Search results for 'J. C. Irvine' (try it on Scholar)

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  1. John Edgar, W. R. Scott, J. C. Irvine, C. D. Broad, B. B., G. A. Johnston, Arthur Robinson, T. E., H. Butler Smith, C. M. Gillespie, H. J. W. Hetherington, A. E. Taylor & D. S. Margoliouth (1914). New Books. [REVIEW] Mind 23 (91):433-460.score: 870.0
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  2. J. C. Irvine (1914). New Books. [REVIEW] Mind 23 (1):436-437.score: 870.0
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  3. Iain C. Scott & Andrew D. Irvine (1991). Methodology, Ideology and Rationality: J. R. Brown's The Rational and the Social. Dialogue 30 (04):603-.score: 690.0
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  4. Jan-Olav Henriksen (2011). Finitude and Theological Anthropology: An Interdisciplinary Exploration Into Theological Dimensions of Finitude. Peeters.score: 27.0
    The finite body -- Experiencing finitude n the body and its world -- Finitude, language, and the alterity of the world -- The appearance of the other : and the disruption of finitude by infinity -- Transcending and affirming finitude in desire -- Finitude and authenticity : a discussion of some elements in Heidegger -- Finitude and concrete experience -- Hans Jonas : a limited life is a better life than one that goes on forever -- Coming to terms with (...)
     
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  5. Sherri Irvin (2009). Teaching and Learning Guide For: Authors, Intentions and Literary Meaning. Philosophy Compass 4 (1):287-291.score: 15.0
    The relationship of the author's intention to the meaning of a literary work has been a persistently controversial topic in aesthetics. Anti-intentionalists Wimsatt and Beardsley, in the 1946 paper that launched the debate, accused critics who fueled their interpretative activity by poring over the author's private diaries and life story of committing the 'fallacy' of equating the work's meaning, properly determined by context and linguistic convention, with the meaning intended by the author. Hirsch responded that context and convention are not (...)
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