Works by Harold Osborne ( view other items matching `Harold Osborne`, view all matches )

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  1. Harold Osborne (1987). Book Reviews. [REVIEW] British Journal of Aesthetics 27 (2):186-187.
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  2. Harold Osborne (1986). Aesthetic Experience and Cultural Value. Journal of Aesthetics and Art Criticism 44 (4):331-337.
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  3. Harold Osborne (1986). Interpretation in Science and in Art. British Journal of Aesthetics 26 (1):3-15.
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  4. Harold Osborne (1986). Professor Louis Arnaud Reid. British Journal of Aesthetics 26 (4):309-310.
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  5. Harold Osborne (1986). Professor Ruth L. Saw. British Journal of Aesthetics 26 (4):307-308.
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  6. Harold Osborne (1985). The Ethics of Survival. Dialectics and Humanism 12 (3-4):5-23.
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  7. Harold Osborne (1985). The Twofold Significance of "Aesthetic Value". Philosophica 36.
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  8. Harold Osborne (1984). Assessment and Stature. British Journal of Aesthetics 24 (1):3-13.
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  9. Harold Osborne (1984). Correspondence. British Journal of Aesthetics 24 (3):278-281.
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  10. Harold Osborne (1984). Creativity, Progress and Personality. Journal of Philosophy of Education 18 (2):213–221.
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  11. Harold Osborne (1984). Mathematical Beauty and Physical Science. British Journal of Aesthetics 24 (4):291-300.
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  12. Harold Osborne (1984). The Cultivation of Sensibility in Art Education. Journal of Philosophy of Education 18 (1):31–40.
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  13. Harold Osborne (1983). Book Reviews. [REVIEW] British Journal of Aesthetics 23 (1):186-187.
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  14. Harold Osborne (1983). Expressiveness: Where is the Feeling Found? British Journal of Aesthetics 23 (2):112-123.
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  15. Harold Osborne (1983). The Doctrine of Reflection in Soviet Aesthetics. British Journal of Aesthetics 23 (3):252-258.
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  16. Harold Osborne (1982). Aesthetic and Other Forms of Order. British Journal of Aesthetics 22 (1):3-16.
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  17. Harold Osborne (1982). Expressiveness in the Arts. Journal of Aesthetics and Art Criticism 41 (1):19-26.
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  18. Harold Osborne (1981). What is a Work of Art? British Journal of Aesthetics 21 (1):3-11.
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  19. Harold Osborne (1980). Aesthetic Implications of Conceptual Art, Happenings, Etc. British Journal of Aesthetics 20 (1):6-22.
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  20. Harold Osborne (1979). Book Reviews. [REVIEW] British Journal of Aesthetics 19 (1):186-187.
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  21. Harold Osborne (1979). Some Theories of Aesthetic Judgment. Journal of Aesthetics and Art Criticism 38 (2):135-144.
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  22. Harold Osborne (1978). Aesthetic Perception. British Journal of Aesthetics 18 (4):307-316.
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  23. Harold Osborne (1977). Aesthetic Relevance. British Journal of Aesthetics 17 (4):291-304.
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  24. Harold Osborne (1977). Book Reviews. [REVIEW] British Journal of Aesthetics 17 (2):186-187.
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  25. Harold Osborne (1977). Inspiration. British Journal of Aesthetics 17 (3):242-253.
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  26. Harold Osborne (1977). Odours and Appreciation. British Journal of Aesthetics 17 (1):37-48.
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  27. Harold Osborne (1976). Book Reviews. [REVIEW] British Journal of Aesthetics 16 (3):186-187.
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  28. Harold Osborne (1976). Non-Iconic Abstraction. British Journal of Aesthetics 16 (4):291-304.
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  29. Harold Osborne (1976). Organic Unity Again. British Journal of Aesthetics 16 (3):210-217.
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  30. Harold Osborne (1976). The New Sensibility of the 1960s. British Journal of Aesthetics 16 (2):99-107.
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  31. Harold Osborne (1976). Ways of Abstraction. British Journal of Aesthetics 16 (3):243-253.
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  32. Harold Osborne (1974). Primitive Art and Society. British Journal of Aesthetics 14 (4):290-305.
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  33. Harold Osborne (1972). Aesthetics. London,Oxford University Press.
    Valéry, P. The idea of art.--Sartre, J.-P. The work of art.--Ingarden, R. Artistic and aesthetic values.--Merleau-Ponty, M. Eye and mind.--Moore, G. E. Wittgenstein's lectures in 1930-33.--Findlay, J. N. The perspicuous and the poignant.--Hungerland, I. C. Once again, aesthetic and non-aesthetic.--Wollheim, R. On drawing an object.--Elliott, R. K. Aesthetic theory and the experience of art.--Savile, A. The place of invention in the concept of art.--Bibliography (p. [178]-184).
     
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  34. Harold Osborne (1968). Aesthetics in the Modern World. New York, Weybright and Talley.
     
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  35. Harold Osborne (1964). Artistic Unity and Gestalt. Philosophical Quarterly 14 (56):214-228.
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  36. Harold Osborne (1964). From Sublime to Ridiculous. British Journal of Aesthetics 4 (3):284-285.
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  37. Harold Osborne (1964). Notes on the Aesthetics of Chess and the Concept of Intellectual Beauty. British Journal of Aesthetics 4 (2):160-163.
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  38. Harold Osborne (1964). Revelatory Theories of Art. British Journal of Aesthetics 4 (4):332-347.
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  39. Harold Osborne (1964). The Elucidation of Aesthetic Experience. Journal of Aesthetics and Art Criticism 23 (1):145-151.
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  40. Harold Osborne & Peter Stockham (1964). Paperbacks. British Journal of Aesthetics 4 (1):67-70.
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  41. Harold Osborne (1963). The Quality of Feeling in Art. British Journal of Aesthetics 3 (1):38-53.
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  42. Ruth Saw & Harold Osborne (1960). Aesthetics as a Branch of Philosophy. British Journal of Aesthetics (1):6-20.
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  43. Harold Osborne (1955/1973). Aesthetics and Criticism. Westport, Conn.,Greenwood Press.
     
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  44. Harold Osborne (1953). Theory of Beauty. New York, Philosophical Library.
     
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  45. Harold Osborne (1933). Foundations of the Philosophy of Value. Cambridge [Eng.]University Press.
    Dr FCS Schiller somewhere remarks that the emergence and elaboration of Philosophy of Value is destined to be regarded as the peculiar contribution of our ...
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