Search results for 'Image' (try it on Scholar)

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  1. Yu-Shan Chen (2010). The Drivers of Green Brand Equity: Green Brand Image, Green Satisfaction, and Green Trust. [REVIEW] Journal of Business Ethics 93 (2):307 - 319.score: 24.0
    This article proposed four novel constructs – green brand image, green satisfaction, green trust, and green brand equity, and explored the positive relationships between green brand equity and its three drivers – green brand image, green satisfaction, and green trust. The object of this research study was information and electronics products in Taiwan. This research employed an empirical study by use of the questionnaire survey method. The questionnaires were randomly mailed to consumers who had the experience of purchasing (...)
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  2. David Ambuel (2011). The Coy Eristic: Defining the Image That Defines the Sophist. In Ales Havlicek & Filip Karfik (eds.), Plato's Sophist: Proceedings of the Seventh Symposium Platonicum Pragense. Oikoymenh. 278-310.score: 24.0
    The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In (...)
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  3. Kevin Morrell (2004). Decision Making and Business Ethics: The Implications of Using Image Theory in Preference to Rational Choice. [REVIEW] Journal of Business Ethics 50 (3):239-252.score: 24.0
    The study of decision making has multiple implications for business ethics. This paper outlines some commonly used frameworks for understanding choice in business. It characterises the dominant model for business decision making as rational choice theory (RCT) and contrasts this with a more recent, naturalistic theory of decision-making, image theory. The implications of using RCT and image theory to model decision making are discussed with reference to three ethical systems. RCT is shown to be consistent with Utilitarian ethics, (...)
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  4. Dawn M. Phillips (2009). Fixing the Image: Re-Thinking the 'Mind-Independence' of Photographs. Postgraduate Journal of Aesthetics 6 (2):1-22.score: 24.0
    We are told by philosophers that photographs are a distinct category of image because the photographic process is mind-independent. Furthermore, that the experience of viewing a photograph has a special status, justified by a viewer’s knowledge that the photographic process is mind-independent. Versions of these ideas are central to discussions of photography in both the philosophy of art and epistemology and have far-reaching implications for science, forensics and documentary journalism. Mind-independence (sometimes ‘belief independence’) is a term employed to highlight (...)
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  5. Susan Bredlau (2011). Monstrous Faces and a World Transformed: Merleau-Ponty, Dolezal, and the Enactive Approach on Vision Without Inversion of the Retinal Image. [REVIEW] Phenomenology and the Cognitive Sciences 10 (4):481-498.score: 24.0
    The world perceived by a person undergoing vision without inversion of the retinal image has traditionally been described as inverted. Drawing on the philosophical work of Maurice Merleau-Ponty and the empirical research of Hubert Dolezal, I argue that this description is more reflective of a representationist conception of vision than of actual visual experience. The world initially perceived in vision without inversion of the retinal image is better described as lacking in lived significance rather than inverted; vision without (...)
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  6. Enrique Bigné Alcañiz, Ruben Chumpitaz Cáceres & Rafael Currás Pérez (2010). Alliances Between Brands and Social Causes: The Influence of Company Credibility on Social Responsibility Image. [REVIEW] Journal of Business Ethics 96 (2):169-186.score: 24.0
    This research extends previous findings related to the positive influence of company credibility on a social Cause–Brand Alliance’s (CBA) persuasion mechanism. This study analyzes the mediating role of two dimensions of company credibility (trustworthiness and expertise) with regard to the influence of altruistic attributions and two types of brand–cause fit (functional and image fit) on corporate social responsibility image. A structural equation model tests the proposed framework with a sample of 299 consumers, and the results suggest that (1) (...)
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  7. Yve Lomax (1981/2000). Writing the Image: An Adventure with Art and Theory. I.B. Tauris.score: 24.0
    Brought together for the first time, these writings by visual artist and writer Yve Lomax are united by a common thread: they place writing itself--the written image--into the repertoire of visual art. The book both proposes and demonstrates this development. It also has a twofold purpose and function: it can be read and enjoyed as performance, often resembling poetry, thick with ideas, images and metaphors. It is also an original contribution to theoretical writing on the visual, particularly relating to (...)
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  8. Andrew Benjamin (2011). On the Image of Painting. Research in Phenomenology 41 (2):181-205.score: 24.0
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of (...)
