Search results for 'Heikki Juslin' (try it on Scholar)

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  1. Lei Wang & Heikki Juslin (2009). The Impact of Chinese Culture on Corporate Social Responsibility: The Harmony Approach. [REVIEW] Journal of Business Ethics 88 (3):433 - 451.score: 240.0
    Although the history of adopting the Western Corporate Social Responsibility (CSR) concept in China spans less than 20 years, the core principles of CSR are not new and can be legitimately interpreted within traditional Chinese culture. We find that the Western CSR concepts do not adapt well to the Chinese market, because they have rarely defined the primary reason for CSR well, and the etic approach to CSR concepts does not take the Chinese reality and culture into consideration. This article (...)
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  2. Lei Wang & Heikki Juslin (2012). Values and Corporate Social Responsibility Perceptions of Chinese University Students. Journal of Academic Ethics 10 (1):57-82.score: 240.0
    The purpose of this study is to analyse the effects of personal demographic factors on Chinese university students’ values and perceptions of Corporate Social Responsibility (CSR) issues, and to identify the link between personal values and perceptions of CSR. The quantitative data consisted of 980 Chinese university students, and were collected by using a structured self-completion questionnaire. This study found that: 1) the importance of values education should be stressed, because we found that altruistic values associate negatively with perception of (...)
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  3. Patrik N. Juslin & Daniel Västfjäll (2008). Emotional Responses to Music: The Need to Consider Underlying Mechanisms. Behavioral and Brain Sciences 31 (5):559-575.score: 30.0
    Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the mechanism for emotion induction, a (...)
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  4. Patrik N. Juslin & Daniel Västfjäll (2008). All Emotions Are Not Created Equal: Reaching Beyond the Traditional Disputes. Behavioral and Brain Sciences 31 (5):600-621.score: 30.0
    Most commentators have agreed with our thesis, that musical emotions cannot be studied without regard to underlying mechanisms. However, some commentators have expressed concerns that are addressed in this response. Others have suggested directions for future research. Topics discussed in our response include terminology, elaborations on particular mechanisms, possible additional mechanisms, ways of distinguishing among emotions and mechanisms, the prevalence of musical emotions, the relationship between perceived and felt emotions, developmental issues, and evolutionary perspectives. We end our response with a (...)
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  5. Patrik N. Juslin (2013). What Does Music Express? Basic Emotions and Beyond. Frontiers in Psychology 4.score: 30.0
    Numerous studies have investigated whether music can reliably convey emotions to listeners, and - if so - what musical parameters might carry this information. Far less attention has been devoted to the actual contents of the communicative process. The goal of this article is thus to consider what types of emotional content are possible to convey in music. I will argue that the content is mainly constrained by the type of coding involved, and that distinct types of content are related (...)
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  6. Peter Juslin, Linnea Karlsson & Henrik Olsson (2008). Information Integration in Multiple Cue Judgment: A Division of Labor Hypothesis. Cognition 106 (1):259-298.score: 30.0
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  7. Peter Juslin, Henrik Olsson & Anna-Carin Olsson (2003). Exemplar Effects in Categorization and Multiple-Cue Judgment. Journal of Experimental Psychology: General 132 (1):133.score: 30.0
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  8. Peter Juslin & Magnus Persson (2002). PROBabilities From EXemplars (PROBEX): A “Lazy” Algorithm for Probabilistic Inference From Generic Knowledge. Cognitive Science 26 (5):563-607.score: 30.0
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  9. Petri Laukka, Patrik Juslin & Roberto Bresin (2005). A Dimensional Approach to Vocal Expression of Emotion. Cognition and Emotion 19 (5):633-653.score: 30.0
  10. Marcus Lindskog, Anders Winman & Peter Juslin (2013). Are There Rapid Feedback Effects on Approximate Number System Acuity? Frontiers in Human Neuroscience 7 (June).score: 30.0
    Humans are believed to be equipped with an Approximate Number System (ANS) that supports non-symbolic representations of numerical magnitude. Correlations between individual measures of the precision of the ANS and mathematical ability have raised the question of whether the precision can be improved by feedback training. A study (DeWind and Brannon, 2012) reported improvement in discrimination precision occurring within 600-700 trials of feedback, suggesting ANS malleability with rapidly improving acuity in response to feedback. We tried to replicate the rapid improvement (...)
