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Hilde Hein [40]Hilde S. Hein [3]Hilde Stern Hein [1]Hilde Sed Hein [1]
  1. Hilde Hein (1996). What is Public Art?: Time, Place, and Meaning. Journal of Aesthetics and Art Criticism 54 (1):1-7.
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  2. Hilde Hein (1976). Aesthetic Consciousness: The Ground of Political Experience. Journal of Aesthetics and Art Criticism 35 (2):143-152.
  3.  1
    Hilde Hein & Carolyn Korsmeyer (eds.) (1993). Aesthetics in Feminist Perspective. Indiana University Press.
    "A first-rate introduction to the field, accessible to scholars working from a variety of disciplinary and theoretical perspectives. Highly recommended... " —Choice "... offers both broad theoretical considerations and applications to specific art forms, diverse methodological perspectives, and healthy debate among the contributors.... [an] outstanding volume."—Philosophy and Literature "... this volume represents an eloquent and enlightened attempt to reconceptualize the field of aesthetic theory by encouraging its tendencies toward openness, self-reflexivity and plurality." —Discourse & Society "All of the authors challenge (...)
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  4. Rudolf Arnheim, Charles Gauss, Richard Kuhns, Avrum Stroll, Selma Jeanne Cohen, Gordon Epperson, Arnold Berleant, Hilde Hein & Charles Hartshorne (1993). Reminiscences. Journal of Aesthetics and Art Criticism 51 (2):279-289.
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  5.  9
    Hilde Hein (1972). The Endurance of the Mechanism: Vitalism Controversy. Journal of the History of Biology 5 (1):159 - 188.
  6. Hilde S. Hein (2000). The Museum in Transition a Philosophical Perspective. Monograph Collection (Matt - Pseudo).
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  7. Robert R. Archibald, Patrick J. Boylan, David Carr, Christy S. Coleman, Helen Coxall, Chuck Dailey, Jennifer Eichstedt, Hilde Hein, Eilean Hooper-Greenhill, Lesley Lewis, Timothy W. Luke, Didier Maleuvre, Suma Mallavarapu, Terry L. Maple, Michael A. Mares, Jennifer L. Martin, Jean-Paul Martinon, Scott G. Paris, Jeffrey H. Patchen, Marilyn E. Phelan, Donald Preziosi, Franklin W. Robinson, Douglas Sharon & Sherene Suchy (2006). Museum Philosophy for the Twenty-First Century. Altamira Press.
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  8.  2
    Hilde Hein (2006). Public Art: Thinking Museums Differently. Altamira Press.
    By considering the museum itself as art, rather than as a receptacle, Hein's Public Art: Thinking Museums Differently argues for an improved understanding of the role museums play in shaping public discourse.
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  9.  64
    Hilde Hein (1990). The Role of Feminist Aesthetics in Feminist Theory. Journal of Aesthetics and Art Criticism 48 (4):281-291.
  10.  21
    Hilde Hein (1993). Institutional Blessing. The Monist 76 (4):556-573.
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  11.  5
    Hilde Hein (2004). Grasping the World the Idea of the Museum. Monograph Collection (Matt - Pseudo).
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  12.  48
    Hilde Hein (1968). Play as an Aesthetic Concept. Journal of Aesthetics and Art Criticism 27 (1):67-71.
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  13.  36
    Hilde Hein (1969). Molecular Biology Vs. Organicism: The Enduring Dispute Between Mechanism and Vitalism. Synthese 20 (2):238 - 253.
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  14.  13
    Hilde Hein (1988). Philosophy Born of Struggle. Idealistic Studies 18 (2):186-188.
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  15.  43
    Hilde Hein (2007). Grasping the World: The Idea of the Museum Edited by Preziosi, Donald, and Claire Farago. Journal of Aesthetics and Art Criticism 65 (2):250–253.
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  16. Hilde Hein (1998). Museums: From Object to Experience. In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Blackwell Publishers 103--15.
     
