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  1. Hamid Naficy (forthcoming). Veiled Voice and Vision in Iranian Cinema: The Evolution of Rakhshan Banietemad's Films. Social Research.
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  2. Hamid Naficy (2008). Women and the Semiotics of Veiling and Vision in Cinema. American Journal of Semiotics 8 (1/2):47-64.
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  3. Hamid Naficy (1999). Between Rocks and Hard Places: The Interstitial Mode of Production in Exilic Cinema. In , Home, Exile, Homeland: Film, Media, and the Politics of Place. Routledge. 125--147.
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  4. Hamid Naficy (ed.) (1999). Home, Exile, Homeland: Film, Media, and the Politics of Place. Routledge.
    Global changes in capital, power, technology and the media have caused massive shifts in how we define home and community, leaving redrawn territories and globalized contexts. This interdisciplinary study of the media brings together essays by accomplished critics to discuss the way film, television, music, and computer and electronic media are shaping identities and cultures in an increasingly globalized world. Ranging from intensely personal to highly theoretical, the contributors explore our complex negotiation of "home" and homeland" in a postmodern world. (...)
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