturing discussed by bullough, But also the space which is necessary to art between the art medium and the world represented therein. Examples from painting, Film and absurdist literature are discussed in terms of the historical tension between medium "opacity" and "transparency" in order to show how total transparency is avoided (...)
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  11. H. Gene Blocker (1977). Pictures and Photographs. Journal of Aesthetics and Art Criticism 36 (2):155-162.
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  12. H. Gene Blocker (1976). The Language of Mysticism. The Monist 59 (4):551-562.
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  13. H. Gene Blocker (1974). Back to Reality. Metaphilosophy 5 (3):232–241.
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  14. H. Gene Blocker (1974). Introduction to Philosophy. New York,Van Nostrand.
     
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  15. H. Gene Blocker (1974). The Languages of Art. British Journal of Aesthetics 14 (2):165-173.
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  16. H. Gene Blocker (1974). The Meaning of Meaninglessness. Martinus Nijhoff.
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  17. H. Gene Blocker (1974). The Truth About Fictional Entities. Philosophical Quarterly 24 (94):27-36.
    The usual strawsonian account of referring won't do for fictional entities. The problem is that we still don't have a sufficiently clear notion of ordinary referring, And the root of this problem is that referring is still perceived in terms of a paradigm relation of a description to an existing thing. But that relation is preceded by the more fundamental relation of thought to an object of thought, Whether real or imaginary. The conclusion reached is that fictional reference is an (...)
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  18. H. Gene Blocker (1972). Another Look at Aesthetic Imagination. Journal of Aesthetics and Art Criticism 30 (4):529-536.
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