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  11. Tommy Enkvist & Peter Juslin (2007). Causal Models and Cognitive Representations in Multiple Cue Judgment. In. In McNamara D. S. & Trafton J. G. (eds.), Proceedings of the 29th Annual Cognitive Science Society. Cognitive Science Society. 977--982.score: 30.0
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  12. Patrik Hansson, Peter Juslin & Anders Winman (2008). The Naïve Intuitive Statistician: Organism—Environment Relations From yet Another Angle. In Nick Chater & Mike Oaksford (eds.), The Probabilistic Mind: Prospects for Bayesian Cognitive Science. Oup Oxford. 237.score: 30.0
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  13. P. Juslin, L. Karlsson & H. Olsson (forthcoming). Additive Integration of Information in Multiple Cue Judgment: A Division of Labor Hypothesis. Cognition.score: 30.0
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  14. Patrik N. Juslin (2012). Are Musical Emotions Invariant Across Cultures? Emotion Review 4 (3):283-284.score: 30.0
    Cross-cultural studies of music and emotion are needed to assess the generalizability of results and also have important implications for theory development. However, progress requires that the domain is broken down into smaller constituents based on key distinctions. For example, a multilevel theory of emotion-causation implies that the relative contributions made by culture and biology differ depending on the underlying mechanism involved, which precludes general conclusions. Such an account of emotions to music might be cross-culturally valid at the level of (...)
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  15. John A. Sloboda & Juslin & N. Patrik (2011). At the Interface Between the Inner and Outer World: Psychological Perspectives. In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oup Oxford.score: 30.0
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  16. Peter Juslin, Anders Winman & Thomas Persson (1995). Can Overconfidence Be Used as an Indicator of Reconstructive Rather Than Retrieval Processes? Cognition 54 (1):99-130.score: 30.0
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  17. Patrik N. Juslin (2011). Emotion in Music Performance. In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oup Oxford.score: 30.0
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  18. Patrik N. Juslin (2011). Emotional Responses to Music. In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oup Oxford.score: 30.0
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  19. Patrik N. Juslin, Simon Liljeström, Daniel Västfjäll & Lundqvist & Lars-Olov (2011). How Does Music Evoke Emotions? Exploring the Underlying Mechanisms. In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oup Oxford.score: 30.0
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  20. Patrik N. Juslin & John Sloboda (eds.) (2011). Handbook of Music and Emotion: Theory, Research, Applications. OUP Oxford.score: 30.0
    Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers (...)
     
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  21. Patrik N. Juslin (2008). MUSIC has Been Linked to the Emotions at Least Since Ancient Greece, and Emotions Do Figure Prominently in People's Reported Motives for Listening to Music. People Use. In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oup Oxford.score: 30.0
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  22. Peter Juslin, Håkan Nilsson, Anders Winman & Marcus Lindskog (2011). Reducing Cognitive Biases in Probabilistic Reasoning by the Use of Logarithm Formats. Cognition 120 (2):248-267.score: 30.0
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  23. Sybol Anderson (2012). Heikki Ikäheimo and Arto Laitinen (Eds), Recognition and Social Ontology. Critical Horizons 13 (1):134 - 137.score: 18.0
    Heikki Ikäheimo and Arto Laitinen (eds), Recognition and Social Ontology Content Type Journal Article Category Book Review Pages 134-137 Authors Sybol Cook Anderson, St. Mary's College of Maryland, USA Journal Critical Horizons: A Journal of Philosophy & Social Theory Online ISSN 1568-5160 Print ISSN 1440-9917 Journal Volume Volume 13 Journal Issue Volume 13, Number 1 / 2012.
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  24. Nick Hostettler (2010). On the Implications of Critical Realist Underlabouring: A Response to Heikki Patomaki's 'After Critical Realism?'. Journal of Critical Realism 9 (1):89-103.score: 15.0
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  25. Branwen Gruffydd Jones (2007). International Relations as Internal Relations. Review of After International Relations: Critical Realism and the (Re)Construction of World Politics by Heikki Patomäki. Journal of Critical Realism 1 (1):147-157.score: 15.0
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  26. Arto Laitinen, Heikki Ikäheimo &Amp.score: 15.0
    This book focuses on the connections between two contemporary, intensively debated fields of inquiry: Hegel-inspired theories of recognition (Anerkennung)i and analytical social ontologyii. The aim of the collection is to make philosophical progress by bringing together the substantially overlapping but in practice so far mostly isolated debates in these fields. If recognition has social ontological significance, as it seems to have, how does taking this seriously fit with the analyses put forward in contemporary social ontology (or, as it is sometimes (...)