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  17.  23
    Hilde Hein (1970). Performance as an Aesthetic Category. Journal of Aesthetics and Art Criticism 28 (3):381-386.
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  18.  39
    Hilde S. Hein (1966). Schopenhauer and Platonic Ideas. Journal of the History of Philosophy 4 (2):133-144.
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  19.  7
    Hilde Hein (1998). Why Not Feminist Aesthetic Theory? Journal of Speculative Philosophy 12 (1):20 - 34.
  20.  6
    Hilde Hein (1978). Aesthetics Rights: Vindication and Vilification. Journal of Aesthetics and Art Criticism 37 (2):169-176.
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  21.  32
    Hilde Hein (1994). Value Inquiry — Aesthetic Value. Journal of Value Inquiry 28 (2):141-149.
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  22.  1
    Hilde Hein (1991). The Exploratorium: The Museum as Laboratory. Journal of Aesthetics and Art Criticism 49 (4):398-399.
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  23.  5
    Hilde Hein (1990). Introduction. Hypatia 5 (2):1-6.
  24.  14
    Hilde Hein (1968). Mechanism, Vitalism, and Biopoesis. World Futures 6 (3):3-56.
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  25. Hilde S. Hein (1971). On the Nature and Origin of Life. New York,Mcgraw-Hill.
     
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  26.  8
    Hilde Hein, Arthur W. Munk & E. M. Adams (1974). Book Reviews. [REVIEW] Journal of Value Inquiry 8 (1):69-78.
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  27.  12
    Hilde Sed Hein & ed Korsmeyer, Carolyn (1995). Book Review: Aesthetics in Feminist Perspective. [REVIEW] Philosophy and Literature 19 (1).
  28.  6
    Hilde Hein (1959). Intermittent Existence and the Identity of Works of Art. Review of Metaphysics 12 (4):633 - 638.
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  29. Hilde Hein (1972). The Endurance of the Mechanism—Vitalism Controversy. Journal of the History of Biology 5 (1):159-188.
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  30.  10
    Hilde Hein (2007). Riches, Rivals and Radicals: 100 Years of Museums in America by Schwarzer, Marjorie. Journal of Aesthetics and Art Criticism 65 (3):335–338.
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  31.  7
    Hilde Hein (1967). Aesthetic Prescriptions. Journal of Aesthetics and Art Criticism 26 (2):209-217.
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  32.  2
    Hilde Hein (1996). The Art of Displaying Science: Museum Exhibitions. In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer 267--288.
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  33.  4
    Hilde Hein (2012). Queer Beauty: Sexuality and Aesthetics From Winckelmann to Freud and Beyond by Davis, Whitney. Journal of Aesthetics and Art Criticism 70 (2):235-237.
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  34.  5
    Hilde Hein (1993). Report on the XII Congreso Internacional de Estética. Journal of Value Inquiry 27 (2):257-259.
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  35. Hilde Hein (1974). Arnold Berleant, The Aesthetic Field: A Phenomenology of Aesthetic Experience. [REVIEW] Journal of Value Inquiry 8 (1):69.
     
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  36. Hilde Hein (1972). Comment on J. Travis: "Progressivism and the Human Supremacy Argument". Philosophical Forum 3 (2):222.
     
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  37. Hilde Hein (1977). Comment on Max Scheler's 'Concerning the Meaning of the Feminist Movement'. Philosophical Forum 9 (1):55.
     
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  38. Hilde Hein (1968). Mechanism and Vitalism as Meta-Theoretical Commitments. Philosophical Forum 1 (2):185.
     
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  39. Hilde Hein (1971). Obscenity, Politics, and Pornography. Journal of Aesthetic Education 5 (4):77.
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  40. Hilde Hein (1973). On Reaction and the Women's Movement. Philosophical Forum 5 (1):248.
     
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  41. Hilde Hein (1966). The Chemistry of Noble Gases - A Modern Case History in Experimental Sciences. Journal of the History of Ideas 27 (3):417.
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