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  9. Trevor Perri (2013). Image and Ontology in Merleau-Ponty. Continental Philosophy Review 46 (1):75-97.score: 24.0
    Although better known for his phenomenology of perception and the perceived world, Merleau-Ponty’s writings also contain the outlines of a rich and unique account of the imagination and the imaginary. In this paper, I explicate the phenomenology of the image that Merleau-Ponty develops throughout his work. I show how Merleau-Ponty develops this account of the image in critical response to Sartre and in a way that follows from his own descriptions of what painters do when they paint and (...)
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  10. Lidia Wiśniewska (2012). Cleopatra – a Queen, a Lover, a Mother: Transformations of the Image. ARGUMENT 2 (1):151-169.score: 24.0
    Transformations are not only conditioned by facts encompassing narrower or wider panoramas: from concentrating on death and one (political) role (the ode of Horace), through recalling Cleopatra’s mature life and love (the drama of Shakespeare), to creating an image embracing the heroine’s whole life with its numerous roles, but as a mother and a daughter in the first place, because even her lovers resemble a father and a child (the fictional biography of Karen Essex). Above all, they appear to (...)
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  11. Jean-Luc Nancy (2005). The Ground of the Image. Fordham University Press.score: 24.0
    If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces.What is this power that lies in the depths and recesses of an image—which is always (...)
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  12. James Elkins & Maja Naef (eds.) (2011). What is an Image? Pennsylvania State University Press.score: 24.0
    Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.
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  13. Debra Parrish & Bridget Noonan (2009). Image Manipulation as Research Misconduct. Science and Engineering Ethics 15 (2):161-167.score: 24.0
    A growing number of research misconduct cases handled by the Office of Research Integrity involve image manipulations. Manipulations may include simple image enhancements, misrepresenting an image as something different from what it is, and altering specific features of an image. Through a study of specific cases, the misconduct findings associated with image manipulation, detection methods and those likely to identify such manipulations, are discussed. This article explores sanctions imposed against guilty researchers and the factors that (...)
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  14. Joëlle Vanhamme, Adam Lindgreen, Jon Reast & Nathalie Popering (2012). To Do Well by Doing Good: Improving Corporate Image Through Cause-Related Marketing. Journal of Business Ethics 109 (3):259-274.score: 24.0
    As part of their corporate social responsibility, many organizations practice cause-related marketing, in which organizations donate to a chosen cause with every consumer purchase. The extant literature has identified the importance of the fit between the organization and the nature of the cause in influencing corporate image, as well as the influence of a connection between the cause and consumer preferences on brand attitudes and brand choice. However, prior research has not addressed which cause composition most appeals to consumers (...)
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  15. Anthony Uhlmann (2006). Samuel Beckett and the Philosophical Image. Cambridge University Press.score: 24.0
    Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This is the first study to carefully examine Beckett's thoughts on the image in his literary works and his extensive notes to the (...)
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  16. Vincent de Coorebyter (2012). De Husserl à Sartre. La structure intentionnelle de l'image dans L'Imagination et L'Imaginaire. Methodos 12.score: 24.0
    Les deux livres de Sartre sur l’image posent un problème d’interprétation rarement traité. Le premier, L’Imagination, s’achève sur un vibrant hommage à la théorie husserlienne de l’image. Le second, L’Imaginaire, qui faisait initialement partie d’un même volume, propose une théorie inédite de l’imagination qui ne cite pas une seule fois Husserl, et qui s’en démarque fortement. Sartre a-t-il changé de point de vue d’un livre à l'autre ? Ou faut-il comprendre que son hommage à Husserl était d’emblée un (...)
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  17. Aku Visala (2014). Imago Dei, Dualism, and Evolution: A Philosophical Defense of the Structural Image of God. Zygon 49 (1):101-120.score: 24.0
    Most contemporary theologians have distanced themselves from views that identify the image of God with a capacity or a set of capacities that humans have. This article examines three arguments against the structural view and finds them wanting. The first argument is that the structural view entails mind/body dualism and dualism is no longer viable given neuroscience and contemporary philosophy. Against this, I argue that contemporary forms of dualism are able to circumvent such worries and are at least prima (...)
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  18. Dale Benos & Sara Vollmer (2010). Generalizing on Best Practices in Image Processing: A Model for Promoting Research Integrity. Science and Engineering Ethics 16 (4):669-673.score: 24.0
    Modifying images for scientific publication is now quick and easy due to changes in technology. This has created a need for new image processing guidelines and attitudes, such as those offered to the research community by Doug Cromey (Cromey 2010). We suggest that related changes in technology have simplified the task of detecting misconduct for journal editors as well as researchers, and that this simplification has caused a shift in the responsibility for reporting misconduct. We also argue that the (...)
