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  1. Haig Khatchadourian (2006). Compensation and Reparation as Forms of Compensatory Justice. Metaphilosophy 37 (3-4):429–448.
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  2. Haig Khatchadourian (2005). How I See Philosophy in the Twenty-First Century and Beyond. Metaphilosophy 36 (3):321-326.
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  3. Haig Khatchadourian (1999). Community and Communitarianism.
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  4. Haig Khatchadourian (1995). Philosophy of Language and Logical Theory: Collected Papers. University Press of America.
     
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  5. Haig Khatchadourian (1992). Philosophy and the Future, in a Global Context. Metaphilosophy 23 (1-2):25-33.
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  6. Haig Khatchadourian (1988). Terrorism and Morality. Journal of Applied Philosophy 5 (2):131-145.
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  7. Haig Khatchadourian (1988). Is the Principle of Double Effect Morally Acceptable? International Philosophical Quarterly 28 (1):21-30.
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  8. Haig Khatchadourian (1987). Space and Time in Film. British Journal of Aesthetics 27 (2):169-177.
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  9. Haig Khatchadourian (1986). Brand on Intending and Acting. Metaphilosophy 17 (4):371-378.
  10. Haig Khatchadourian (1985). Pacifism. World Futures 21 (3):263-278.
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  11. Haig Khatchadourian (1985). Self-Defense and the Just War. World Futures 20 (3):151-178.
  12. Haig Khatchadourian (1985). Toward a Foundation for Human Rights. Man and World 18 (2):219-240.
  13. Haig Khatchadourian (1985). The Human Right to Be Treated as a Person. Journal of Value Inquiry 19 (3):183-195.
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  14. Haig Khatchadourian (1984). Existence. Critica 16 (47):33 - 58.
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  15. Haig Khatchadourian (1984). Metaphor II. Dialectica 38 (1):67-76.
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  16. Haig Khatchadourian (1982). Just Ethical Punishment. Journal of Value Inquiry 16 (1):3 - 20.
    THE PAPER ANALYZES THE NATURE, FORMS AND PURPOSE OF JUST ETHICAL PUNISHMENT, LAYING DOWN THE NECESSARY CONDITIONS FOR IT. THEY INCLUDE: (1) SELF-ADMINISTRATION OF PUNISHMENT; (2) PROPORTIONALITY OF PUNISHMENT (DEPRIVATION OF VALUES, MENTAL PAIN, ETC.) TO THE VICTIM’S DEPRIVATION OF VALUES AND HIS PAIN; (3) NON-INFLICTION OF PHYSICAL PAIN OR MENTAL CRUELTY; AND (4) THE PUNISHER’S MORAL ENTITLEMENT (AND PROPER EXERCISE OF THE RIGHT) TO PUNISH THE OFFENDER. THE CONCLUDING SECTION CONSIDERS WITTGENSTEIN’S VIEW THAT ETHICAL PUNISHMENT "MUST RESIDE IN THE (...)
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  17. Haig Khatchadourian (1981). Contemporary Philosophy, Alienation, and the Abdication of Wisdom. Metaphilosophy 12 (3-4):224-246.
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  18. Haig Khatchadourian (1980). Movement and Action in Film. British Journal of Aesthetics 20 (4):349-355.
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  19. Haig Khatchadourian (1978). Movement and Action in the Performing Arts. Journal of Aesthetics and Art Criticism 37 (1):25-36.
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  20. Haig Khatchadourian (1977). Institutions, Practices and Moral Rules. Mind 86 (344):479-496.
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  21. Haig Khatchadourian (1977). The Creative Process in Art. British Journal of Aesthetics 17 (3):230-241.
    The article maintains, By appeal to documentary evidence relating to the creative processes of various artists, That the two major rival theories of the creative process--The "teleological" and the "propulsive" ("non-Teleological") theories--Are inadequate. Rather than always being goal-Directed or always propulsive, Creative processes exhibit a wide range of patterns. Six of them are considered. They range from works "which have been created without any, Or with scarcely any, (1) "vision" of the work-To-Be created, Even of the vaguest or most general (...)
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  22. Haig Khatchadourian (1976). Toward a Critique of Idealism. Midwest Studies in Philosophy 1 (1):34-42.
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  23. Haig Khatchadourian (1975). Film as Art. Journal of Aesthetics and Art Criticism 33 (3):271-284.
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  24. Haig Khatchadourian (1974). Conditions of Illocutionary Acts. Philosophical Studies 26 (1):1 - 22.