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  27. L. J. Goldstein (1989). Book Reviews : Re-Enactment: A Study in R. G. Collingwood's Philosophy of History. By Heikki Saari. Abo: Abo Akademi, 1984. Pp. 141. Fmk. 65.00. [REVIEW] Philosophy of the Social Sciences 19 (2):247-250.score: 15.0
  28. J. M. Reynolds (1972). Heikki Solin: Eine Neue Fluchtafel Aus Ostia. (Societas Scientiarum Fennica: Commentationes Humanarum Litterarum, 42. 3.) Pp. 31; 3 Plates. Helsinki: Suomen Tiedeseura, 1969. Paper, Mk. 2.70. [REVIEW] The Classical Review 22 (01):143-.score: 15.0
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  29. B. R. Rees (1958). Greek Epistolography Heikki Koskenniemi: Studien zur Idee und Phraseologie des griechischen Briefes bis 400 n. Chr. (Annales Academiae Scientiarum Fennicae, Ser. B, tom. 102. 2.) Pp. 214. Helsinki: Finnish Academy, 1956. Paper, 800 mk. [REVIEW] The Classical Review 8 (02):131-132.score: 15.0
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  30. J. M. Reynolds (1973). Heikki Solin: L'interpretazione delle iscrizioni parietali. (Epigrafia e Antichità 2.) Pp. 6+73; 3 photographs, 33 line-drawings. Faenza: Fratelli Lega, 1970. Paper. [REVIEW] The Classical Review 23 (01):111-.score: 15.0
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  31. A. R. Birley (1991). Heikki Solin: Namenpaare: eine Studie zur römischen Namengebung. (Commentationes Humanarum Litterarum, 90.) Pp. 92; 5 photographs. Helsinki: Societas Scientiarum Fennica, 1990. Paper. [REVIEW] The Classical Review 41 (02):505-.score: 15.0
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  32. T. J. Cadoux (1989). Nomina and Cognomina Heikki Solin, Olli Salomies: Repertorium Nominum Gentilium Et Cognominum Latinorum. (Alpha–Omega Reihe A [Lexica, Indizes, Konkordanzen Zur Klassischen Philologie], 80.) Pp. X + 474. Hildesheim, Zurich and New York: Olms–Weidmann, 1988. DM 128. [REVIEW] The Classical Review 39 (02):327-329.score: 15.0
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  33. J. M. Reynolds (1970). Heikki Solin and Marja Itkonenkaila: Graffiti Del Palatine, I: Paedagogium. (Acta Instituti Romani Finlandiae, Iii.) Pp. Xii+264; 28 Plates, 292 Figs. Helsinki: Akateeminen Kirjakauppa, 1966. Paper, 50 Mk. [REVIEW] The Classical Review 20 (02):257-258.score: 15.0
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  34. John Briscoe (1991). Heikki Solin, Mika Kajava (Edd.): Roman Eastern Policy and Other Studies in Roman History. Proceedings of a Colloquium at Tvärminne, 2–3 October 1987. (Commentationes Humanarum Litterarum, 91.) Pp. 174. Helsinki: Societas Sdentiarum Fennica, 1990. Paper. [REVIEW] The Classical Review 41 (02):510-.score: 15.0
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  35. Jason M. Costanzo (2014). Leila Haaparanta and Heikki Koskinen (Eds.) , Categories of Being: Essays on Metaphysics and Logic . Reviewed By. Philosophy in Review 34 (1-2):52-55.score: 15.0
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  36. Udo Tworuschka (1974). Heikki Räisänen: The Idea Of Divine Hardening. A Comparative Study Of The Notion Of Divine Hardening, Leading Astray And Inciting To Evil In The Bible And The Qur'ān. (Publications Of The Finnish Exegetical Society 25), Helsinki 1972, 108 Pp. [REVIEW] Zeitschrift für Religions- Und Geistesgeschichte 26 (2):174-175.score: 15.0
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  37. P. G. Walsh (1973). Toivo Viljamaa: Nouns Meaning 'River' in Curtius Rufus: A Semantic Study in Silver Latin. (Ann. Univ. Turkuensis, B 113.) Turku: Turun Yliopisto, 1969. Paper.Heikki Koskenniemi: Der Nominale Numerus in der Sprache Und Im Stil des Curtius Rufus. (Ann. Univ. Turkuensis, B 114.) Pp. 178. Turku: Turun Yliopisto, 1969. Paper. [REVIEW] The Classical Review 23 (01):100-101.score: 15.0
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  38. Sybol Cook Anderson (2012). Heikki Ikäheimo and Arto Laitinen (Eds), Recognition and Social Ontology (Leiden, EJ Brill, 2011), ISBN 978-90-04-20290-0 (Hbk), 398 Pp. US $182.00. [REVIEW] Critical Horizons 13 (1):134-137.score: 15.0
  39. J. A. Makowsky (1997). Mannila Heikki and Räihä Kari-Jouko. The Design of Relational Databases. Addison-Wesley Publishing Company, Wokingham, England, and Reading, Mass., Etc., 1992, Vii+ 318 Pp. Abiteboul Serge, Hull Richard, and Vianu Victor. Foundations of Databases. Addison-Wesley Publishing Company, Reading, Mass., Etc., 1995, Xviii+ 685 Pp. Kanellakis Paris C.. Elements of Relational Database Theory. Handbook of Theoretical Computer Science, Volume B, Formal Models and Semantics, Edited by Leeuwen Jan van, Elsevier ... [REVIEW] Journal of Symbolic Logic 62 (1):324-326.score: 15.0