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  19. Marty Quinn (2012). “Walk on the Sun”: An Interactive Image Sonification Exhibit. [REVIEW] AI and Society 27 (2):303-305.score: 24.0
    “Walk on the Sun” is an interactive experience of image as music. As explorers move across images that are data projected onto the floor, their movements are visually tracked and used to select pixels in the images which they immediately hear as musical pitches played by various instruments. The sonification design maps color to one of 9 instruments, brightness to one of 50 pitches, and location in the image to panning position, creating 57,600 differentiable musical events. This high (...)
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  20. Vincent de Coorebyter (2012). De Husserl à Sartre. La structure intentionnelle de l'image dans L'Imagination et L'Imaginaire. Methodos. Savoirs Et Textes (12).score: 24.0
    Les deux livres de Sartre sur l’image posent un problème d’interprétation rarement traité. Le premier, L’Imagination, s’achève sur un vibrant hommage à la théorie husserlienne de l’image. Le second, L’Imaginaire, qui faisait initialement partie d’un même volume, propose une théorie inédite de l’imagination qui ne cite pas une seule fois Husserl, et qui s’en démarque fortement. Sartre a-t-il changé de point de vue d’un livre à l'autre ? Ou faut-il comprendre que son hommage à Husserl était d’emblée un (...)
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  21. Ioan Hosu (2012). The Empire of Communication: Body, Image and Relation. Journal for the Study of Religions and Ideologies 11 (31):198-205.score: 24.0
    Review of Aurel Codoban, Imperiul comunicării: corp, imagine și relaționare (The Empire of Communication: Body, Image and Relation), (Cluj-Napoca: Idea Design &Print, 2011).
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  22. John Lechte (2012/2011). Genealogy and Ontology of the Western Image and its Digital Future. Routledge.score: 24.0
    Genealogy and ontology (paradigms) -- The image in photography and cinema and its digital future.
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  23. Christoph Redies & Franziska Groß (2013). Frames as Visual Links Between Paintings and the Museum Environment: An Analysis of Statistical Image Properties. Frontiers in Psychology 4.score: 24.0
    Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the (...). Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th-18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties. (shrink)
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  24. Rodney K. Rogers, Jesse Dillard & Kristi Yuthas (2005). The Accounting Profession: Substantive Change and/or Image Management. [REVIEW] Journal of Business Ethics 58 (1-3):159 - 176.score: 24.0
    . The accounting profession’s image and reputation is built upon the members of the profession acting with the “highest sense of integrity” in “the public interest” (AICPA, 2003, www.aicpa.org/about). The Enron debacle initiated the latest crisis facing the profession regarding its image and reputation. The American Institute of Certified Public Accountants (AICPA) is the largest professional body representing the accounting profession and the one to which regulators have looked in establishing and upholding professional standards relating to the public (...)
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  25. Julia Braun, Seyed Ali Amirshahi, Joachim Denzler & Christoph Redies (2013). Statistical Image Properties of Print Advertisements, Visual Artworks and Images of Architecture. Frontiers in Psychology 4.score: 24.0
    Most visual advertisements are designed to attract attention, often by inducing a pleasant impression in human observers. Accordingly, results from brain imaging studies show that advertisements can activate the brain’s reward circuitry, which is also involved in the perception of other visually pleasing images, such as artworks. At the image level, large subsets of artworks are characterized by specific statistical image properties, such as a high self-similarity and intermediate complexity. Moreover, some image properties are distributed uniformly across (...)
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  26. José Manuel Ureña Gómez-Moreno (forthcoming). The Role of Image Schemas and Superior Psychic Faculties in Zoosemiosis. Biosemiotics:1-23.score: 24.0
    Image schemas are mental constructs central to human cognitive psychology. The neurobiological grounding of these structures has been suggested by experimental research both in non-human primates (Rizzolatti and Craighero 2004; Umiltá et al. 2001) and lower animals (Knudsen 2002, 1998). However, their applicability as concrete cognitive products has not been explored yet in zoosemiotics. This study shows that image schemas are highly instrumental to making sense of the impersonations of two animals featured in biology research studies and wildlife (...)
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  27. Andrea Pérez & Ignacio Rodríguez del Bosque (2013). Measuring CSR Image: Three Studies to Develop and to Validate a Reliable Measurement Tool. Journal of Business Ethics 118 (2):265-286.score: 24.0
    Although research on the corporate social responsibility (CSR) dimension of corporate image has notably increased in recent years, the definition and measurement of the concept for academic purposes still concern researchers. In this article, literature regarding the measurement of CSR image from a customer viewpoint is revised and areas of improvement are identified. A multistage method is implemented to develop and to validate a reliable scale based on stakeholder theory. Results demonstrate the reliability and validity of this new (...)
