Search results for 'Hanjo Berressem' (try it on Scholar)

6 found
Sort by:
  1. Hanjo Berressem (2011). Actual Image || Virtual Cut: Schizoanalysis and Montage. Deleuze Studies 5 (2):177-208.score: 120.0
    If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  2. Hanjo Berressem (2009). Sturctural Couplings : Radical Constructivism and a Deleuzian Ecologics. In Bernd Herzogenrath (ed.), Deleuze/Guattari & Ecology. Palgrave Macmillan. 57--101.score: 120.0
  3. Roger Lallemand (2004). «Hanjo» de Toshio Hosokawa: Le Chant Tragique de L'Amour. Cahiers Internationaux de Symbolisme 107:277-280.score: 9.0
    No categories
     
    My bibliography  
     
    Export citation  
  4. Hanjo Glock & John Hyman (1994). Persons and Their Bodies. Philosophical Investigations 17 (2):365-379.score: 3.0
    No categories
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  5. John Cottingham, Donald Davidson, Dan Dennett, Hanjo Glock, Chris Hookway, Wv Orman, John Searle Quine, Larry Weiskrantz, Kathy Wilkes & Andrew Woodfield (forthcoming). Philosophy News. Cogito.score: 3.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  6. Hanjo Glock (2010). The Influence of Wittgenstein on American Philosophy. In Cheryl Misak (ed.), The Oxford Handbook of American Philosophy. Oup Oxford.score: 3.0
    No categories
     
    My bibliography  
     
    Export citation