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  40. J. A. Makowsky (1997). Review: Heikki Mannila, Kari-Jouko Raiha, The Design of Relational Databases; Serge Abiteboul, Richard Hull, Victor Vianu, Foundations of Databases; Paris C. Kanellakis, Jan van Leeuwen, Elements of Relational Database Theory. [REVIEW] Journal of Symbolic Logic 62 (1):324-326.score: 15.0
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  41. D. L. Medin, S. A. Gelman, E. Gilboy, Hanley Jr, T. la HirschfeldPersson, J. M. Sopena & A. Winman (1995). Huang, HS, 73 Juslin, P., 99 Kalish, CW, 299 Kempen, G., 353. Cognition 54:363.score: 15.0
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  42. Annabelle Mooney (2008). Heikki E.S. Mattila, Love of Language and the Law. International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 21 (1):93-95.score: 15.0
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  43. I. Peretz, L. Gagnon & B. Bouchard (2002). Ception and Performance, 26, 1797–1813. Juslin, PN, & Sloboda, JA (2001). Music and Emotion: Theory and Re-Search. New York: Oxford Univer. [REVIEW] Cognition 68:111-141.score: 15.0
     
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  44. Jenefer Robinson (2008). Do All Musical Emotions Have the Music Itself as Their Intentional Object? Behavioral and Brain Sciences 31 (5):592-593.score: 3.0
    Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper.
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  45. Heikki J. Koskinen & Sami Pihlström (2006). Quine and Pragmatism. Transactions of the Charles S. Peirce Society 42 (3):309-346.score: 3.0
    : This paper discusses critically W.V. Quine's relation to the tradition of pragmatism. Even though Quine is often regarded as a pragmatist, it is far from clear what his commitment to pragmatism actually amounts to. It is argued that while there are pragmatist elements in Quine's position, this is not sufficient to classify him as a pragmatist in any strong historical sense; indeed, he was not even clear himself what it means to be a pragmatist. It is also shown that (...)
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  46. Ludwig Wittgenstein & Heikki Nyman (1991). Philosophy. Synthese 87 (1):3 - 22.score: 3.0
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  47. Axel Honneth (2002). Grounding Recognition: A Rejoinder to Critical Questions. Inquiry 45 (4):499 – 519.score: 3.0
    It is always great good fortune for an author to have his writings meet with a receptive circle of readers who take them up in their own work and clarify them further. Indeed, it may even be the secret of all theoretical productivity that one reaches an opportune point in one's own creative process when others' queries, suggestions, and criticisms give one no peace, until one has been forced to come up with new answers and solutions. The four essays collected (...)
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  48. Patricia V. Agostino, Guy Peryer & Warren H. Meck (2008). How Music Fills Our Emotions and Helps Us Keep Time. Behavioral and Brain Sciences 31 (5):575-576.score: 3.0
    Whether and how music is involved in evoking emotions is a matter of considerable debate. In the target article, Juslin & Vll (J&V) argue that music induces a wide range of both basic and complex emotions that are shared with other stimuli. If such a link exists, it would provide a common basis for considering the interactions among music, emotion, timing, and time perception.
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  49. Heikki Ikaheimo (2007). Recognizing Persons. Journal of Consciousness Studies 14 (s 5-6):224-247.score: 3.0
    In this article a wide range of candidates for features that are defining of personhood are conceived of as interrelated, yet irreducible, layers and dimensions of what it is to be a person in the full-fledged sense of the word. Three layers of personhood -- consisting of person-making psychological capacities, person-making interpersonal significances, and person-making institutional or deontic powers -- are distinguished. Running through the layers there are then two dimensions -- the deontic and the axiological -- corresponding to the (...)
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