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  28. Joëlle Vanhamme, Adam Lindgreen, Jon Reast & Nathalie van Popering (2012). To Do Well by Doing Good: Improving Corporate Image Through Cause-Related Marketing. Journal of Business Ethics 109 (3):259-274.score: 24.0
    As part of their corporate social responsibility, many organizations practice cause-related marketing, in which organizations donate to a chosen cause with every consumer purchase. The extant literature has identified the importance of the fit between the organization and the nature of the cause in influencing corporate image, as well as the influence of a connection between the cause and consumer preferences on brand attitudes and brand choice. However, prior research has not addressed which cause composition most appeals to consumers (...)
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  29. Steven Bernas (2006). La Croyance Dans L'Image. L'harmattan.score: 24.0
    Quelles sont les formes modernes de la croyance en l'image et de quelle manière le cinéma, la photographie, l'art-vidéo, travaillent sur les frontières de l'expérimentation et des mutations théoriques de l'image ?
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  30. Rupali P. Dhond Maria Kozhevnikov (2012). Understanding Immersivity: Image Generation and Transformation Processes in 3D Immersive Environments. Frontiers in Psychology 3.score: 24.0
    Most research on three-dimensional (3D) visual-spatial processing has been conducted using traditional non-immersive 2D displays. Here we investigated how individuals generate and transform mental images within 3D immersive virtual environments, in which the viewers perceive themselves as being surrounded by a 3D world. In Experiment 1, we compared participants’ performance on the Shepard & Metzler (1971) mental rotation task across the following three types of visual presentation environments; traditional 2D non-immersive (2DNI), 3D non-immersive (3DNI - anaglyphic glasses), and 3D immersive (...)
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  31. Dong-Hong Zhu & Ya-Ping Chang (2013). Negative Publicity Effect of the Business Founder's Unethical Behavior on Corporate Image: Evidence From China. [REVIEW] Journal of Business Ethics 117 (1):111-121.score: 24.0
    The unethical behavior of a business founder often leads to negative publicity which substantially affects positive corporate image. The amount of negative publicity relating to business founders’ unethical behavior is on the rise in the age of online social media in China. Based on the stimulus–response theory and balance theory, this paper developed a theoretical model to examine how negative publicity about a business founder’s unethical behavior affects corporate image. The proposed model was tested by the partial least (...)
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  32. San Juan & Rose Marie (2011). Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel. Distributed in the United States Exclusively by Palgrave Macmillan.score: 24.0
    Introduction. Dying to see -- The anthropomorphic image : negotiations of space between body and landscape -- The imperfect replica : departures and arrivals from Naples to Nagasaki -- The visionary image : the return of the image from Brazil to Rome -- The utopic image : unsettling circuits between Chile and Rome -- Epilogue : The proliferation of the body : Francis Xavier in Goa.
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  33. James A. Knapp (2011). Image Ethics in Shakespeare and Spenser. Palgrave Macmillan.score: 24.0
    Introduction: image ethics -- Harnessing the visual: from illustration to ekphrasis -- From visible to invisible: Spenser's Aprill and messianic ethics -- Looking for ethics in Spenser's Faerie queene -- "To look, but with another's eyes": translating vision in A midsummer night's dream -- The ethics of temporality in Measure for measure -- "Ocular proof" and the dangers of the perceptual faith -- "Disliken the truth of your own seeming": visual and ethical truth in The winter's tale.
     
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  34. Alison Ross (2014). Walter Benjamin's Concept of the Image. Routledge.score: 24.0
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from 1927 (...)
     
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  35. Matthew Schlesinger & Dima Amso (2013). Image Free-Viewing as Intrinsically-Motivated Exploration: Estimating the Learnability of Center-of-Gaze Image Samples in Infants and Adults. Frontiers in Psychology 4.score: 24.0
    We propose that free viewing of natural images in human infants can be understood and analyzed as the product of intrinsically-motivated visual exploration. We examined this idea by first generating five sets of center-of-gaze (COG) image samples, which were derived by presenting a series of natural images to groups of both real observers (i.e., 9-month-olds and adults) and artificial observers (i.e., an image-saliency model, an image-entropy model, and a random-gaze model). In order to assess the sequential learnability (...)
