Search results for 'Immanence (Philosophy) in literature' (try it on Scholar)

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  1. Joakim Sigvardson (2002). Immanence and Transcendence in Thomas Pynchon's Mason & Dixon: A Phenomenological Study. Almquist & Wiksell International.score: 552.0
     
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  2. Ben Woodard (2010). Mad Speculation and Absolute Inhumanism: Lovecraft, Ligotti, and the Weirding of Philosophy. Continent 1 (1):3-13.score: 234.0
    continent. 1.1 (2011): 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...)
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  3. Yu-lin Lee (2013). Translating Deleuze: On the Uses of Deleuze in a Non-Western Context. Deleuze Studies 7 (3):319-329.score: 234.0
    This paper aims to explore the appropriation of Deleuzian literary theory in the Chinese context and its potential for mapping a new global poetics. The purpose of this treatment is thus twofold: first, it will redefine the East–West literary relationship, and second, it will seek a new ethics of life, as endorsed by Deleuze's philosophy of immanence. One finds an affinity between literature and life in Deleuze's philosophy: in short, literature appears as the passage of life and (...)
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  4. Linnell Secomb (1999). Beauvoir’s Minoritarian Philosophy. Hypatia 14 (4):96-113.score: 228.0
    : Drawing on Gilles Deleuze and Félix Guattari's elaborations of the project of philosophy and styles of minoritarian literature, it becomes possible to reveal new dimensions in Simone de Beauvoir's The Second Sex. In this work she uses a minoritarian philosophy, which is an accessible and collaborative mode of philosophizing, to create a concept of Woman as an incarnate-becoming. This concept overcomes the dichotomizing of transcendence and immanence, and revalues feminine existence within philosophical discourses.
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  5. Jean-Luc Nancy (2005). The Ground of the Image. Fordham University Press.score: 216.0
    If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces.What is this power that lies in the depths and recesses of an image—which is always only an (...)
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  6. A. Larson (2003). Gatsby and Us. Critical Horizons 4 (2):281-303.score: 192.0
    What are the practical uses of literature and how can philosophy help in determining these uses? This article attempts to answer these questions by examining Gilles Deleuze's application of Spinoza's ontology in a philosophy of immanence. This examination is carried out through a close and practical reading of F.Scott Fitzgerald's The Great Gatsby. By showing how Fitzgerald's text invites a double reading, one of both transcendence and immanence, the practical consequences for literature and philosophy are revealed (...)
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  7. Brian O'Connor (2012). Adorno. Routledge.score: 192.0
    Theodor W. Adorno (1903-69) was one of the foremost philosophers and social theorists of the post-war period. Crucial to the development of Critical Theory, his highly original and distinctive but often difficult writings not only advance questions of fundamental philosophical significance, but provide deep-reaching analyses of literature, art, music sociology and political theory. -/- In this comprehensive introduction, Brian O’Connor explains Adorno’s philosophy for those coming to his work for the first time, through original new lines of interpretation. Beginning (...)
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  8. Sabrina Achilles (2012). Literature, Ethics, and Aesthetics: Applied Deleuze and Guattari. Palgrave Macmillan.score: 80.0
    Introduction: the literary function -- Being constructivist -- Rethinking the performative in pragmatics -- The literary function and the cartographic turn: performative philosophy -- The literary function and society, I: affirmation of immanent aesthetics -- The literary function and society, II: community and subjectification -- The reader and the event of fiction -- Conclusion: degrees of freedom.
     
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  9. Alfredo Ferrarin (1994). Husserl on the Ego and its Eidos (. Journal of the History of Philosophy 32 (4):645-659.score: 68.0
    Husserl on the Ego and its Eidos (Cartesian Meditations, IV) ALFREDO FERRARIN THE THEORY OF the intentionality of consciousness is essential for Husserl's philosophy, and in particular for his mature theory of the ego. But it runs into serious difficulties when it has to account for consciousness's transcendental constitution of its own reflective experience and its relation to immanent time. This intricate knot, the inseparability of time and constitution, is most visibly displayed in Husserl's writings from the 192os up to (...)
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  10. Claire Colebrook (2010). The Secret of Theory. Deleuze Studies 4 (3):287-300.score: 64.0
    This article focuses on the concept of the secret in Deleuze and Guattari's philosophy, with specific attention to the related concepts of becoming-woman and literature. It contrasts Deleuze and Guattari's immanent mode of reading with oedipal theories of the text and hermeneutics. Whereas Deleuze and Guattari argue for the positivity of the secret, where there is content that is not disclosed and that therefore creates lines of perception and interpretation, the oedipal mode of reading regards the secret as a (...)
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  11. Samuel Vriezen (2012). The Poetry of Jeroen Mettes. Continent 2 (1):22-28.score: 64.0
    continent. 2.1 (2012): 22–28. Jeroen Mettes burst onto the Dutch poetry scene twice. First, in 2005, when he became a strong presence on the nascent Dutch poetry blogosphere overnight as he embarked on his critical project Dichtersalfabet (Poet’s Alphabet). And again in 2011, when to great critical acclaim (and some bafflement) his complete writings were published – almost five years after his far too early death. 2005 was the year in which Dutch poetry blogging exploded. That year saw the foundation (...)
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  12. Colin Koopman (2010). Historical Critique or Transcendental Critique in Foucault: Two Kantian Lineages. Foucault Studies 8 (8):100-121.score: 56.0
    A growing body of interpretive literature concerning the work of Michel Foucault asserts that Foucault’s critical project is best interpreted in light of various strands of philosophical phenomenology. In this article I dispute this interpretation on both textual and philosophical grounds. It is shown that a core theme of ‘the phenomenological Foucault’ having to do with transcendental inquiry cannot be sustained by a careful reading of Foucault’s texts nor by a careful interpretation of Foucault’s philosophical commitments. It is then (...)
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  13. Nathanael Stein (2014). Immanent and Transeunt Potentiality. Journal of the History of Philosophy 52 (1):33-60.score: 54.0
    There Are Causal Connections Between distinct entities, but there are also, it would seem, causal connections between earlier and later states or stages of the same entity. These sets of connections fall on the two sides of a distinction, recently revived by some philosophers, between so-called immanent and so-called transeunt causation. How do they relate to one another, and how do they differ, if at all?Transeunt causation is supposed to be the more familiar kind, in which one thing acts on (...)
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  14. Timothy Rayner (2003). Between Fiction and Reflection: Foucault and the Experience-Book. [REVIEW] Continental Philosophy Review 36 (1):27-43.score: 40.0
    Foucault notoriously suggests that his historical analyses are fictions. Commentators typically interpret this claim in a negative light to mean that Foucault's works are not, strictly speaking, true. In this paper, I present a positive interpretation of Foucault's claim, basing my argument on a hitherto marginalized aspect of his work: the experience-book. An experience-book is defined as a use of fiction in the practice of critique with desubjectifying effects. My argument for this interpretation proceeds in three steps. First, to prepare (...)
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  15. Jennifer Gosetti-Ferencei (2012). The World and Image of Poetic Language: Heidegger and Blanchot. [REVIEW] Continental Philosophy Review 45 (2):189-212.score: 40.0
    This essay engages ways in which the manifestation of ‘world’ occurs in poetry specifically through images, and how we can conceive of the imagination in this regard without reducing the imagination to a mimetic faculty of consciousness subordinate to cognition. Continental thought in the last century offers rich resources for this study. The notion of a ‘world’ is related to the poetic image in ways fundamental to the Heidegger’s theory of language, and may be seen in Continental poetics following Heidegger, (...)
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