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  1. Ivan Gaskell (forthcoming). David Carrier, A World Art History and its Objects, 2008. Journal of Aesthetics and Art Criticism 68 (1).
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  2. Ivan Gaskell (forthcoming). Edgar Wind, The Eloquence of Symbols: Studies in Humanist Art, Ed. Jaynie Anderson, 1983. British Journal of Aesthetics 25.
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  3. Ivan Gaskell (forthcoming). Hans Belting, The End of the History of Art?, 1987. British Journal of Aesthetics 29.
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  4. Ivan Gaskell & Salim Kemal (forthcoming). Michael Baxandall, Patterns of Intention, 1985. British Journal of Aesthetics 27.
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  5. Ivan Gaskell (2012). Museums and Philosophy - Of Art, and Many Other Things Part II. Philosophy Compass 7 (2):85-102.
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  6. Ivan Gaskell (2012). Museums and Philosophy - Of Art, and Many Other Things Part I. Philosophy Compass 7 (2):74-84.
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  7. Ivan Gaskell (2010). A World Art History and Its Objects by Carrier, David. Journal of Aesthetics and Art Criticism 68 (1):65-68.
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  8. Ivan Gaskell, A. W. Eaton, James O. Young & Conrad Brunk (2009). Do Subaltern Artifacts Belong in Art Museums? In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley.
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  9. Ivan Gaskell (2008). Ethical Judgments in Museums. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub.. 229--242.
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  10. Ivan Gaskell (2008). The Riddle of a Riddle. Contemporary Aesthetics 6.
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  11. Ivan Gaskell (2006). Diptychs—What's the Point? Journal of Aesthetics and Art Criticism 64 (3):325–332.
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  12. Ivan Gaskell (2003). Being True to Artists. Journal of Aesthetics and Art Criticism 61 (1):53–60.
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  13. Ivan Gaskell (2003). Symposium: How Museums Do Things with Artworks: Being True to Artists. Journal of Aesthetics and Art Criticism 61 (1):53-60.
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  14. Ivan Gaskell, Michael Ann Holly & Keith Moxey (2002). Recollections of Rembrandt's Jeremiah. In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute.
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  15. Salim Kemal & Ivan Gaskell (eds.) (2000). Politics and Aesthetics in the Arts. Cambridge University Press.
    This volume brings together new essays from distinguished scholars in a variety of disciplines - philosophy, history, literary studies, art history - to explore various ways in which aesthetics, politics and the arts interact with one another. Politics is an elastic concept, covering an oceanic breadth of mechanisms for conducting relations between empowered groups, and these essays offer a range of perspectives, including nations, classes, and gendered subjects, which examine the imbrication of politics with arts. Together they demonstrate the need (...)
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  16. Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) (1998). Nietzsche, Philosophy and the Arts. Cambridge University Press.
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground (...)
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  17. Salim Kemal & Ivan Gaskell (eds.) (1993). Explanation and Value in the Arts. Cambridge University Press.
    Explanation and Value in the Arts offers penetrating studies by art historians, literary theorists, and philosophers, of issues central to explaining works of literature and painting. The first chapters look at the sources of interest in the fine arts and point to the intimate relation between aesthetic and other values. The next contributions develop the interaction between value and explanation in the study of the arts, including considerations of the nature of creativity and the principles for the explanations of works. (...)
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  18. Salim Kemal & Ivan Gaskell (1993). Interests, Values and Explanations. In Salim Kemal & Ivan Gaskell (eds.), Explanation and Value in the Arts. Cambridge University Press. 1--42.
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  19. Salim Kemal & Ivan Gaskell (eds.) (1993). Landscape, Natural Beauty, and the Arts. Cambridge University Press.
    In Landscape, Natural Beauty, and the Arts, a distinguished group of scholars probes the complex structure of aesthetic responses to nature. Each of the chapters refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's (...)
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  20. Ivan Gaskell (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (2):79-81.
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  21. Salim Kemal & Ivan Gaskell (1987). Book Reviews. [REVIEW] British Journal of Aesthetics 27 (2):183-184.
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  22. Ivan Gaskell (1985). Book Reviews. [REVIEW] British Journal of Aesthetics 25 (1):79-81.
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  23. Ivan Gaskell (1982). Transformations of Cervantes's 'la Gitanilla' in Dutch Art. Journal of the Warburg and Courtauld Institutes 45:263-270.
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