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  36. Sorin Sipos (2010). Imaginea celuilalt: un document francez privind spatiul românesc de la începutul secolului al XIX-lea/ The Image of the Other : A French Document about the Romanian Space in the beginning of the XIXth Century). Journal for the Study of Religions and Ideologies 4 (12):41-48.score: 24.0
    The article comments upon the report written by the French captain Aubert about the Romanian space during the XIXth century. It analyses the richness of documentation data contained by the report, through the lenses of the historical anthropological categories of “the other’s image”. The author concludes that the report was elaborated in a period when French interests for the Romanian space was rising.
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  37. Yu-Shan Chen (2008). The Driver of Green Innovation and Green Image – Green Core Competence. Journal of Business Ethics 81 (3):531 - 543.score: 22.0
    This study proposed a novel construct – green core competence – to explore its positive effects on green innovation and green images of firms. The results showed that green core competences of firms were positively correlated to their green innovation performance and green images. In addition, this research also verified two types of green innovation performance had partial mediation effects between green core competences and green images of firms. Therefore, investment in the development of green core competence was helpful to (...)
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  38. Felipe Ledesma (2009). Le logos du sophiste. Image et parole dans le Sophiste de Platon. Elenchos: Rivista di Studi Sul Pensiero Antico (2):207-254.score: 22.0
    The logos question, one of the most important among the subjects that traverse the Plato's Sophist, has in fact some different aspects: the criticism of father Parmenides' logos, that is unable to speak about the not-being, but also about the being; the relations between logos and its cognates, phantasia, doxa and dianoia; the logos’ complex structure, that is a compound with onoma and rema; the difference between naming and saying, two distinct but inseparable actions; the logical and ontological conditions that (...)
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  39. Bernd-Rüdiger Hüppauf & Christoph Wulf (eds.) (2009). Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Routledge.score: 22.0
    In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental.
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  40. Brian O'Shaughnessy (1998). Proprioception and the Body Image. In Jose Luis Bermudez, Anthony J. Marcel & Naomi M. Eilan (eds.), The Body and the Self. Cambridge: Mit Press. 175--203.score: 21.0
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  41. Edward S. Casey (1971). Imagination: Imagining and the Image. Philosophy and Phenomenological Research 31 (June):475-490.score: 21.0
  42. J. Campbell (1995). The Body Image and Self-Consciousness. In Jose Luis Bermudez, Anthony J. Marcel & Naomi M. Eilan (eds.), The Body and the Self. Mit Press. 29--42.score: 21.0
    in N. Eilan, A. Marcel and J. Bermudez (eds.), The Body and the Self (Cambridge, Mass.: MIT Press 1995), 29-42.
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  43. Robert Hopkins (1998). Picture, Image and Experience: A Philosophical Inquiry. Cambridge University Press.score: 21.0
    How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be fatal to (...)
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  44. Carl Ginsburg (1999). Body-Image, Movement and Consciousness: Examples From a Somatic Practice in the Feldenkrais Method. Journal of Consciousness Studies 6 (2-3):79-91.score: 21.0
  45. Chengji Liu (2008). The Body and its Image in Classical Chinese Aesthetics. Frontiers of Philosophy in China 3 (4):577-594.score: 21.0
    Richard Shusterman’s Pragmatist Aesthetics : Living Beauty, Rethinking Art was published in China in 2002. In the preface of the Chinese edition, the author claimed that his tentative idea of soma esthetics was encouraged by Chinese philosophy and other ancient Asian philosophy. Shusterman’s background in pragmatist philosophy greatly constrains his understanding of the body in classical Chinese aesthetics in that he only pays attention to the technical aspects of physical training while neglecting the philosophical basis of this training. In Chinese (...)
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  46. Alastair Hannay (1973). To See a Mental Image. Mind 82 (April):161-262.score: 21.0
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  47. Jean Hering (1947). Concerning Image, Idea, and Dream (Translation). Philosophy and Phenomenological Research 8 (December):188-205.score: 21.0
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  48. Anne Foerst (1998). Cog, a Humanoid Robot, and the Question of the Image of God. Zygon 33 (1):91-111.score: 21.0
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  49. Henderikus J. Stam (2007). "Image of a Global Village": Global Theorizing and Local Knowledge. Journal of Theoretical and Philosophical Psychology 27 (1):1-18.score: 21.0
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  50. H. H. Price (1952). Image Thinking. Proceedings of the Aristotelian Society 52:135-166.score: 21.0
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