1. Hanjo Berressem (2011). Actual Image || Virtual Cut: Schizoanalysis and Montage. Deleuze Studies 5 (2):177-208.
    If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.
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  2. Hanjo Berressem (2011). Was ist Philosophie?: Gilles Deleuze / Was ist Kino?Werner Herzog. In Marc Rölli & Friedrich Balke (eds.), Philosophie Und Nicht-Philosophie: Gilles Deleuze - Aktuelle Diskussionen. Transcript Verlag 131-156.
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  3. Hanjo Berressem (2009). Sturctural Couplings : Radical Constructivism and a Deleuzian Ecologics. In Bernd Herzogenrath (ed.), Deleuze/Guattari & Ecology. Palgrave Macmillan 57--101.