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  25. Haig Khatchadourian (1974). On the Nature of Painting and Sculpture. British Journal of Aesthetics 14 (4):326-343.
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  26. Haig Khatchadourian (1973). Condiciones físicas óptimas para el goce del arte visual. Dianoia: Anuario de Filosofía 19 (19):89-103.
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  27. Haig Khatchadourian (1973). Do Ordinary Spatial and Temporal Expressions Designate Relations? Philosophy and Phenomenological Research 34 (1):82-94.
  28. Haig Khatchadourian (1971). Gestures as Self-Expression and Communication. International Philosophical Quarterly 11 (2):153-164.
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  29. Haig Khatchadourian (1971). The Concept of Art. New York,New York University Press.
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  30. Haig Khatchadourian (1970). “Intrinsic” and “Instrumental” Good: An Untenable Dichotomy. [REVIEW] Journal of Value Inquiry 4 (3):172-190.
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  31. Haig Khatchadourian (1970). Richard Rorty , "The Linguistic Turn: Recent Essays on Philosophical Method". [REVIEW] Metaphilosophy 1:338.
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  32. Haig Khatchadourian (1969). Family Resemblances and the Classification of Works of Art. Journal of Aesthetics and Art Criticism 28 (1):79-90.
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  33. Haig Khatchadourian (1969). Objects and Qualities. American Philosophical Quarterly 6 (2):103 - 115.
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  34. Haig Khatchadourian (1969). Truth. Man and World 2 (1):65-82.
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  35. Haig Khatchadourian (1968). Metaphor. British Journal of Aesthetics 8 (3):227-243.
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  36. Haig Khatchadourian (1968). Symbols and Metaphors. Southern Journal of Philosophy 6 (3):181-190.
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  37. Haig Khatchadourian (1968). Value Words and Value Judgments. Journal of Value Inquiry 2 (2-3):166-186.
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  38. Haig Khatchadourian (1967). A Critical Study in Method. The Hague, Martinus Nijhoff.
    CHAPTER ONE PHILOSOPHICAL ANALYSIS: A GENERAL DISCUSSION The terms 'analysis' and 'analyse' are used in all sorts of ways in ordinary discourse and in ...
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  39. Haig Khatchadourian (1966). God, Happiness and Evil. Religious Studies 2 (1):109 - 119.
    In a recent article, George Schlesinger adds his thoughts to the quite extensive literature on the Problem of Evil and the Problem of Suffering. What is noteworthy about this article is the fact that the author, after briefly discussing a number of familiar arguments for and against the traditional theistic conception of God as both omnipotent and perfectly good, attempts to dissolve the problem itself as a pseudo-problem. In the present paper I wish to try to show that Schlesinger's attempt (...)
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  40. Haig Khatchadourian (1966). Some Fundamental Features of Major “Revisionary” Aesthetic Theories. Dialogue 4 (04):491-505.
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  41. Haig Khatchadourian (1965). The Expression Theory of Art: A Critical Evaluation. Journal of Aesthetics and Art Criticism 23 (3):335-352.
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  42. Haig Khatchadourian (1965). Vagueness, Meaning, and Absurdity. American Philosophical Quarterly 2 (2):119 - 129.
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  43. Haig Khatchadourian, Nicholas Rescher & Ya'qub Al-Kindi (1965). Al-Kindi's Epistle on the Concentric Structure of the Universe. Isis 56:190-195.
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  44. Nicholas Rescher, Haig Khatchadourian & Ya'qub Al-Kindi (1965). Al-Kindi's Epistle on the Finitude of the Universe. Isis 56:426-433.
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  45. Haig Khatchadourian (1964). Ambiguity. Theoria 30 (3):166-182.
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  46. Haig Khatchadourian (1964). Relations. Southern Journal of Philosophy 2 (3):133-142.
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  47. Alan R. White & Haig Khatchadourian (1963). The Coherence Theory of Truth: A Critical Evaluation. Philosophical Quarterly 13 (50):85.
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  48. Haig Khatchadourian (1962). Truth as Appraisal. Mind 71 (283):387-391.
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  49. Haig Khatchadourian (1962). Vagueness. Philosophical Quarterly 12 (47):138-152.
  50. Haig Khatchadourian (1961). Art-Names and Aesthetic Judgments. Philosophy 36 (136):30 - 48.
    In an earlier paper I have attempted to show, among other things; that the names of human artifacts and man-devised activities and processes involve in their uses the notion of some end-in-view, function, or use , which partially regulates these uses. In this paper I shall limit myself to a somewhat detailed discussion of one very important class of such common names which requires a separate treatment. I mean art-names.
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