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  1. Isabel C. Hungerland (1955). The Concept of Intention in Art Criticism. Journal of Philosophy 52 (24):733-742.
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  2. Isabel C. Hungerland (1955). The Interpretation of Poetry. Journal of Aesthetics and Art Criticism 13 (3):351-359.
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    Isabel C. Hungerland (1960). Contextual Implication. Inquiry 3 (1-4):211 – 258.
    In this essay, I have rejected the inductive interpretation of the paradigm of contextual implication (to say “p”; is to imply that one believes that ) and proposed in its stead an explicatory model according to which a speaker in making a statement contextually implies whatever one is entitled to infer on the basis of the presumption that his act of stating is normal. In developing this model, I show how contextual implication depends on three distinct matters: a stating context, (...)
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  4.  9
    Isabel C. Hungerland (1962). The Logic of Aesthetic Concepts. Proceedings and Addresses of the American Philosophical Association 36:43 - 66.
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    Isabel C. Hungerland (1995). The Updating of the Leviathan. Hobbes Studies 8 (1):37-45.
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  6.  9
    Isabel Creed Hungerland (1968). Once Again, Aesthetic and Non-Aesthetic. Journal of Aesthetics and Art Criticism 26 (3):285-295.
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  7. Isabel C. Hungerland (1958). Poetic Discourse. Journal of Aesthetics and Art Criticism 17 (2):262-265.
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  8. Isabel C. Hungerland & Theodore L. Shaw (1953). War on Critics. Philosophical Review 62 (4):615.
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