Search results for 'Ian F. Verstegen' (try it on Scholar)

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  1. Ian F. Verstegen (2006). A Critical Realist Perspective on Aesthetic Value. Journal of Critical Realism 5 (2):323-343.score: 870.0
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  2. Ian Verstegen (2014). Cognitive Iconology: When and How Psychology Explains Images. Editions Rodopi.score: 480.0
    Cognitive Iconology is a new theory of the relation of psychology to art. Instead of being an application of psychological principles, it is a methodologically aware account of psychology, art and the nature of explanation. Rather than fight over biology or culture, it shows how they must fit together. The term “cognitive iconology” is meant to mirror other disciplines like cognitive poetics and musicology but the fear that images must be somehow transparent to understanding is calmed by the stratified approach (...)
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  3. Roger Rothman & Ian Verstegen (2007). Arnheim's Lesson: Cubism, Collage, and Gestalt Psychology. Journal of Aesthetics and Art Criticism 65 (3):287–298.score: 240.0
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  4. Ian Verstegen (2012). When Are We Speculating on History? A Mandelbaumian Theory. Journal of the Philosophy of History 6 (1):60-83.score: 240.0
    Abstract This paper is a classic critique of speculative philosophies of history based on Maurice Mandelbaum's work. Unlike the more famous invective by Karl Popper, I argue that Mandelbaum's is a richer and more interesting approach, which reveals through exposition a deeper unity to Mandelbaum's work than is normally evident. Because Popper's nominalism is suspicious of all metaphysics, it loses credibility whereas Mandelbaum placed reflection on the nature of society and causality at the center of his interests. Mandelbaum's critique then (...)
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  5. Ian Verstegen (2010). Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto. Journal of Aesthetics and Art Criticism 68 (2):196-197.score: 240.0
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  6. Ian Verstegen (2004). Arnheim and Gombrich in Social Scientific Perspective. Journal for the Theory of Social Behaviour 34 (1):91–102.score: 240.0
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  7. Ian Verstegen (2008). Cultivating Picturacy: Visual Art and Verbal Interventionsby Heffernan, James A. W. Journal of Aesthetics and Art Criticism 66 (3):311-312.score: 240.0
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  8. Ian Verstegen (2014). Reforming Visual Semiotics: The Dynamic Approach. Semiotica 2014 (200):31-48.score: 240.0
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  9. Ian Verstegen (1999). A Formalist Reborn. Film-Philosophy 3 (1).score: 240.0
    Rudolf Arnheim _Film Essays and Criticism_ Madison: University of Wisconsin Press, 1997 ISBN: 0-299-15260-X ISBN: 0-299-15264-2 253 pp.
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  10. Ian Verstegen (2006). A Plea for a Cognitive Iconology Within Visual Culture. Contemporary Aesthetics 4.score: 240.0
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  11. Ian Verstegen (2011). Come dire oggettivamente che la prospettiva e relativa. Rivista di Estetica 48 (1):217-235.score: 240.0
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  12. Ian Verstegen (2011). How to Speak Objectively on Perspective and Related. Rivista di Estetica 51 (3):217-235.score: 240.0
     
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  13. Ian Verstegen (ed.) (2010). Maurice Mandelbaum and American Critical Realism. Routledge.score: 240.0
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  14. Ian Verstegen (2010). Mandelbaum's Noble Dream : Historical Objectivism Through a Century of Debate. In , Maurice Mandelbaum and American Critical Realism. Routledge.score: 240.0
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  15. T. F. Cloonan (2006). Verstegen, I.(2005). Arnheim, Gestalt and Art: A Psychological Theory. Journal of Phenomenological Psychology 37 (2):272.score: 36.0
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